B1 - Third Wave

A1 - 2000 & Somenthing

https://kiddmisha.bandcamp.com/album/the-alien-interview

Kiddmisha - The Alien Interview 👽 (album)

Artist: Spin Fidelity
Title: Gravitational Lensing
Label: Magnonic Signals
Cat No: MS006
Format: 12” Vinyl

Tracklist: 
A1. Harbour Lights
A2. Change is Gonna Come
B1. Fall
B2. Midnight Creep

Spin Fidelity returns home to Magnonic Signals with an outstanding solo EP, Gravitational Lensing…

‘Harbour Lights’ (+) opens the EP and instantly grabs you with its elastic bass and soaring synths. Jam packed with the Spin Fidelity signature sound, driving electro and Martian melodies.

Next up is ‘Change Is Gonna Come’ (++) A laid back 4/4 groove that builds and develops into a full on acidic symphony which is sure to please the 303 lovers.

On the flip ‘Fall’ (-) is a descent into emotional robotic funk. Hypnotic and beautiful in equal measures, definitely a track to get lost in!

Last but not least we have the epic ‘Midnight Creep’ (- -) The stuff of dreams or nightmares? Dark and light? The Midnight Creep is lurking. Haunting electro.

Signals are getting stronger…

Spin Fidelity - Gravitational Lensing (MS006)

Omakase investi la sulfureuse @pinataradio pour une mensuelle haute en musique et couleur. L'idée est simple: à chaque épisode un pigment à l'honneur et un invité pour développer un mix audio autour de celui ci.

Pour le 19e épisode de notre série, on est très heureux d’accueillir l’étonnant et l’inventif @prince-de-takicardie, producteur et DJ marseillais de talent, à prendre les commandes de l’émission afin de se prêter au jeu de l'interprétation musicale d'une couleur.

Au programme :  Une heure de sonorités métallique, frénétique et résonantes autour de la couleur chrome 🤖🦾👽🛸

Prince de Takicardie

Monochrome #19 - Chrome Par Prince De Takicardie

One Eye Witness

B2 Melodina

Release : June 2022

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SAISEI founder Junki Inoue continues his vital archival work uncovering the riches of Japan’s distinctive electronic music scene and bringing them to new audiences around the world. The Sounds Of Transonic compiles six tracks recorded in Tokyo between 1991 and 1995 and released by the pioneering Transonic label, founded in 1994 by Kazunao Nagata and active until 2004.
Transonic’s catalogue is a glittering roll call of the scene’s major players, whose inventive and genre-blending work established forward-thinking house and techno in Japan in a way that would shape the country’s electronic sound for years to come. Transonic was instrumental in giving exposure to the work of these artists with its emblematic series of CD compilations, released over a short couple of years in the mid 90s. Beginning with 970-1450km/h, Feedback and Range, the series also included The Roots Of Transonic, featuring music from parent label Trigger. Alongside these compilations came much sought-after solo albums each packaged with striking cover art that makes the discs a visual treat for collectors to this day.
The Sounds Of Transonic brings together six tracks from the catalogue into one breath-taking package. The influence of hi-tech jazz and machine funk from Detroit is undeniable in ‘Dream Trance’ (Mind Design) and ‘Blasting Soul’ (Interferon), while ‘Under The Ground’ (Palomatic) and ‘Chelsea’ (Suzukiski) are permeated by the artificial intelligence and trip hop emanating from the UK at the time. The compilation is bookended by two tracks by Nagata himself (as Organization): ‘Space Ball’, a Model 500-worthy chase through the cosmos, and ‘Call’, an eerie echo of Kraftwerk’s telephone, transmitting expectantly out into the void and, finally, receiving its celestial answer.
With The Sounds Of Transonic these formative pieces of music will now be available internationally and, for the first time, on vinyl.
SAISEI is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. SAISEI’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.

A1. Organisation - Space Ball (snippet)

Monotech Solution 001 | The Valley.wav

Generator [snippet]

A1 Bass And Dance

Artist: Kellon
Title: Tycho EP
Label: Spillway
Cat No: SPILL06
Format: 12” Vinyl	

Tracklist: 
A. Eye of the Beholder - Neuron Network
AA. One Step Beyond - Kellon
B. Zambique - Kellon
BB. Transmute - Kellon

Kellon returns with the 6th Spillway release - Tycho EP. After featuring on SPILL05, Neuron Network contribute to the label once again, this time with the opening track. Expect a varied collection of techno across the EP.

Kellon - Tycho EP (SPILL06)

curated by https://soundcloud.com/jos-productions

For Info: eyarecords017@gmail.com

A1 - 2000 & Somenthing

EYA Records - LONEWOLF

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