Yeah buddy took this song to the next level!!!

I love the way your remixed this song. A different vibe but it's still great. Good work!

"I Liked Science Fiction More When It Was Only Fiction" It's a track from the FFA album "A Straight Line is an Infinite Circle"
https://famousforgottenartists.bandcamp.com/album/a-straight-line-is-an-infinite-circle

Be careful what we wish for, it could become reality. And maybe we don't like it anymore.

I Liked Science Fiction More When It Was Only Fiction

Space Chaser "Ignite the Skies"

Footprints

Love Is A Feeling

Heem, Obey, and Milye present their latest masterpiece: "Bonds", featuring Fo1006 and Woojinee. This groundbreaking track is the result of over a year's collaboration, blending diverse influences and pushing the boundaries of contemporary jazz. Drawing inspiration from the soulful instrumental cuts of the 70s and 80s, "Bonds" weaves a rich tapestry of sound that seamlessly combines jazz innovation with modern beats. It's a track born from passion and meticulous craftsmanship and a true testament to collective artistry.

Follow the artists:
Heem: https://www.instagram.com/songsbyheem/
Obey: https://www.instagram.com/prod.obey/
Milye: https://www.instagram.com/maxmilye/

Illustration and design by zozpaints.com
https://www.instagram.com/pedro_zoz/

Radio Juicy © 2025

Stream / Buy now

Heem, Obey & Milye - Bonds (feat. Fo1006 & Woojinee)

Now that the world is definitively in the hands of genocidal murderers intent only on wiping out humanity, it's time to connect with people and fight this pandemic of hatred and intolerance. I don't know how we're going to do it yet, but it's necessary to wake up from the nightmare they want to plunge us into. We need much more than a survival kit; we need to regain our consciousness.

Ahora que definitivamente el mundo está en manos de asesinos genocidas que solo pretenden acabar con la humanidad, es hora de conectar con la gente y luchar contra esta pandemia de odio e intolerancia. Aún no se como lo vamos a hacer, pero es necesario despertar de la pesadilla en la que nos quieren sumergir. Necesitamos mucho más que un kit de supervivencia, necesitamos recuperar la conciencia.

Best moments are lived, not captured

Soul Searching

Rok Gulič, founder and CEO of OLLO Audio talks to Sam Inglis about the origins of the company, the launch of their brand new X1 headphones and working with dSONIQ to offer calibration via their Realphones software.

Chapters
00:00 - Introduction
01:31 - Path To Becoming An Audio Manufacturer
04:12 - Simplicity And Sustainability
06:19 - Flat Frequency Response
08:38 - Total Harmonic Distortion (THD)
10:01 - Introducing A Closed-Back Version
11:48 - Teaming Up With dSONIQ
13:16 - X1 Calibration Process
14:45 - Using Broad Q Factors
17:29 - Preference For External DSP
19:27 - A Great Sound With Any Amp
22:27 - Working With User Feedback
24:42 - Global Distribution And Support
27:39 - Catering To Different Global Tastes

https://www.soundonsound.com/music-business/ollo-audio-headphones-sos-podcast

#olloaudio #dSONIQ #realphones

OLLO Audio Biog
Prior to the launch of OLLO Audio, founder Rok Gulič was experimenting with tactile transducers in order to recreate the feel of a studio’s deep, immersive sound at high volumes but in a personal, headphone-like format and this resulted in him building, testing and refining headphones for personal use. On receiving multiple requests from friends for their own headphones, what started as a passion project in a garage became a fully-fledged business.

Based in Solvenia, all headphones are hand-built. The company launched with the S4X model in 2019, followed by the S5X and launched the X1 in 2025. OLLO Audio’s vision is that headphones should be durable, fully repairable with home tools and made to last, which is why every OLLO model is designed with replaceable parts, making them some of the most sustainable and long-lasting headphones on the market. Their designs avoid plastic where possible, instead using metal and wood to create a design that’s both visually striking and built for longevity.

https://olloaudio.com/
https://www.instagram.com/olloaudio/
https://www.facebook.com/ollomixingsystem/
https://www.youtube.com/channel/UCr6MScEyGwoduri4jQnRENA
https://www.linkedin.com/company/ollo---headphones-mixing-system

Sam Inglis Biog
Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

People & Music Industry

OLLO Audio - Behind The Brand

OLLO Audio - Behind The Brand | Podcast

Hosted by Olivia Moir, this episode of It All Starts Here explores the topic of giving birth and birth interventions, with a focus on assisted vaginal birth and the use of forceps. Olivia speaks with Dr. Dawn Parris, an Obstetrics and Gynaecology doctor and a PhD researcher at UCL/UCLH , about the different methods of giving birth, how decisions are made both beforehand and in the delivery room, and innovations in training obstetricians. This episode provides valuable insight into the complexities and nuances of birth choices, the role of education and technology in maternal healthcare, and why listening to and informing women is crucial in obstetric practice. 

About the Guest: Dr. Dawn Parris is an Obstetrics and Gynaecology doctor and a PhD researcher at UCL/UCLH. Her research focuses on improving training and outcomes in assisted vaginal birth, particularly using forceps. She is collaborating with engineers to develop cutting-edge robotic and virtual reality tools that simulate complex birth scenarios, enhancing clinical safety and practitioner confidence.

Date of episode recording: 2025-04-07T00:00:00Z
Duration: 00:33:24
Language of episode: English
Presenter:Olivia Moir
Guests: Dr. Dawn Parris
Producer: Olivia Moir


Giving Birth & Birth Interventions

At around 12:00 AM on October 7, 1998 in Laramie, Wyoming, Matt Shepard was tied up and brutally beaten because he was gay. 18 hours later a passing bicyclist found his body and called 911. He died 5 days later in Poudre Valley Hospital in Colorado.

Made in the same location, time, and day, this 18-hour binaural recording commemorates the day when Matt was found as he would have heard it.

Recorded with a DIY binaural head with 3Dio Silicone ears and DPA 4061 microphones. Audio recorded with a vintage Sony TC-D5 and Sony EF Type 1 Cassettes. For an immersive experience, use headphones. For background white noise, play on speakers with very low volume.

Level settings: The soundscape was very silent. Our general recommendation for your level settings is to set the level so that the tape noise is bearable, then lower it one or two more clicks. 

Special thanks to: Michele Josue, Matthew Shepard Foundation, Laramie PD, and the landowner for making this project possible.

For more news and information about this album please visit:
https://bivouacrecording.com/post/780976596162117633/social-tapes-matthew-shepard-tapes

All audio recorded on location in Laramie, WY on October 7, 2016.

50% of proceeds will be donated to the Matthew Shepard Foundation.

Buy album on Bandcamp

Social Tapes- Matthew Shepard Tape 02

At around 12:00 AM on October 7, 1998 in Laramie, Wyoming, Matt Shepard was tied up and brutally beaten because he was gay. 18 hours later a passing bicyclist found his body and called 911. He died 5 days later in Poudre Valley Hospital in Colorado.

Made in the same location, time, and day, this 18-hour binaural recording commemorates the day when Matt was found as he would have heard it.
Recorded with a DIY binaural head with 3Dio Silicone ears and DPA 4061 microphones. Audio recorded with a vintage Sony TC-D5 and Sony EF Type 1 Cassettes. Comfortable, circumaural headphones are highly recommended as the audio is very quiet but also because a correct binaural image requires playback through headphones.

Level settings: The soundscape was very silent. Our general recommendation for your level settings is to set the level so that the tape noise is bearable, then lower it one or two more clicks.

Special thanks to: Michele Josue, Matthew Shepard Foundation, Laramie PD, and the landowner for making this project possible.

For more news and information about this album please visit:
https://bivouacrecording.com/post/780976596162117633/social-tapes-matthew-shepard-tapes

All audio recorded on location in Laramie, WY on October 7, 2016.

50% of proceeds is donated to the Matthew Shepard Foundation. After your purchase you will receive a copy of the donation receipt within 24 hours.

Social Tapes- Matthew Shepard Tape 03

My first remix, hope you like it!
I do not own the copyright to this song, done originally by Acceptance. 

Acceptance-Take Cover (Remix)

Starting out in the metal and rock scenes, F33lings found his ability to create powerful, raw, and emotional music. His music was characterized by heavy guitar riffs, and thundering drums. 
 However, as F33lings continued to explore his sound, he found himself drawn towards the world of worship music. Inspired by the power and beauty of religious music, he began incorporating elements of worship into his own music, creating a unique blend of rock and worship characterized by delays and ambient soundscapes. 
 As he continued to evolve his sound, F33lings discovered his new calling in electronic music. With its driving beats, infectious melodies, and endless possibilities for experimentation, this newfound style of music allowed F33lings to push the boundaries of his creativity and explore new sonic territories while looking into the future without forgetting the past.

Acceptance-Take Cover (Remix)

f33lings

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