What a special number - talk about secret weapon! Andi Andean opened at Ozora with this..

rings n boundabouts

Buy the album

Daniel Avery - All I Need

Dec. 3rd 2007.
from Frank Gossner's amazing blog "VOODOO FUNK"
http://voodoofunk.blogspot.jp/2007/12/big-beats-sweet-talks-psychedelic.html

FRANK GOSSNER "Big Beats, Sweet Talks & Psychedelic Aliens"

The phenomenon known as déjà entendu occurs when a person believes they've heard something before, even though it's entirely new. You can think of it as the auditory equivalent of déjà vu. This peculiar illusion has been a defining trait of Ensemble Entendu since its inception—and now, for the first time in five years, we have the pleasure of experiencing it once again.

'Reckless Mechanical Anthems, Vol. 4.' out June 20, 2025
Mastered by Phil Moffa at Butcha Sound
Artwork by Celia Hollander: "Hot Heads" [2022]

Hot Heads

Piñata Radio is an online community radio & broadcasting 24h/7 from Montpellier, South Of France.
More music, events & podcasts : pinataradio.com

Piñata Radio est une radio en ligne qui émet 24h/24 et 7j/7 à Montpellier, dans le sud de la France.
More music, events & podcasts : pinataradio.com

Tom Manzarek (sp404 special) | 03.06.25

READ > inverted-audio.com/premiere-maxwell-simons-richi-rich-joburg-abadir-remix

Beat Machine Records return with a percussive missive titled ‘Bantu’ that pairs local producer Maxwell Simons with the magnetic cadence of South African vocalist Richi Rich...On remix duties, ABADIR dives straight into the deep end with 'JOBURG'. His version plays like a lucid dream, cascading polyrhythms delve into outer orbit, while chopped vocal shards of Richi Rich hover like holographic spirits. By the time the amen breaks crash through, the track transmutes into something almost spiritual.

@beatmachinerecords
@maxwellsimons
@rami-abadir

Maxwell Simons & Richi Rich - JOBURG (ABADIR Remix) [Beat Machine]

“sexy lil 2 step” 

An offering for the summer bbq + with the grill…… more to come.  More trees to smoke. 

The lost tape vol.3 is out everywhere ~ run it up 💐💐💐💐💐💐💐 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/dreamcast/episodes/dreamcast-21st-june-2025

dreamcastmoe 210625

Ata Kak's first new song in over 30 years!

Ata Kak created a peculiar slice of Ghanaian music history with his debut album “Obaa Sima”. While it barely made a ripple at the time of its release in 1994, the cassette found a new life online in 2006. A not-so-underground cult obsession grew after it appeared on  the blog Awesome Tapes From Africa as its very first post, a sort of manifesto for the project. His addictive amalgam of left-field electronic music and Twi-language hiplife reached surprising levels of awareness among music fans of many stripes. The mystery behind the musician’s identity grew. Eventually Yaw Atta-Owusu came out of the shadows, from his quiet home in Kumasi, to tour the world playing high-energy, sweat-soaked performances at major festivals like Glastonbury, Sónar and Pop Montreal. 

Now, for the first time since 1994, Ata Kak releases new music. Honed in studios around Kumasi over the last several years, the songs feature the rapper-singer’s acrobatic rap, signature scatting, dramatic drums and even traditional Akan harp. The compositions are more ambitious than his earlier work, with more complex arrangements and layered harmonies. Ata Kak’s new songs are also the natural expression of a restless artist—he is a prolific poet and author of a half-dozen books, as well as an active gardener and busy painter. 

Born in Ghana in 1960, Ata Kak wasn’t always involved in music. But his travels and openness to the world lead him into the music industry. While living in Germany, he was invited to play drums in a reggae band and subsequently played in highlife bands in Ontario after moving to the Toronto area. He recorded “Obaa Sima” there at his home studio and released it in Ghana in 1994. He didn’t participate in music much in the intervening years until “Obaa Sima” was reissued in 2015. He started performing his song live with the help of a brilliant cast of London-based musicians and has toured three continents and played to thousands of fans in venues of all kinds.

Preorder

Yasi Town

Upfront the official release on September 19th.

Hot seducers. Two of them. On one 7inch. A/B Side business, hard to choose a fav, as both so fab. The A-Side is called “Happen”. It comes from prolific Tokyo based DJ and producer Hoshina Anniversary. A simple drum machine groove, a manic melody, witching siren sounds, psychedelic voices, some soft chords, and soulful high-pitched singing, somewhere between Dam-Funk coolness and Ian Svenonius- The-Make-Up sixties pop longing. One for warm sexy nights under neon lights. Out there in psychic realms. The flip brings a Dolphins interpretation. Yes, that feverish trio behind R.i.O., consisting of Nadia D'Alò, Benedikt Frey and Menqui. Their freshly recorded version comes with haunting nonchalant singing, displaying the tunes core melody as a more prominent actor of the play. Michael-Mann-Pop- Nostalgia with a baroque touch, that waves dark-ish. Even some Jon Hassle feeling is in there. Hoshina Anniversary disclosed, that the original song is inspired by jazz musicians like Chet Baker, Miles Davis, Sonny Rollins, Chick Corea, Herbie Hancock, Jaco Pastorius and Keith Jarrett. None of them is directly stylistically audible. But their kind of blue is all over. On the A as well as on the B. Twice soul music for the free.

Text ML

Artwork Omnigroup
Mastering Falko Paul Eidner & Sebastian Blume
Distribution digitally Muting The Noise & physically Wordandsound

BandCamp

Hoshina Anniversary - Happen (Dolphins Remix)

In this edition, we travel to Ghana, one of our favourite countries for African music. We focus on the 1970s, a very productive phase in the Ghanaian music scene, which at the time was hardly known outside Ghana. Unfortunately, the hopes of many artists for lucrative record deals from abroad were not fulfilled. The only exception is Hedzoleh Soundz, who released their debut album through their collaboration with Hugh Masekela on the American label Blue Thumb. Fortunately, many of these forgotten artists received the recognition they deserved in the wake of the Afro-Funk revival in the early 2000s.

This version is without the spoken parts, just the music.

First aired on Cashmere Radio on June 21, 2025
https://cashmereradio.com/episode/the-endless-tape-machine-38-ghana/

The Endless Tape Machine #38 - Ghana

Pre-order: https://thirdplacerecords.bandcamp.com/album/what-are-you-drinking-ep

Japan’s @sakuratsuruta appears for the first time on Will Hofbauer’s @thirdplacerecords with a new EP, ‘What Are You Drinking?’, a dreamscape of soothing synths, rubbery basslines, and playful, unrelenting grooves.

"The question, "what are you drinking?" for me is a soft invitation - something I find myself asking when the bass is thumping, and I’m feeling a little social. This EP is a toast to that moment - the buzz, the curiosity, the clinking glasses, and spontaneous laughter. A sonic nightcap for the dancefloor," she says.

More exclusive music

Premiere: Sakura Tsuruta 'What Are You Drinking'

Pre-order: https://hodgebristol.bandcamp.com/album/hodge-marsh-lane-ep

@hodgebristol returns to his Two Moons label with a new four-track EP, 'Marsh Lane', written during the process of working on his first live set which debuted during Mutek Montreal this summer.

'Marsh Lane' channels dancefloor energy with a focus on world-building, tension, and the gritty roots of UK bass music.

Premiere: Hodge 'Pluck'

Elaenia

Precursor

LABALA

After a string of standout track releases on her label Coconut Beats, HAAi is now preparing to unleash her first ever full length EP under the moniker, leading with stand out single 'Growing Up With Muscle Cars'. 

Pre-order the EP now, due for release 5th July 2018: https://haai.bandcamp.com/album/motorik-voodoo-bush-doof-musik-ep

“This EP was made after I realised that what inspired me most was to combine my love of electronic music with the music I enjoy outside of the club. I decided to collaborate with friends from a couple of my favourite bands, including Fay Milton (Savages) who provides live drums on Motorik Bush Doof Musik and Taigen Kawabe (Bo Ningen) who performs on I Never Cared That Much For Jungle. For me, having live instrumentation on the EP adds an extra depth to the tracks & has given me a vision of how to I’d like future releases to sound.
My fave track off the EP, Growing Up With Muscle Cars, is an homage to my step dad who repairs and restores old muscle cars. He also used to take me to the drags in my hometown when I was little. We would push the race cars out onto the track. Some of my favourite memz as a lil kid.”

Growing Up With Muscle Cars

Nocturnal Sunshine – ‘Meant To Be’ (DJ Kicks Exclusive) 
16/04/12, K7 Records [K7295EP]

Meant to Be (DJ Kicks Exclusive)

Interview + Download:  http://truantsblog.com/2019/truancy-volume-247-clark/ 

Soundcloud: @throttleclark

Following an expansive discography of LPs on Warp from 2001 to 2017, the latest release from acclaimed British producer Clark sees him self-releasing an album for the first time on his own label Throttle Records. Titled Kiri Variations the fourteen-track album is an extension on his score work he produced for BAFTA-nominated TV drama Kiri back in 2018. Having delved into world of scoring for film and TV back in 2016 with the soundtrack for crime-thriller The Last Panthers, he's taken to the versatility of this type of work with ease. Clark's music, even if sparingly, has always had quite emotive themes and on Kiri, his use of piano, harpsichord, clarinet, strings, electronics and his own voice paints a wonderfully melancholic narrative. We caught up with Clark to discuss the work put into Kiri Variations, his performance at the Royal Albert Hall, the transitional two second 'holy points' in his productions and how producing music for horror films is one of the most satisfying things you could ever do as a producer. His Truancy Volume, a sonic extension of his recent scores, is a riveting tapestry of organic instrumentation. Incredibly coherent yet polarising at points, his embrace of recent acoustic sources can be heard throughout. Shuttling through haunting modern classical and folktronica to the trance-induced productions of Lorenzo Senni, it's an overlap of two circles both firing up emotion. As Clark puts himself  - "We live in a post-genre era, it's good to take advantage of that."

http://truantsblog.com

Clark

Truancy Volume 247: Clark

Collaborations + Experiments  
(﹙˓ ˒﹚) (﹙˓ ˒﹚) (﹙˓ ˒﹚) (﹙˓ ˒﹚)

Hot Heads

Extravagant Frequencies

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