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Sam’s EP boot’s off with ‘Chocolate’, a track that builds and builds using detuned synths, stabs and funky drums to make any dance floor erupt. ‘Domino’ is a track that’s bassline drones underneath its own distinctive synth line to keep the drums rolling along steadily. The title track ‘Black Leather’ is everything you would expect in a Drumcode record; a subtle throbbing bass line which, keeps the track moving before the synth stabs enrapture the track and twist it into a dark, throbbing composition. The final track ‘Daegon’ uses dubbed out drums to incorporate a synth melody line that will blow your socks off and rounds off this well shaped EP.

DC119 - Sam Paganini - Black Leather - Drumcode

DC119 - Sam Paganini - Chocolate - Drumcode

There’s no room to argue, Joseph Capriati has enjoyed his finest year to date and his escalation as one the principle profiles in techno knows no boundaries. 

The Napoli-born firebrand has just completed a stunning season in Ibiza as a resident of Marco Carola’s Music On at Amnesia. Anyone who caught him play the main room this season will agree – his special ability to combine an infectious stage presence, with razor sharp DJ skills draws techno fans to dancefloor like bees to a honey pot. No wonder island legend Carola’s handpicked him to perform on 8 separate occasions, more than any other artist this season. 

Combine this momentum with an outstanding 2013 that already saw him headline his first coast-to-coast tour of the US, play a historic 12 hour set at the Metropolis in Napoli, plus headline every major techno festival on the planet, the time couldn’t be better for Capriati to unleash ‘Self Portrait’, his sophomore LP. 

Already ingrained in the consciousness of techno lovers this year thanks to ‘Fratello’ and ‘Awake’ the pair of searing dancefloor slayers that were released in June as the album’s first singles, ‘Self Portrait’ goes deeper than the club stormers the Italian is famed for. Over 11 future-facing tracks, Capriati displays his deft production skill to supersede his reputation for bodyslamming dancefloors. 

Tracks such as ‘Electrolytic’, the album’s atmospheric opener evokes mood with a barrage of steely synths, gritty drums and industrial beats, while ‘Self Portrait’, the typically reflective album title track is an understated ambient gem led by warm trickles of melody that pairs nicely with ‘Naked’ which exhibits the producer’s deft skills for moulding sparse stripped back minimal that kicks along with cheeky vox and shuffling percussion. 

He further reinforces his ability to create addictive club rollers with the quirky, squiggly groover ‘Easy Come Easy Go’, while the masterful ‘Basic Elements’, chugs along with rattling industrial percussion before giving way to a sublime wall of melody that’s just the kind of genius fare that gets his diehard fans raising Italian flags inscribed with ‘JOSEPH CAPRIATI KING OF TECHNO’ regularly at this gig. And with an album this good, who are we to argue?

Joseph Capriati - Awake - Drumcode

Using rolling percussion and a thumping kick, Luigi’s four track EP starts with a bang as the title suggests; ‘Primo’ really is unbeatable! Luigi uses synth stabs that add character and finesse to this outstanding piece of music. ‘I Believe’ uses dubby drums and an infectious vocal to really tear things apart before dropping into a melodic synth section that will make anyone move. Tantra’s melodic groove synths help this early morning track really come into its own before the main melodic section, accompanied by strings, will take any clubber to their own dimension. Hypnotizek rounds off the EP being more upfront about where it’s going. This cheeky, groove based track will warm up a dance floor quickly and get people in the mood for a real party!

DC122 - Luigi Madonna - Primo - Drumcode

Harvey McKay starts his next single using a killer vocal hook and heavy-duty synth stabs to full effect, conjuring up more of Harvey’s unique style with ‘Silk Road’. The second track ‘Slip’ uses ghostly pads that float over the top of a crisp, chuggy kick drum combining two different qualities before welcoming the percussive synth blips into the mix. The third and final track ‘Start Running’ is chuggy and uses a mesmerising bass loop to draw a dancefloor in. The vocal stabs sit nicely on top before the lead vocal gives the track character and definition.

DC124 - Harvey McKay - Start Running - Drumcode

Dustin Zahn makes his album debut in March 2014 with the release of Monoliths on Adam Beyer's Drumcode label. Gestating over a period of a four years during break from releasing original solo material, Monoliths sees the Minneapolis native capturing the full breadth of his production style in the long-player format for the first time. Having become a mainstay of the Drumcode line-ups for their Berghain residency and beyond, the challenge was set for the Berlin-based Zahn to build upon the reputation he has established in the past decade-and-a-half since he first arrived on the scene, during which time he has also given a platform to artists such as DVS1, Minilogue, Psyk and Truncate via his Enemy Records imprint. 
"Adam Beyer has supported me since day one and almost all of my output has found its' way into his sets since the beginning. Aside from being a champion of my music, he has also become a good friend and has been a big help to me when times were tough. Drumcode was a major influence on me when I first started getting into techno. Getting the opportunity to do an album for an inspirational label with a massive following made choosing them an easy decision." 
The bracing retro-futurist synths of 1984 tease what's to follow: epic, ambitious, raw real techno - as imperious as the album title implies and impeccably designed for the tallest speaker stacks. When the record is at its most dancefloor-focused each cut is an amalgamation of classic techno elements that encapsulate the genre at its most uncompromising, though Zahn's skill as a producer shines through in his ability to demonstrate the range contained within this aesthetic. Whilst embodying the genre's purity of purpose, Monoliths is still able to find and explore different sonic palettes. 
"The overall tone is noticeably a bit more industrial and colder since it was written over a brutal winter in Berlin. It also marks my return to a heavy emphasis on hardware for a more raw sound. A lot of producers try to show their range on albums by writing music that isn't necessarily their strong point. In result, you get a lot of albums with mediocre 'listening' tracks and a couple of token 'club bangers' that should have just been destined for an EP anyway. I decided that I was going to focus on my strengths and write a full-on techno album that sums up my career so far."

10. Dustin Zahn - Insatiable Hunger - Drumcode

07. Dustin Zahn - Deus Ex Machina - Drumcode

Truesoul Records are proud to announce the release of ‘Let Your Soul Outside’, the debut album from Reset Robot in April 2014.

Behind the Reset Robot project is Dave Robertson, a producer who has released standout singles on labels like Dogmatik, Intacto and Adam Beyer’s Truesoul imprint over the past 5 years. Now he steps up with his debut album, the stunning ‘Let Your Soul Outside’.

The LP was written at Reset Robot’s home studio in Portsmouth and is an album of fascinating textures inspired by “all the music I listen to and love!” says the producer himself. “I've wanted to do this for a long time and all of a sudden I had 8 or 9 tracks together which were a little bit different. I added a few more and asked a close friend, Tom Powell from Mister Woo, to add vocals to a couple of them and it was ready.”

The result is a full length that touches on many different moods and emotions, starting with the melodically soothing tech funk of ‘Guitar Man’. Tracks like ‘Little Alice’ then pick up the momentum thanks to slick beats and crisp percussion and ‘Sizzler’ introduces a soulful vocal element over more tortured sounding, synth-laden grooves.

It’s not all full on dancefloor material though, with tracks like ‘Desi Beats’ it allows you a little time to breath thanks to their more widescreen and laidback vibe, whilst ‘Sausage’ strikes a truly emotive pose that has your thoughts turning inwards.

With this album Reset Robot proves both his range and his dexterity – no two tracks sound the same, and instead the Portsmouth producer explores every nook and cranny with a fine attention to detail that really makes the whole thing sing. ‘Let Your Soul Outside’ is a stellar achievement.

Reset Robot - Sausage Feat. Mister Woo - Truesoul

Timmo’s debut Drumcode release ‘We Beat On’ carries a flow through out that gives Timmo his own unique sound that has captured the ears of many highly revered techno DJ’s around the world. Timmo uses hypnotic sounds and phrases whilst he always maintains a thumping techno beat that underlies all the tracks within this EP to maximum effect. Furthermore, there is a ghostly feel amongst Timmo’s tracks that really provide him with his acquired sound, the pads in ‘Canvas’ are a beautiful reminder of this. Timmo also uses strong synth stabs to full effect that juxtapose against the drums to help create the tension and aggression that is present within techno.

Timmo - Bloom - Drumcode - DC125

Timmo - Canvas - Drumcode - DC125

Bart Skils returns to Drumcode with his third solo release, ‘Shadowprint’. Consisting of Bart’s famous rolling drums and bass rhythms he has crafted an EP that is exceptionally functional. With each track Bart has added character by introducing vocals, interesting melodies and deep percussion to keep it interesting. The EP is made up of 3 peak time tracks that are eloquently put together. ‘My Part Of Town’ is a bit deeper from Bart and contrast’s well to the rest of the EP with it’s melodic bass line.

Bart Skils - Shadowprint - Drumcode - DC126

Bart Skils - For Your Eyes - Drumcode - DC126

Nicole has returned to Drumcode all guns blazing with her new ‘Bittersweet EP’. The A- side ‘I Know Where I’ve Been’, is a deep rolling techno machine that uses a constant building percussion loop that eventually explodes into some serious funky signature Moudaber techno! ‘Bittersweet’ is a techno belter that uses a hypnotic synth rhythm that will take the listener into another world. The repetitive claps induce a flurry of energy and excitement whilst supported by the crisp highs.

Nicole Moudaber - I Know Where I've Been - Drumcode - DC127

After the success of the first A-sides compilation in 2012, Adam Beyer has decided its time to release another. With Adam's stature steadily growing as one of the leading talents in the Techno scene and the rise of Drumcode, the standard of demo's that have been sent to Adam have been top notch. Adam has now decided to release two compilations with 10 tracks on each, both consisting of tracks that Adam has tried and tested. There are also new artists that have been invited to release on Drumcode for this compilation and others who are a staple in Drumcode's core family. Combining both old and new talents Drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

Gery Otis - Jazing - Drumcode - DC129

OUT NOW!
Beatport: https://po.st/ToolAms
iTunes: https://po.st/iTunesAms

Welcome to Toolroom Amsterdam 2015, the ultimate soundtrack to one of most influential music events of the year. Each October, industry professionals and enthusiasts alike converge on the Dutch capital for the mighty Amsterdam Dance Event. A week full of non-stop parties, seminars, and workshops, ADE is the perfect time to break new records and discover the latest trends. 

Toolroom Amsterdam 2015 is stuffed to the brim with 40 of the hottest tracks of the season, including recent hits from Technasia, Green Velvet, Maceo Plex, Hot Since 82, Dennis Ferrer, Dosem, and many more! In addition to some of the biggest chart topping underground weapons out there at the moment, we are excited to premiere 6 brand new exclusives from Ben Remember, Felix Kröcher, DJ Fronter, KlangKuenstler, Dani Sbert, and Saison. Two expertly crafted DJ mixes take you on a journey that starts in the club, and lands you deep into afterparty territory.


Beatport

KlangKuenstler - Adjust Me Feat L.Muriel (Preview) - OUT NOW!

Comade Music is proud to present one of the most remarkable Spanish dj producer Paco Maroto. Paco delivers us a perfect EP for keeping active the dance floor. “Spectrum' kicks off with dark, solid drums, while atmospheric synths and dark vocals. Second in line is ‘Zero Gravity’ which features a driving percussive beat with a dark baseline over the atmospheric elements and dark male vocals to complete this great track.
A sure bet for everyone who likes things techno.
www.comademusic.com

Paco Maroto - Spectrum (Original Mix)

Staring back to 2011, Adam Beyer and Alan Fitzpatrick’s ‘Human Reason’ track was a huge Drumcode release and with Len Faki’s new stamp on it, he is showing the unique talent that Drumcode have within their ranks. Len Faki’s Remix incorporates the original lead sound into different rhythms and puts it against different sound textures to create a sure-fire techno track. ‘Memesis’ is a new original track from Adam Beyer and Alan Fitzpatrick that uses a deep bass line to create a solemnly dark atmosphere. It also uses synth stabs help to enforce this trippy, hypnotising ambiance that moulds the track together. 

01 - DC105 - Adam Beyer & Alan Fitzpatrick - Human Reason - Len Faki Remix - Drumcode

The EP starts with Mikael Jonasson’s, ‘Benefit of the Doubt’ which uses dark, melodic bleeps to create tension before the epic chord stabs kick in that resonate over the throbbing bass line. Adam Beyer steps up with the second track ‘Never Really Left Home’ that uses a rhythmic synth-line to create a dark and moody piece of music. Ida Engberg then delivers her unique style of techno using old rave sounds and a huge hoover style synth to create a driving techno track that will keep any dancefloor moving. The Manic Brother’s supply another big track named ‘Different Directions’ using reverberated stabs to create an atmospheric, but still functional track with lots of rhythmic percussion thrown in. Patrick Siech then steps up with the next track, ‘Kill Room’ that also uses atmospheric percussion and stabs to build into a funky drum groove. Joel Mull presents the sixth track on the compilation; ‘Rimson’ that uses hypnotic drums to captures the listener’s attention to lead into a floaty synth and vocal line before the track introduces a pulsating bass line. ‘Second Coming’ is the next offering with Petter B using recurrent percussion to full effect to create a purposeful, heavy hitting techno track. The final track by Cari Lekebusch called ‘Xylopeggiator’, conveys a dark, pounding 5 AM rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern.

01 - DC107 - Mikael Jonasson - Benefit Of The Doubt -Drumcode

02 - DC107 - Adam Beyer - Never Really Left Home - Drumcode

Bart Skils kicks off the three-track single with ‘Fight Club’. Using rolling drums, ‘Fight Club’ builds to a crescendo before the unusual melodic synth phrase bursts in to give the track a distinctive character. ‘Base Camp’ uses a throbbing, militant style synth that emanates in and out to add dynamic and tension. ‘Tracking Down’ uses atmospheric pads to construct a thick build up before a funky, melodic line kicks in to give ‘Tracking Down’ a different feel to the others.

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