PREMIERE!! 

NEUROVISION presents NEURORITMOS the second of many Various Artists of the label, with all Argentinian producers of EBM, Electro, Techno and Darkwave.

VA: NEURORITMOS VA-02
Track : Black.N - Schweinekalt
N°cat: NEU-003
Label: Neurovision
Cat: electro-ebm-techno
Format: digital va
Release date: September 1
Mastering by Bika Velvet
Artwork by Francisco Macfarlane
Dg/Edit by Chemical Pulp

NEUROVISION Label links
BandCamp: https://neurovision.bandcamp.com/
Soundcloud:https://on.soundcloud.com/Jwk4nxdLqAGxyku57
Instagram: https://www.instagram.com/neurovision.rec

PREMIERE || Black.n - Schweinekalt || [Neurovision]

An endless ride through voices, patterns, and blinding visions. Acid bass rolls, spiral arps twist into infinity, vocoder whispers dissolve into delay haze. Reality fades – pure hypnosis for the dance floor. 🌌✨

#PsyTechno #AcidTechno #DarkRave #142BPM #NeonTrip #Hallucination #BerlinNights #CyberpunkVibes #TechnoHypnosis

hallucination drive

Street to nowhere

Decay As A Way Of Life

[RND.R026] - V/A

We are proud to present you our 26th release, we found some of the break Techno / Industrial & EBM producers to make this war compilation by 21 artists.

Incl.: ANST - Crystal Geometry - DJ VARSOVIE - L.P.T. - End Of mortal Life - Fraction - IKE DUSK - Illnurse(Bonus track, out in 2 days) - L’Atlas - MTD - New Frames - Opal - OPERANT (Bonus track, out in 2 days)- Projekt Gestalten - Quelza -Randolph & Mortimer - RE_P - SAMOT (NX1)- The Horrorist - War Scenes - WarinD 

Mastering by NIUMEN MASTERING.

The Horrorist - Down You Go (Original mix)

MDD . Reverse The Contrast . cd . HANDS D262
Out on HANDS: 8th March 2019
cd: www.handsproductions.com/mailorder.asp
digital: www.handsofficial.bandcamp.com

HANDS proudly welcomes one of the hottest acts on the current industrial techno circuit. The Toronto based duo MDD is the alliance of techno producers Measure Divide and Dolgener, who pursue a distinct passion together: The dark and dirty and intensely rhythmic “Reverse The Contrast” is a collection of tracks that defines their diversity and ability to express their aggressive, distorted, and edgy sound reflecting on today's maddening world. Discover old and new school industrial influences in a very unique combination, laid out with highly skilled production in ten tracks around the 6-minute mark, food for thought and pure physical stimulus at the same time, contemporary club grub galore.
What started with intense recording sessions in 2015 became a live act in 2017, which has led MDD to perform alongside the likes of Orphx, Ancient Methods and Perc already; and in 2018 they have released two 12” vinyls to great acclaim. While industrial and techno have crossed over massively in recent years, from both camps, the question may arise, how does one add something new to the style? MDD succeed in nailing that objective, with an album that oozes euphoria and authenticity – with an innovative combination of sounds: From their techno heritage they take the rhythmic clue, a relentless, capturing backbone laced with substantial groove. And at the same time, they pay due respect to industrial traditions that by far precede the crossover wave of recent years: Tracks like “Crushed”, “Underlight” or “Valium” focus on unadulterated rhythms and noise chops with big washes of distortion; “Breath”, “Dives” and “Submission (featuring AADJA)” feature actual, albeit heavily treated vocals, and addictive melody hooks, thus even hinting at the times when tracks were actual songs. But there’s reconciliation at hand - “Grind” or “Second Injection” reveal their techno heritage through the whipping snare sounds and thumpy kick drums. And then it’s all in the same way head-nodding, stomping goodness. Contrast and reversal, past and present, MDD play with seeming antipodes and achieve something ultimately enjoyable!

Tracklist:
1 Intro
2 Crushed
3 Underlight
4 Grind
5 Breath
6 Valium
7 Submission feat AADJA 
8 Second Injection
9 Transition Pull 
10 Dives
11 Still Frame

MDD Valium

OUT NOW THRU OUR BANDCAMP AND ALL GOOD STORES....

For Haven’s sixth release in their main series co-head Keepsakes returns to the label with his first EP of 2019 and a new, slower direction for his sound. Following on from a busy touring schedule in the previous year and well received EPs on Haven, ‘Modern Anxious Vernacular’ takes a different approach to Keepsakes’ crunchy and vigorous tones, opting to explore slower tempos while maintaining his signature character in an environment of ever increasing BPMs.

The A1 begins the EP with ‘Seep’, throwing mind-shattering kicks, eerie vocal atmospheres and shuffling hi-hats at the listener before striking with a hectic staccato synth line at the halfway mark in a highly effective slow-mo banger. The BPMs decrease further still in the A2 on ‘State Of It’, which utilises effective, stepping drum programming and left-field hypnotising synth work to create a more unusual and melodic ambience. The B-side kicks off with ‘Hovel Of Scum’, delivering a dynamic percussion loop and crushing kick drum before introducing creepy synth lines and sampling work to reintroduce a ghostly mood. Finally, the EP is closed with ‘Selfies Are For The Weak’, a slowed-down rolling broken-beat workout based around an ear-worm vocal sample and delay-heavy percussion, ending this new sonic expedition in Keepsakes’ musical world.

Keepsakes // Modern Anxious Vernacular [HVN006]

Close to a year after its Blasted-fathered, inaugural first EP, Depth.Request operators reveal that the London-based imprint is far from being dead in a cradle and has a pair of legitimately attention-commanding names presented on the sleeve of its sophomore record as a matter of fact: with a career spanning well over a decade, Osaka's reliable warehouse demolitioner Ryuji Takeuchi needs little in terms of introduction and really so does A1 remix-assigned Swarm Intelligence, whose designer creations are known to provoke thought and action at even degree.
Phenomenon Of Combination starts off with Noctambulism, an anxious-to-get-to-it opener whose 6 kicks a tact work nicely to perceivably speed up its tempo of 132 and aren't halting for bit as the distorted acidic sequence, spinning hats and tides of noise gradually show up to do what reaching crude oil connection would to a wildfire already raging. 
As percussion in a revised 136-BPM version is approached differently and with more emphasis applied, the signatures remain uneven—as is often the case with Swarm Intel's offbeat and off-the-wall production; that aside, the roaring digital grinding and vertiginously panning mid-section drones add sinister colors to Takeuchi's metaphorical picture which wasn't exactly evoking green pastures and still waters to begin with. 
While brought down to 124 a minute, one probably wouldn't want Somnambulism running much faster anyway with a somewhat convoluted drum programming that is involved; a steady rise of distortion and gain of its fluctuating acid bassline also proves to provide enough fortitude to make up for the mid-range tempo and slowly but surely fills up every patch of the spectrum with acute aural intensity. 
Definitively exhausting the synonyms for this titularly addressed brand of parasomnia, Sleepwalking brings the release to closure through diligently whanging 4x4s alongside a condensing arrangement of 16x16s, paced at 137 and supported in their plight by faintly striking claps with light hats peaking from behind the perpetuating pattern of a deranged acid wall that undoubtedly does to psyche something akin to subtly stirring the sanity meter towards E while drilling a hole in tank to eliminate the possibility of a refill.
Maddening in all good senses, second adoptee of Depth.Request is a four-pack of tools forget to inflict hard damage, best recommended to those that regard their local factory-made-a-venue as weekend retreat.

- rhetor, Aivazovsky Waves

A1. Ryuji Takeuchi - Noctambulism
A2. Ryuji Takeuchi - Noctambulism (Swarm Intelligence Remix)
B1. Ryuji Takeuchi - Somnanbulism
B2. Ryuji Takeuchi - Sleepwalking

Written and produced by Ryuji Takeuchi
Remixed by Swarm Intelligence
Mastered by Alain Paul
Artwork by Tolga Tres
P&C 2019 Depth.Request

Format : 12'' vinyl & digital
Release date : 25-11-19

DR002 - Ryuji Takeuchi - Phenomenon of Combination - EP - Preview

Italian producer Hålbå displays granular textures and dystopian grooves to embody his vision of an uncertain future. Through drone-like rumbles and syncopated kick drums he conveys ideas of chaos despair and distress. Above foggy and intoxicating sonorities, martial and syncopated percussions keep the tracks moving forward.

Raw and industrial sounds immersed in dark ambiances characterize the sound of Hålbå. He intends to transport you in his world and tell you some stories focused on society's decay and its consequent uncertain future. Chaos, despair, and distress are some of the feelings that the artist tries to convey on his productions, a result of a depth study of audio techniques and audio synthesis combined of a continuous evolution on experimentation new sonorities.

Time Of The End

[BEP-032] Hålbå - Try To Survive

Artist: ASSASSANI
Title: 'Sublimation By Selfdisintegration'
Label: Tripalium Corp
Cat. #: DMS037
Format: Cassette & Digital
Release: 5th May, 2020
Pre order: https://tripalium.bandcamp.com/album/dms037-assassani-danzefloor-dystopia

Sounds From NoWhere is pleased to premiere a new ASSASSANI' gem on 'Tripalium Corp'.
Since 2016, Barcelona-based producer Assassani, also known for his artworks under his name Victor Dvnkel, released his music on labels such as Cønjunto Vacío, She Lost Kontrol, Impartial Waves, and his own imprint + Demonodrome +. 
With that new EP for Tripalium Corp, he delivers 4 martial, heavy, hard techno tracks, as dark as black blood - a mercyless hammer of industrial techno & loud EBM with a blackmetal punk background !

@assassani
@tripalium-corp

Premiere: ASSASSANI - Sublimation By Selfdisintegration [Tripalium Corp]

Mix por Prima Selektor para la transmisión de Club Da Vinci del 19 de septiembre del 2020.

Decay As A Way Of Life

EYES GONE

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