Such a original and inventive track. Magnificent piece

Sensational work and quality in this track!

Fantastic atmospheric track... especially love the piano at the end

Mesmerising and sensual vibes. Very nice tribute

Great vibes, very subtle and deep, i like the atmosphere, move on

Super cool, liking the wall of sound under the sparce piano.

The intro was captivating.. love the depth in the reverb.

ambient/noise/>>>

#techno #drums #festival #hazlo #sound #cloud #electro #deep 

adefesio [rpento] mp3

Dj GreenMile Lets Go Some Good Retro House Sounds 10 februari 2024

Amanecer

1.	“Running In A Dream” by Nils Hoffmann & Kasbo: This chill house song combines gentle rhythms with ethereal melodies, creating a relaxing and evocative atmosphere. Layers of synthesizers and pulsating rhythms intertwine with airy vocals to transport the listener into a dreamlike state as they are carried away by the music.
	2.	“Fade” by Bondax: With a more melodic and atmospheric approach, Bondax’s “Fade” is a chill house track characterized by its smooth arpeggios, hypnotic rhythms, and generally relaxing ambiance. Soft vocals and subtle dynamic changes add depth to the track, creating an immersive listening experience.
	3.	“Don’t Wake Me Up” by Housenick: This chill house song has a more energetic yet equally relaxing vibe. With more pronounced rhythms and a deep bassline, “Don’t Wake Me Up” blends elements of house and chillout to create a track that invites gentle movement while enjoying its relaxed and dreamy atmosphere. Soft vocals and enveloping melodies complete the auditory experience.

"Chill House Dreamscape: A Journey Through Ethereal Beats"

Buy ✅

Maximum Haze [Hard Rockin' Techno]

1.	“I Will Leave a Light On” - Le Youth, Lane 8 & Jyll
	2.	“Come Closer” - Shingo Nakamura
	3.	“Rebirth” - Nora Van Elken
	4.	“Gemini” - CRi feat. Memory
	5.	“Feel Less” - Lipless & Lauren L’aimant
	6.	“Dark Horses: Latroit Edition” - Felix Cartal & Lights (Latroit & Charlz)
	7.	“Orbit” - Keanler
	8.	“Memory” - Keanler

"Serene Sounds: A Chill House Yoga Journey"

Part 2 of my shorts series.  18 minutes of minimal music.  Hope you enjoy it and let me know what you think.

Shorts Part 2 (MINIMAL) April 24

KRAE- 'FACK' - (KENNA-RAE PRODUCTION)

Nearing The End

This track was done in the aftermath of a  devastating flood a friend of mine and a large part of a small town sustained , I was present for the the entire nightmare as we tried to save his house.  My music background is very divers, and when it comes to compositions it varies quite a bit. Its kind of a tribute, as I let my emotions flow.

The Flood  -  F5  -  Ambient - Unreleased -

Physical: geographic-north.com/cassette/midnight-colours/
Digital: geographicnorth.bandcamp.com/album/midnight-colours
Catalog #: GN48
Cassette, limited to 100

Rafael Anton Irisarri is an American multi-instrumentalist composer, record producer, mastering engineer, and curator living in the state of New York. Irisarri embodies a new kind of composer: one who “exists in an undifferentiated welter of pop, techno, and classical,” according to Pitchfork. 

His recorded output heavily utilize bowed guitars, piano, strings, synths, field recordings, voices, and electronic instruments, creating dense clouds of blurry, hypnotic sound. Described by Drowned In Sound (UK) as “one of contemporary ambient music’s most celebrated practitioners,” Irisarri’s music often has a mournful, elegiac quality where ostinato phrases tap into minimalist ideals while atmospheric layers of effects suggests a more cinematic approach. In all, his compositions are deeply emotive and epic, like a symphony recording that’s been rescued from attic entombment after half a century. 

Irisarri’s latest work 'Midnight Colours' comes after a starkly stunning run of releases on Ghostly, Morr, Room40, and Umor Rex, among others. The eight new songs were conceived as a sort of soundtrack to the “Midnight Clock or Doomsday Clock” – a symbol which represents the likelihood of a man-made global catastrophe. Recorded in 2017, when the Clock was at 2½ minutes-to-midnight (the second-closest to midnight since the Clock’s start in 1947), 'Midnight Colours' permeates with the melancholy of memories resurfacing as you get close to the end of life: the regret, the closure, the uncertainty, the anxiety, and so on.

The result is perhaps Irisarri’s most moving and introspective work to date, unfurling a sort of epiphany symphony and sounding like a sunrise in slow motion. Irisarri experimented with the use of heavily “degraded” tape, played through a mis-aligned Otari 8-track tape machine that was constantly on the fritz. “I felt using tape gave the music a particular texture & character, like when you watch old news reels from the 1950’s, you know those that talk about the H-bomb, and how we are all doomed,” he explains.

Opening suite “The Clock” and “Falling Curtain” offer an elegiac dirge into the unknown, soldering on with humanity but pessimistic reality. “Oh Paris, We Are Fucked” retreats into a blur of mournful curiosity, while “Circuits” brings a glimmer of tragic hope. “Every Scene Fades” is brimming with eerie beauty and a distant, heaving rhythm that perfectly contrasts the morbid optimism of “Two and a Half Minutes.” “Drifting” and “A Ruptured Tranquility” bring a soberingly sense of reality, closing out 'Midnight Colours' harrowing narrative.

Rafael Anton Irisarri – "Circuits"

Live@attic

Hroshvalur - Live@attic 11.05.18

Boban Ristevski - The turn of the screw (Album Preview)
Releases: June 8, 2018 
Format: CD/Digital

Pre Order: https://shimmeringmoodsrecords.bandcamp.com/album/the-turn-of-the-screw

The title of the album - ' The turn of the screw ' bears a resemblance to, of course, Henry James. And the fourth track ' Conchis ' is directly inspired by one of the main characters of the John Fowles' amazing novel ' The Magus '. Having in mind the title and the atmosphere of the first track - ' Practical Magical Evocation ', it can be said that the whole atmosphere of the album is intended to be or sound magical. Let's hope for more to come in the same vein.

Mastered by Roel Weerdenburg

Boban Ristevski - The turn of the screw (Album Preview)

Ashlar are British duo Wil Bolton from London and Phil Edwards from The Wirral, Liverpool. They began collaborating around 2011 ahead of their debut release ‘Saturday Drones’ on Time Released Sound and followed this up with ‘St. James' Gardens’ on Hibernate Recordings in 2014. 

These albums were the result of lazy Saturday afternoons spent in various public houses in Liverpool’s Georgian Quarter which were followed by evenings spent jamming in Wil’s studio. In the early days, both artists were residents of the city, meaning impromptu recording sessions could be arranged with relative ease. However, after the first two albums Wil relocated back to London, which meant that when they began to work together again, a very different approach was necessary. Instead of jamming and producing together, they worked remotely, usually initiated by the sharing of recordings, which were then added to, processed and bounced back and forth until the final tracks emerged. 

With ‘Distant Scenes’ most of the sounds began as piano loops (played by Wil) and acoustic guitar parts (played by Phil), which were heavily processed and re-processed several times using both software effects and guitar pedals. Where the first two albums featured environmental sounds from the local area, the field recordings here were made by both artists separately, in wildly varied locations including Japan, Korea and the UK. 
Unlike their initial work, this new method of working has taken a great deal longer to fully realise, given that the process was less immediate and more meticulous. 

Distant Scenes is an album built around distance, time and space as their different recording locations inspired new but separate ideas. A warm but blurry canvas has been woven over a four year period, as time has rusted the memories of the good old days spent jamming on their earlier albums and newer ideas have been corroded into a melancholic fuzz.

Distant Scenes

wlr042 Ashlar - Distant Scenes

Back again on the audio series we have Schacke.
He needs no further introduction, enjoy this ambient set to start of your week.

Fast Forward Audio Series #20: Schacke

Imagine back in the time of ancient Egypt, you are on a secret mission to assassinate the wicked Pharaoh....
But then you fall in love with his lovely wife, so you two sneak out of the temple pyramid and try to escape the guards.
Unfortunately she decides to stay with the Pharaoh, and you run into the desert while she is still standing there watching you.
You can see the pain and despair in her eyes, and you make eye contact miles apart from each other.

Stealth - JDAM ** 1st place Skio cinematic contest ***

Born and raised in Montreal,Canada, F5(Frank V.) was exposed to music at a very young age through his family as they would perform at family events or personal gatherings. At the round age of 8 years you would often see him dance at his aunt's diner when visiting, often asking his cousin to put his favorite song on the jukebox, at that time "Take On Me" by A-Ha being the track of choice.   

   The energy of the 80's clearly had a positive musical effect on this young lad, with this in mind his parents bought him his first keyboard to allow more musical creativity to flow, it wasn't long after he wanted a set of drums, and at the age of 15, after promising and following through with good grades he got his first set. This boy had rhythm, the beat was clearly coursing through his veins, music was a part of him, it didn't matter the genre, it was at this time he became transfixed watching old school DJ’s scratching and mixing VINYL RECORDS and felt the irresistible call to be that person behind the decks making strangers dance, and thus began his love affair with DJing and creating a frenzy on the dance floor. Like most DJs F5 started with the the TAPE mix, opening the door the house parties, local gigs, weddings and corporate events, but he wanted more, the underground.

   Due to the creativity that was strongly present, F5 wanted to be different like may DJs he looked up to at the time and still does,from varying genres, DJ's from the likes of, Armand van Helden, Frankie Knuckles, Lil Louis, Josh Wink, Serious Danger, Sneaker Pinps, to  DJ Tiesto, Arman Van Buren, Ferry Corsten, Chris Liebing, Mojado ft Mr Sam,  just to name a few 

   With what could only be described as a natural born music empathy, F5 can feel what any crowd needs before they do and in turn delivers perfectly tailored beats that feed the soul and unite all who are listening to fall under his spell,  playing music in front of crowds for over 25 years, now heating up the dance floor with his funky, deep tech with a side order of rumbling bass lines from his enigmatic techno. The magic didn't end there, the call to produce his own sound to share with the world was strong, always a creative cat with his mixes, it was time to produce his own originals. It was only natural that the next step was to get into the studio and let his innate creativity flow.

    The creator in him expresses and emerges in many styles, genres and intensities Because of the many styles of music he was exposed to F5s work flow can vary from trip hop to Trance to Drum&Bass to dark sultry techno and even ambient with the common denominator being good music. 

     With Techno now on the forefront of his musical journey through life he hopes to continue to put as many smiles on as many faces he can on our beautiful planet. he lovingly encourages you to come for the ride, and LIVE LOVE and DANCE like there is no tomorrow.

The Flood - F5 - Ambient - Unreleased -

-F5-

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