2-3min bits of electronic music made between deadline-driven freakouts. Drafts, jams, sketches, experiments. Not to be used for gain.

Christopher's Tiny Houses - April 2020 Listings 

Christopher's House 16 (April 2020 Listing)

Christopher's House 13 (April 2020 Listing)

Christopher's House 15 (April 2020 Listing)

Christopher's House 10 (April 2020 Listing)

Christopher's House 17 (April 2020 Listing)

Christopher's House 11 (April 2020 Listing)

Christopher's House 9 (April 2020 Listing)

Christopher's House 24 (March 2023 Listing)

Christopher's House 8 (April 2020 Listing)

Christopher's House 4 (April 2020 Listing)

Music and arrangement by Bardozi. Words and voice message by Britt.

Carry Me Home feat. Dominic Britt

Interpreted and performed by F. James Bardozi. Original by the Velvet Underground, written by Lou Reed. Features elements of “Walk on the Wild Side” by Lou Reed.

Waiting For the Man (Velvet Underground cover)

Interpreted by F. James Bardozi. Voice and vocal arrangement by Claire Talliet. Recorded separately, mixed together by Bardozi and Talliet. Original written and performed by TV on the Radio.

You Could Be Love feat. Claire Talliet (TV on the Radio cover)

“Roman Strangle” feat. Denys Espen and Ramona Fields. Words, music and vocal arrangement by F. James Bardozi. Male lead vocal by Denys Espen. Female lead vocal by Ramona Fields. Additional vocal by Bardozi. Additional vocal arrangement by Fields and Espen. Male lead vocal engineered by Espen. Female vocal lyrics by Fields. Contains elements from the film “Antichrist” by Lars Von Trier. Used without permission.

Roman Strangle feat. Denys Espen & Ramona Fields

Founded in 2010, Powderhorn Cranes is an experimental collaborative lo-fi studio project based in Saint Paul, MN. The foundational member F. James Bardozi, a veteran Twin Cities multi-instrumentalist, operates as project engineer in his low-tech makeshift home studiowith a 4-track and a computer that's over a decade old. 

The identities of the slow-building number of members - including singers, musicians, poets, authors and visual artists from around the nation - are kept anonymous, each member favoring an alias. 

The sound focuses on texture and amateur/crude recording techniques, and most flaws are kept in the mixes. Keyboards and computer effects are used minimally in favor of no-frills beat sequencing, manually manipulated stringed instruments and stompboxes.

Powderhorn Cranes

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