ascoltato in religioso silenzio. musica profonda, ancestrale, primitiva. bella maniera di rendere omaggio alle tradizioni, congratulazioni!

"Spirit of GMO" at Blue Eyes (Kyoto,JP 20130823) II

(VALSUSA OUTTAKES) FRAMMENTI SULLA LOTTA NO TAV – EPISODIO 4 - "MILITARIZZAZIONE"

Questo episodio raccoglie racconti e riflessioni sull'occupazione militare in Valsusa. L'episodio non ha pretese di esaustività documentativa circa i numerosi incidenti che hanno visto coinvolti NoTAV e polizia, ma cerca di offrire un quadro, il più schietto e sentito possibile, di come la polizia e l'esercito sono percepiti e osteggiati in Valsusa. Questo lascia spazio a più ampie riflessioni sull'uso strumentale della polizia, sulla democrazia negata e sulla sfiducia nelle forze dell'ordine. L'episodio è qui presentato in una versione più lunga rispetto a quella realizzata per Radio3.

///
(VALSUSA OUTTAKES) - FRAMMENTI SULLA LOTTA NO TAV  è un lavoro radiofonico di Davide Tidoni. 

Attraverso la voce di alcune persone legate al movimento No TAV, il lavoro raccoglie una serie di riflessioni attorno a temi quali: la progettazione tecnica della linea Torino Lione; il rapporto tra lotta, comunità e trasformazione individuale; e la difesa militare della Grande Opera Inutile.

Programmato su Tre Soldi / RAI Radio3 nel maggio 2023 (https://www.raiplaysound.it/playlist/valsusaouttakesframmentisullalottanotav), il lavoro è stato trasmesso solamente nelle sue prime tre puntate. La diffusione della quarta puntata è stata cancellata poco prima della messa in onda.

Episodio 4 - “Militarizzazione" (già "La Polizia in Valsusa")

Brigitte Fontaine - L'Auberge
Youmna Saba - Al khayal
Dakn - Too low, too far
Keeley Forsyth - Lost
Hermann Nitsch - Satz 1
Speaker Music - Amerikkka's Bay (ft. Maia Sanaa)
Speaker Music - Black Industrial Complex - Automation Repress Revolution in the Process of Production, and Intercontinental Missiles Represent a Revolution in the Process of Warfare
Anohni & the Johnsons - Free at last
Brian Cox reads Refaat Alareer's last poem "if i must die"
Lucy Railton - Pinnevik
Matana Roberts - I Am
Kamilya Jubran - Nabd
Meredith Monk - Last Song

ᴀʙᴏᴜᴛ ᴛʜᴇ ᴀʀᴛɪꜱᴛ

Jessica Ekomane is a French-born and Berlin-based electronic musician and sound artist. She creates situations where the sound acts as a transformative element for the space and the audience. Her quadraphonic performances, characterized by their physical affect, seek a cathartic effect through the interplay of psychoacoustics, the perception of rhythmic structures and the interchange of noise and melody. Her ever-changing and immersive sonic landscapes are grounded in questions such as the relationship between individual perception and collective dynamics or the investigation of listening expectations and their societal roots. Her first LP Multivocal was released in 2019 via Important Records. Since then, her work has been extensively presented in festivals, venues, contemporary art spaces and museums across the world. She was one of the fellows in residence for the villa Romana Prize 2023 in Florence.

https://soundcloud.com/jessica-ekomane
https://jessicaekomane.com
https://jessicaekomane.bandcamp.com
https://www.instagram.com/jessicaekomane/

🌿 ᴀʙᴏᴜᴛ ꜱᴏɴɪᴄ ᴀɢᴇɴᴄʏ

As we have always dealt with sound as a political category, our activism is based on listening and focuses on the revolutionary potential that is inherent in the sonic. Under the banner of Sonic Agency we want to enforce a sonic activism of opposition and resistance. The artists involved are advocating for social and political transformation. Their sounds lend themselves to global emancipatory struggles, and fights for freedom and equality. The featured sounds aren’t complicit in the silence that surrounds us. They are furious, desperate, crying, paralysed, compassionate and rebellious like us. There is a message in sound that cannot be negated.

Listening is not neutral.
Listening shapes the reality we live in.
Listening is shaped by ethics and politics and leads back to it.
Listening is directly linked to memory and identity.
Listening is as important as speaking.
Listening is an active act.

Read the full curatorial statement here
https://strumandiodine.com/article/sonic-agency/

SONIC AGENCY - JESSICA EKOMANE - "Palestine Mix"

Migratory Echoes: Thessaloniki (2017)
Text-sound composition which was part of the installation exhibited at the 6th Thessaloniki Biennale of Contemporary Art

Migratory Echoes: Thessaloniki, 2017

Sound Devices: exploring literature through sound - Rathmines Library, Dublin (Jan 2013) | First in the Sound Devices podcast series.  

Featuring works by Sarah Boothroyd, Eric Boivin, Hilda Daniel, Mario Sarramian, G.A. Harry, Timo Kahlen, Scott F. Hall & Eleni Manolaraki, Nance Davies, Le Gateaux Bateaux, Mike Ridge, Pierre Jolivet, David Rogers. Produced & presented by La Cosa Preziosa.

Sound Device n.1

TANZ SEDIMENT (excerpt)
2019-2020 
commissioned by Deutschlandfunk Kultur, Klangkunst Program 2020 as radiophonic work

Taking inspiration from Tarantella music and dance, in her new work "Tanz Sediment" Alessandra Eramo explores the freedom that resists in the female voice by creating a trance music ritual, evoking sonic memories like a river sediment. She traces the wild, natural and vulnerable voice, which is not only an instrument, but it is an archaic sonic territory to be disclosed in the modern human body.

An hypnotic sound collage that includes extended solo voice, female choir and glossolalia, a traditional Apulian female work song, frame drum, the text in ancient Greek from the Euripides tragedy “The Bacchantes”, field recordings at a wild park and former deserted industrial area in Berlin.

Originally commissioned by Deutschlandfunk Kultur, Klangkunst Program 2020 as radiophonic work, Tanz Sediment recently materialised as a multimedia installation presented at Savvy Contemporary in the group exhibition “Ultrasanity” in Berlin from 14th December 2019 to 26th January 2020.

CREDITS:

Composition, Voice and Electronics: Alessandra Eramo
Frame Drum: Antonino Secchia
Voice in ancient Greek: Eirini Fountedaki
Choir: Inma Bernlis, Alessandra Eramo, Ianni Luna, Morena Miceli, Sonia Noya

Tanz Sediment_excerpt

Recorded at "room 8", Berlin, Friedrichshain.
Thiébault Imm: guitar
Kévin Angboly: drums
Python vs Cobra, 2013.

La Septieme Tête

_liminal State excerpt 1

Extract from the self released ep "PythonvsCobravsGingerFace".
Recorded in Berlin, February 2013. Full version here:
https://pythonvscobra.bandcamp.com/album/pythonvscobravsgingerface
Sofie Trolde: screams
Thiébault Imm: guitar, screams
Kévin Angboly: drums, screams

Python vs Cobra vs Ginger Face - Untitled Two (feat. Sofie Trolde)

An excerpt from the forthcoming LP
»Living Theory Without Anecdotes«
CORE005
http://corvorecords.de

Subfertile (Excerpt)

Der Elefant Im Porzellankaefig (Excerpt)

ALESSANDRA ERAMO is a sound artist, vocalist, composer based in Berlin.
more info:
www.ezramo.com

Tanz Sediment_excerpt

Alessandra Eramo

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