Buy / Stream: https://ffm.to/everybody-come-on-remix

Two hot remixes here for James Curd’s collab with The Swiss’ Sidwho? from an all-star team breathing new life into the funky disco killer that dropped in the summer.

Dynamic Dutch duo Fouk go to town on their version, honing in on the arp from the original and pushing its camp Italo disco energy to the max. Their bouncing bassline stomps with attitude over swung percussion, with subtle Rhodes chords adding warmth as the lush choir of vocal harmonies descend. Taking all the swagger of the original and adding a little sunshine into the mix, they’ve done a stellar job.  "We had a blast working on the remix, the original is so much fun!” they beam. “At first we also had a change over to a more housey sound in the middle of the track. However as the arpeggiated lead from the original is super cool, we really wanted to give our remix a bit of an Italo disco feel. After adding the Italo bass we knew this had to be the direction for the whole track. The ‘80s synths, chords and solo added to the vibe!"

Parisian upstarts O.N.O. continue their excellent form on their remix which goes a little more for the jugular than the groovy Fouk mix. There’s a strong ‘80s house/boogie feel to their slinking groove, and the way they lace it with spacey arpeggios is quite scintillating. Dramatic use of the sassy vocal from the intro of the original sets up a high-impact drop, and shining with their usual sleek production values, this remix oozes fun and class.

Buy / Stream

James Curd & Sidwho? - Everybody Come On Remixes | Exploited

Buy / Stream: https://ffm.to/everybody-come-on-remix

Two hot remixes here for James Curd’s collab with The Swiss’ Sidwho? from an all-star team breathing new life into the funky disco killer that dropped in the summer.

Dynamic Dutch duo Fouk go to town on their version, honing in on the arp from the original and pushing its camp Italo disco energy to the max. Their bouncing bassline stomps with attitude over swung percussion, with subtle Rhodes chords adding warmth as the lush choir of vocal harmonies descend. Taking all the swagger of the original and adding a little sunshine into the mix, they’ve done a stellar job.  "We had a blast working on the remix, the original is so much fun!” they beam. “At first we also had a change over to a more housey sound in the middle of the track. However as the arpeggiated lead from the original is super cool, we really wanted to give our remix a bit of an Italo disco feel. After adding the Italo bass we knew this had to be the direction for the whole track. The ‘80s synths, chords and solo added to the vibe!"

Parisian upstarts O.N.O. continue their excellent form on their remix which goes a little more for the jugular than the groovy Fouk mix. There’s a strong ‘80s house/boogie feel to their slinking groove, and the way they lace it with spacey arpeggios is quite scintillating. Dramatic use of the sassy vocal from the intro of the original sets up a high-impact drop, and shining with their usual sleek production values, this remix oozes fun and class.

Artist: James Curd & Sid Who?
Release: Everybody Come On Remixes
Label: Exploited
Cat: EXPDIGITAL235
LC: 15799
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 09.9.22
https://www.beatport.com/release/everybody-come-on-remixes/3810735
Releasedate Beatport & Streaming: 16.09.22
Releasedate Global Download: 30.09.22

Everybody Come On Remixes

Everybody Come On

James Curd & Sidwho? - Everybody Come On (Fouk Remix)| Exploited

Buy / Stream: https://ffm.to/everybody-come-on-remix

Two hot remixes here for James Curd’s collab with The Swiss’ Sidwho? from an all-star team breathing new life into the funky disco killer that dropped in the summer.

Dynamic Dutch duo Fouk go to town on their version, honing in on the arp from the original and pushing its camp Italo disco energy to the max. Their bouncing bassline stomps with attitude over swung percussion, with subtle Rhodes chords adding warmth as the lush choir of vocal harmonies descend. Taking all the swagger of the original and adding a little sunshine into the mix, they’ve done a stellar job.  "We had a blast working on the remix, the original is so much fun!” they beam. “At first we also had a change over to a more housey sound in the middle of the track. However as the arpeggiated lead from the original is super cool, we really wanted to give our remix a bit of an Italo disco feel. After adding the Italo bass we knew this had to be the direction for the whole track. The ‘80s synths, chords and solo added to the vibe!"

Parisian upstarts O.N.O. continue their excellent form on their remix which goes a little more for the jugular than the groovy Fouk mix. There’s a strong ‘80s house/boogie feel to their slinking groove, and the way they lace it with spacey arpeggios is quite scintillating. Dramatic use of the sassy vocal from the intro of the original sets up a high-impact drop, and shining with their usual sleek production values, this remix oozes fun and class.

Artist: James Curd & Sid Who?
Release: Everybody Come On Remixes
Label: Exploited
Cat: EXPDIGITAL235
LC: 15799
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 09.9.22
Releasedate Beatport & Streaming: 16.09.22
Releasedate Global Download: 30.09.22

Everybody Come On (O.N.O Remix)

James Curd & Sidwho? - Everybody Come On (O.N.O Remix)| Exploited

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)