Beatport: https://www.beatport.com/release/roadhouse/2300038
Spotify: https://open.spotify.com/album/5Va0dGHPIdAk1QYcXJA0D1
iTunes: https://itunes.apple.com/album/roadhouse-ep/1387844009

Early support from Solomun, &Me, Ewan Pearson, Arthur Baker, Oliver Koletzki, Upercent, Lee Burridge, Till Von Sein...

&ME supporting Whitesquare Remix:
https://youtu.be/mfzANT1JBJQ
https://youtu.be/ZHlH027cH9s

Track Of The Day Premiere by Insomniac:
“Roadhouse,” a heady club construction that takes its time maneuvering through ghostly 8-bit textures, heady flourishes, and a haunting vocal refrain from a show you might nerd out on if crime drama TV is your speed.
“We are big fans of David Lynch‘s Twin Peaks,” Kotelett & Zadak tell insomniac. “The track is inspired by the Roadhouse in that series—strange bands playing and mysterious things happen every night.”

(https://www.insomniac.com/music/whitesquare-takes-kotelett-zadaks-roadhouse-on-a-deep-exotic-path/)

(https://soundcloud.com/insomniacevents/track-of-the-day-kotelett-zadak-roadhouse-whitesquare-remix)

Berlin duo Kolett & Zadak continue their hot streak on Exploited Ghetto following the success of Amplifire and Azizam with another formidable creation.

Familiar faces behind the decks at clubs in their home town like Kater Blau, Sisyphos or Ritter Butzke, theirs is a deep and heady sound. Roadhouse rocks a swung triplet rhythm which immediately makes it stand out along with its sinister off-beat bassline. On-beat hats further the jarring feel as hypnotic, warped vocal cuts and sustained synth notes heighten the eerie vibe. It’s a moment of relief from the sonic tension when the epic bassline cuts its way into the heart of the track, with the commanding vocal refrain coming out of nowhere to lay the icing on the cake. Wobbly 8-bit synths add more texture before the brooding bassline grows in swagger with metallic layers swirling out of the ether to bolster its power. Despite its vigour, it’s somehow understated, with its tense feel doing away with the need for excessive power.

Whitesquare deliver a superb rework, taking elements from the original and marrying them to a more straight-up, rolling 4/4 groove that’s laced with delicious conga rolls. Pretty chime sounds play out the chord progression and build the emotion as those vocal cuts are boosted up cleverly to a lead refrain status. A bold marimba melody cuts into play, spaciously reverbed, before a plump analog bassline pumps its way into action. A careful, uncluttered arrangement and excellent mixing allows each element to shine beautifully, with subtle field recording type nature sounds and well-placed FX filling in the gaps perfectly.

1. Kotelett & Zadak - Roadhouse
2. Kotelett & Zadak - Roadhouse (Whitesquare Remix)

Artist: Kotelett & Zadak
Release: Roadhouse
Label: Exploited Ghetto
Cat: EXP42
Publisher: Exploited Ghetto Music Publishing
Releasedate Beatport: 06.08.18
Releasedate I-Tunes: 20.08.18

Roadhouse

Roadhouse (Whitesquare Remix)

Kotelett & Zadak - Roadhouse (Whitesquare Remix) | Exploited Ghetto

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

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