Artists: @luke_byrne , @gruvee-dj
Format: Digital

Free Download

Ó BROINN & GruVee  - Elliots Groove [HZRX]

DiscoGram - Party

🎶 EP OUT NOW: CHEMISE 🎶
Get ready for pure summer funky house vibes! 🌴☀️
This EP is all about groove, sunshine, and good energy – perfect for the beach, rooftop parties, or cruising downtown.

Chemise 🌺👕
The title track of the EP playful, colorf ul, and stylish like a Hawaiian shirt at sunset. Tropical chords, funky guitars, and a rolling house beat that captures the spirit of summer. It’s fun, bold, and unforgettable!

Chemise

Sean Paul - TEMPÉRATURE (REMIX IBIZA VIP DJ D.A.M.S.77 DICE) 2025

House Party (Com'art Edit)- Fred Wesley

Video: https://www.youtube.com/watch?v=yuyV6G6atoQ

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X-Coast - Mango Bay

Returning from the Italian excursion of Vol. 13 before the U.K. pulls up the proverbial drawbridge, Neil Diablo delivers another To Rack & Ruin winner live and direct from the Northern powerhouse. Showing some love for the finerhalf of the county, Neil presents the best the North East has to offer, enlisting ‘Our friends from the north’Yorkshire's Craig Bratley and Newcastle's James Hadfield to do the damage on this slick split 12".
After a relatively quiet 2016, Mr Bratley shuffles his Magic Feet into the studio and sticks his fist directly into the mainframe, coming back with a pair of strangely psychedelic body movers to decorate the A-side. 'Ani Kuni' bursts out the blocks in a swell of fizzing sequencer, throbbing bass and tonking mid tempo percussion, sparking away wildly like a Tesla toothbrush. An East-meets-West affair, the track marries the thrusting electronics of Krautrock with lightly spiced Indian vocals and hippie guitar licks, conjuring visions of Maharishi Mahesh Yogi gurning away at a Faust show. Bratley retains the propulsive percussion for A2 number 'Acid Mother', syncing gurgling synth bass beneath loose funk guitars and warbling lead lines as we're slowly sucked through the wormhole. As the track chugs ceaseless through Baldelli's cosmic terrain, rhythmic chants and rubbery bass solos reverberate through the vacuum, locking us into their other worldly gravity. Resistance is futile.
We head up the A1 for the flipside, hooking up on the toon with Elizabeth Collective mainstay James Hadfield, who serves up two reheated treats tastier than your last parmo! Wielding the white stiletto and sweet sequinned shimmer, Hadfield lets loose his disco juice on "Love And Affection", chucking some dreamy Gamble & Huff vocals over a dope and dusty groove. Crackling like a campfire cookout, this infectious cut spits out slick bass, dubbed out guitar and precise percussion, keeping your body in motion while the piano noodle and soulful vocal swirl through your brainspace. Things take a turn for the technologic on "Silent Builder", those organic disco licks replaced by swelling sine waves, soaring siren calls and military breakbeats. The punchy bassline provides a steady hand as the track gradually pulls itself apart, unravelling into squelching synth wobbles, oddball samples and proggy solos.
Wonderfully wonky, this is music for whenthe walls start to melt. Four freaky cuts from two top talents - To Rack & Ruin for the win.

To Rack & Ruin Vol. 14

RR015 - Craig Bratley - Acid Mother

Persies is a party oriented edits label focused on re-working, re-touching and re-purposing an eclectic selection of gems for the dancefloor. Beefed up, pared-down. Vinyl only white label, 500 press.

PERSIE004

A-Side: Questions (K&F EDIT)

B-Side: Gypsy Woman (K&F EDIT)

Chuck emails on here for release news - eepurl.com/cmRZ_f

PERSIE EDITS 004

* Read More: http://boltingbits.com/apparel-wax-002a1/
* Watch on YouTube : https://youtu.be/4gOpuyfz414
* Buy: http://bit.ly/2AVy2ff

Most of our readers have probably heard of the anonymous collective known as Apparel Wax. If you can’t recall their name, I know for a fact that you've heard the lead track from the label's phenomenal 2017 debut “001A1” that rose to the top of Juno’s deep house best sellers.

Although the title doesn’t quite roll off the tongue, the song’s opening seconds are one of the most memorable and satisfying moments of dance music we’ve been lucky enough to experience last year. We loved it so much we asked the label’s curator Giuseppe D’Alessandro to do an interview and mix for us a few months back. I suggest you read it to get a better understanding of their history and why the label’s contributors are anonymous. Hint: IT’S ALL ABOUT THE MUSIC!

In their follow-up record, Apparel Wax have once again employed the work of ghost producers to come up with a record simply titled “002.” Similar to the first, this release contains a mixture of four-tracks that fall on different spectrums of the disco-jazz-funk plane - a real taste-tester you can say. We were lucky enough to get our hands on the A1 of the release, and it’s quite the thumper.

Featuring moody vocals and an assortment of looped guitar licks, “002A1” relies heavily on a throbbing bassline to carry the listener and their feet throughout its entirety. However, I would say the real gem of the tune lies within the horns that come in around the 3 minute-mark. Once those bad boys come to the forefront, “002A1” begins to exude a vibe that’s more romantic and care-free than what the yearning vocals signify at its start. Day-time disco enthusiasts and DJs alike are sure to love this track for it’s funky, yet soothing aesthetic.

PREMIERE : Apparel Wax - 002A1

Hardkandy - Kelly Reid

Austrian tennis coach Norbert Kainz made some nice recordings in the early 80s. This is taken from his 1982 release "Persönlich". Check his other music too, it's really worth it, especially if you understand some german :)

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Norbert Kainz - Ich Weiß Nicht (Jack Tennis Edit)

The https://soundcloud.com/new_world is upon us once again. It has been seven years already, since Markus Gebauer debuted on Riotvan under the guise of his New World moniker. That's quite a while in the realm of those sometimes short-term goings-on of clubculture. Yet, Gebauer kept himself busy meanwhile with his alter ego Interviews, reviving the erstwhile identity now that times are calling for a New World more than ever. And that's both, very generally speaking and particularly regarding his slick and classy approach to Neo-Disco-affairs. Interestingly, the lion's share of this EP had been laid down already five years ago, in an ahead of the curve nature that it couldn't sound more up to date right now in 2020. 

Take opener "Glances" for example. Suspense-packed arpeggio meets a groove-laden bass, gets kissed by some smooth melodies and far-out pads and evokes an immense open-air-hymn potential. Here's a little advance notice: that tune might not leave your head for the whole rest of the summer. "Enough!" in its seductive nonchalance seems to be cut from the same cloth. Another Indie-Disco sureshot filtered through shades-lenses. But "Enough!" - seriously? The hereby summoned feelgood-vibe will surely leave you wanting more. And more you shall get. "Fade Out" opens up with a rather straight beat-pattern, but again, the synth-arrangements, the melodies and harmonies are pure bliss. And then there is "Poéme", that Frankophile floor-enchantment, shaped out in sophistication and elegance, throwing in some subtle Depeche Mode-references and taking the French leave as one of the strongest clubtracks in this batch. Closing things up is https://soundcloud.com/the-juan-maclean, giving "Enough!" a makeover that aims for the dancefloor as much as, let's say the hammock, infusing both, an irresistible groove and a laid back, almost Dub-like attitude.

House Party (Com'art Edit)- Fred Wesley

Comart

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