FF Club Edits 2021

Steamy Boy Swag (Martyn Bootyspoon Edit)

BELLA WHERE THE HELL HAVE YOU BEEN

[XXIII014]: Prestes - É Difícil

Together since 2018 under the influence of sounds like Kizomba, Zouk, Tarraxinha and Afroswing, Prestes made space on the world’s short attention span. 
Bruno Martins and José Pedro Santos are the minds behind Prestes and “É Díficil” is their debut EP. 3 original tracks + 1 remix with collaborations of the singer, Claiana and Filipe Azevedo (former Sensible Soccers).

Artwork by Miguel Almeida 
www.instagram.com/emptygreat/ 
- 
Recorded and mixed by João Moreira in 2022 at Moreira Studios. 
Produced by João Moreira and Prestes 
Master by Carl Saff from Saff Mastering (Chicago, IL, USA)

Bandcamp

É Difícil (Cash From Hash Funkyama Remix)

the sound of the bottle i bought in bali clanking to make the percussion in this tune.

HIT THE WALL

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EXO (remix)

Killa Shit-FREE DL


Here's a new song,
Hope you like it, please give feedback :)

Do not copy my music track

you can believe that   version 2

Go Your Own Way (SHReM Remix)

ENG
There are certain years that will always live on; wounds that refuse to heal. Painful years that stick with us like a fire burning into the history of our bodies and territories. Years that are difficult to speak. Years that re-ignite, each time they are uttered. 1973 is one of those years. 1973 is also the new EP from Sueuga Kamau in collaboration with La Favi and produced under the Hiedrah Club de Baile label. In a continent that’s once again boiling with anger, the duet from California decided to reexamine the gaps of their own Afro-Latinx Heritage. Through lent voices, forgotten rhythms and erased identities they weave a tale that bridges the unyielding Latin America and the enraged african-american people.
1973 is both loving touch and sorrow, a familiar sound that forcefully persists, the exploration of a territory that resists, conjures and keeps going. From Santiago de Chile to Dallas, from the outskirts of Buenos Aires to Oakland, California. A sound filled with darkness that stirs up your breathing and gets between the living cogs of capitalism, and from there it turns into a gentle caress in those intimate places we rarely reach. You dance to it with chills throughout your body and a tiny tear in the tip of your lips. In the midst of the roar of drums and machinery, the voice of La Favi moves through the perspiration of the listeners. It’s a damp whisper that mutates into a demand for sexual justice, while the words from Allende, that surges between broken radio transmissions and air strikes, transforms into dance, and then into an outcry. Sueuga Kamau composes a disobedient piece, a rhythm filled with riots that endures bullets, contagions and tyrants, an insurgent invitation to explore our own detonations.

ESP
Hay años que arden como heridas que no cicatrizan. Años dolorosos que quedan marcados a fuego en la historia de los cuerpos y territorios. Años que son difíciles de pronunciar y obligan a tragar saliva para nombrarlos. Años que escuecen cada vez que se los recuerda. 1973 es uno de ellos. 1973 es también el nuevo Ep de @sueugakamau en colaboración con @la-favi y producido por el sello de Hiedrah Club de Baile.
En un continente que vuelve a arder de rabia, el dúo californiano decide buscar en los intersticios de su propia historia negra y latina. A través de voces prestadas, ritmos olvidados e identidades borradas tejen un relato que conecta a esa América Latina que resiste y un pueblo afroamericano enardecido. 1973 es caricia y lágrima, es un sonido familiar que persiste a los golpes, es la exploración de un territorio que resiste, conjura y se enciende. Desde Santiago de Chile hasta Dallas, desde el Conurbano bonaerense hasta Oackland, California. Un sonido lleno de sombras que agita la respiración y se introduce en los engranajes vivos del capitalismo, y desde ahí se torna una lamida en aquellos lugares intimos a los que pocas veces llegamos. Se baila con un escalofrío que recorre el cuerpo y con una lagrimita en la punta de los labios. En medio de ese rugido de tambores y maquinarias, la voz de La Favi se mueve entre los sudores de quien escucha. Es un susurro húmedo que transmuta en un reclamo de justicia sexual, mientras la palabra de Allende, que surge entre transmisiones de radio entrecortadas y bombardeos, se transforma en baile, y el baile en grito en protesta. Sueuga Kamau compone una pieza desobediente, un ritmo lleno de disturbios que resiste balas, pandemias y tiranos, una invitación revoltosa a explorar nuestros propios estallidos.

Text by Pabli Balcazar

1973

Debería Dejar

Crash and Burn - Dj Plead
Hossam - TSVI
Sex - DjRUM
Orange - Ivy Lab & Two Fingers
Kubali - MC Yallah

Sheeeeshhh

Riddim Producer

contact / bookings: 
f1pv.vp1f@gmail.com or ig

played at/for: 
Apotheka Manila, Rhizom Festival, Rote Fabrik, Umbo, Zentralwäscherei, HÖR Showcase, Radio Bollwerk, Zweikommasieben, Studio 31, Herrensauna, Hive, Sonder Festival, Bun<3r, 3. UG Bern, Club Zukunft, Gessnerallee, Megahex FM, Streetparade, Exil Zürich, TRNSTN Radio, Kraftfeld Winterthur, Stabiler als Du, Industrialive Hyperspacestudios, Photobastei, Retroblast, Club Zukunft, RFSC, Radio Lora (Radio Pawikan), Choke, Tune for Tune, Rothaus Bar Zürich, Kornhausbrücke 1312, etc...

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