Daily relaxing, enjoyable music

Khosh Khial | خوش خیال

پروژه ی کوچه 
قسمت اول (صبر ایّوب)
تقدیم به جواد یساری 



ایده ی پروژه ی کوچه از از لا به لای خاطرات ما شکل میگیره و به تکرار همه ی اون خاطرات ختم میشه برای ثبت بیشتر  برای یاد آوری و قدردانی از همه ی کسانی در عمر کوتاه و بلند ما ، ذهن ‌و قلب هامون رو به لحظات بد و خوب گره زده اند و شاید تلنگری باشه برای حافظه ی جمعی ما و هر آنچه در همه این سال ها بر ما گذشت.

Sabr-e Ayoob (Kooche Project E1)

Ardalan Payvar: Lyrics, Music and Production
Mohammad Talani: Electric Guitar
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Mixed by Ardalan Payvar
Mastered by uciano Vassão at Musiversal 
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Lyrics Translation:

My title, “The Sinner”, the “corrupter of humankind”
What has been, your own crime? Has it ever crossed your mind?

Hear me out, even though, you don’t listen to advice 
Take my ultimatum that your reign will reach its demise

With no cover with no shields, I’m out there, on the streets
I will take it back from you those basic rights and liberties

I’m anti war but it’s your injustice I wage war upon
you have your guns and batons, a strand of hair is my gun

I’m not into politics, nor am I an activist
but on the path to liberty, ’til the end I will persist

I’m the daughter of Iran the savior that’s who I am
I’ve been under your abuse yet I’m tougher than “Rostam”

Through my wild dazzling hair, your power has been defined
I free my locks in the air ’n now the power is all mine
I free my locks in the air ’n now the power is all mine

[you] didn’t deserve my silence, that glorious march of peace
I was fire under ashes a burning flame that no one sees

With my fist up in the air, with rage I scream aloud
’til my vocal chords are torn, ’til your rule is overthrown

I’m a comrade of Iran my code is Mahsa Amini
my voice reaches far and wide, beyond my own boundary

From every sect every age, inside or outside my land
’til the end, we all stand, shoulder to shoulder hand in hand

The athletes, the poets, the lovers, the bright minds
are all locked up in prisons, seeking freedom was their crime

You better dread the tears and the heartache of loved ones
one day it’ll destroy you, and forever you’ll be gone

I am the child of Iran, the God of “Rangin Kaman”  (Rainbow)
my mother sobbed on my corpse, up until the break of dawn

I’m the people of Iran, fierce as a volcano
I’ve been dormant for so long but now is the time that I blow.

In the middle of the field, I’ve been fed up to my teeth
the waves are over my head, i’ve been stabbed but I don’t bleed

I’m the daughter of Iran the savior that’s who I am
I’ve been under your abuse yet I’m tougher than "Rostam"

Through my wild dazzling hair, your power has been defined
I free my locks in the air ’n now the power is all mine
I free my locks in the air ’n now the power is all mine
I free my locks in the air ’n now the power is all mine

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اسم ‌من گناهکار، جرمم تشویش افکار
جرم خودت چه بوده؟ فکرشو کردی تا به حال؟

به من گوش کن اگرچه تو نداری گوش پندار
از من بگیر این هشدار که تا ابد نیستی بر کار

من در کف خیابون، جون به کف، بی نقاب
حقم رو پس میگیرم اون حق ساده انتخاب

من ضد جنگم اما با ظلم تو من میجنگم
تو با تفنگ و باتوم من یک‌تار مو تفنگم

نه دنبال سیاست، نه اینکه اکتیویستم
اما برای آزادی من عمراً از پا نایستم

من دختر ایرانم من … ناجی مردمانم
زیر ستم بودم ولی قوی تر از رستم دستانم

به مو بنده قدرتت به موی پریشانم‌
رها کردم  زلفانم تا قدرت شد از آنم
رها کردم زلفانم تا قدرت شد از آنم

نبود لیاقتت سکوت آن سکوت پر شکوه
آتش بودم به زیر، خاکستری همچون کوه

مشتم گره در هوا میزنم خشمم رو فریاد
تا حنجرم در بیاد تا ظلم تو هم سر بیاد

من با ایران همرزمم، مهسا امینی رمزم
صدای من رسیده تا فرای بوم‌ و ‌مرزم

از هر قشر‌,‌ از هر نسل، داخل یا خارج از مرز
تا پیروزی میجنگیم، پا به پا، دست بدست

ورزشکاران نخبگان، شاعران، عاشقان
به جرم آزادگی، هر یک در کنج زندان

بترس از سیل گریه و داغ دل عزیزان
که ‌بَرکَنَد ریشه ات از پایه و بیخ و بنیان

من فرزند ایرانم من خدای رنگین کمانم
مادرم تا صبح گریست، بر پیکر بی جانم

من مردم ایرانم من کوه آتشفشانم
روزی خاموش بودم اما اکنون در طغیانم

من وسط میدانم، به لب رسیده جانم
آب از سرم گذشته کارد رسیده به استخوانم

من دختر ایرانم من … ناجی مردمانم
زیر ستم بودم ولی قوی تر از رستم دستانم

به مو بنده قدرتت به موی پریشانم‌
رها کردم  زلفانم تا قدرت شد از آنم 
رها کردم زلفانم تا قدرت شد از آنم
رها کردم زلفانم تا قدرت شد از آنم

Ham Maseer (path-mates)

Fekresho Kardi Taa Be Haal?

Fekresho Kardi Taa Be Haal?  |  فکرشو کردی تا به حال؟

My own garden of roses

Meydan Azadi band - BATO | میدان آزادی - با تو

BARAB-BARAB feat.P-danjelsa

Music & Words : Faarjam

Recording/Mixing By Raymon Brugman

Faarjam - Che Faide? (Single)

سیمین قدیری
آهنگ: فریبرز لاچینی
 ترانه سرا: احمدرضا احمدی  
آلبوم آوازهای دیگر

من نوشتم بارون

Trumpet: Denizhan Altay
 Recorded at Groove Island Studio in Düsseldorf 
studio13
Mix and Mastering: Ali Kamali

Studio 13

Ba Chashmanam

موسیقی از گروه |پالت| برای نمایش

«روایت ناتمام یک فصل معلق»

نویسنده و کارگردان: هومن سیدی
مشاور کارگردان:حبیب رضایی

بازیگران:
باران کوثری
هومن سیدی
آزاده صمدی
هوتن شکیبا
نوید محمدزاده
امیر جدیدی
نفیسه میرشمسی

______________

"صدا برداری" و "میکس" : صادق تسبیحی

"استودیو اورفه"



(Don't Go, Stay …) نرو، بمان ...

مرتی عزیززاده هالیوود را می خوانَد و من فکر می کنم موسیقی را برای همین باید درست کرده باشند...
.

Recorded in Tehran, Bakara Caffe, May 2019

Morti Azizzade - Hollywood | مرتی عزیززاده - هالیوود

www,mahanmirarab.com
Mahan Mirarab: Fretless guitar
Robert Jukic: Bass
Wolfi Rainer: Drums

Mahan Mirarab (Jazz guitarist, Fretless guitarist, Composer, Architect)

Born on 13 July, 1983 in Tehran, started his first experience of art with painting, he spent his childhood during the war of Iran-Iraq in 80's. He started his first musical activities with playing piano at the age of 12 and after a year he switched to classical guitar. At that time there was no opportunities in Iran to listen to jazz music but at the age of 16 he could find the access to some tapes of Wes Montgomery and he started transcribing his tunes. In spite of lack of any approach to the basic learning instrument or any kinds of media in the form of books or any kind of recordings, he started to learn jazz. Although there was no teacher and school of music in Iran and the first step of his learning process was really hard, later after the development
of media in Iran in Mid 90`s he had the opportunity to listen to other jazz musicians and Kept continuing transcribing and analyzing the music of jazz legends like Charlie Parker, Bud Powell, Clifford brown, John Coltrane and many more.
Nearby tacking the first steps of learning music, according to his excessive passion to get influences from Persian traditional music, he started to play one of the main Persian musical instruments, called TAR. The influences and inspirations that he achieved from getting involved in learning traditional music have an indispensable role to shape his character as a musician, that is not only interested in jazz music but also is always grateful for Persian folk and traditional music. The main idea of playing
fretless guitar is on the one hand the difference between Persian and classic scales, because of existence of quarter tones in Persian music which makes it possible to be played by F.Guitar, and on the other hand it derived from his intention to find an appropriate and sufficient instrument that can accurately describe and express Iranian identity in his musical character.
The summer of 2003 was an important point of jazz music in Iran because the Legendary Armenian Pianist, Vahag Hyrapetian, organized the first jazz workshop in Iran since the Revolution of 1979.

It was a determinative event that was held for the first time in the realm of jazz music in Iran. Mahan attended to this workshop and also was asked by Vahag to play a duo concert with him.
Right after that he established his first Band as a Trio
set up with Dara Daraeei on bass and Amin Taheri on Drums. After some Concert Hamzeh Yeganeh a great Persian pianist and composer joined the band.
Beside his own project he cooperated with many concert and recording sessions as a side man during all this time. in 2008 he finished his studies in architecture in Tehran
art and architecture university and decided to move to Vienna. There he recorded his first Album with Wolfi Rainer(drums) and Robert Jukic(bass).This album is
a combination of Persian folk and traditional music with jazz .
The composition and arrangement of this project that started in Iran in 2006 is already
concluded and recorded in Vienna’s session in title "The Persian Side of Jazz" After moving to Vienna Mahan played with different Jazz and World music ensembles in Different European countries as well as United States.

9:40 am

Listen to "Mara Yadat Hast". This is one of 7 tracks on our new album " Sher o Naghash" (The Poem and The Painter) . 

Join us on Facebook: www.facebook.com/circocafe

New Album is now available on iTune and CDBaby:

https://itunes.apple.com/ca/album/the-poem-and-the-painter/id586833739

http://www.cdbaby.com/cd/circocafe2

Video: https://vimeo.com/63278136

Mara Yadat Hast

Araam Araam (A Lullaby)

صورتحساب - سام موسایی

▪︎از همین لحظه در وبسایت من، کانال تلگرام، ساندکلود و تمام سایت‌های محترم موسیقی.

صورتحساب از زیر دندان عقل در‌آمد. از لابلای زیست جداگانه هر یک از ما که پشت میز شماره سیزده نشسته بودیم‌. طعم گَس تمام لحظه‌هایی که بر ما گذشت چیزی بود شبیه رد خون توی اشک. و یادمان آورد گاهی سرمان را بلند کنیم تا شاید  میزهای دیگر را ببینیم، شاید کس دیگری هم آنجا با ما در بند باشد. هم بند باشد.
 ما شرح مصیبت‌های زیادی را لابلای قهوه و سیگارمان انکار کردیم و یادمان رفت احتملا روزی کسی صورتحسابمان را روی میز می‌گذارد. 
خلاص.

برای آخرین سیزده مرداد قَرنی که ما را بلعید.

شعر: عابد اسماعیلی
آهنگساز: حامد هدایتی
تنظیم: حیدو 
میکس و مستر: احمدرضا شهریاری
کاور آرت: مریم سیادت
موشن: اوُل هدایتی

www.samoosaei.com

Samoosaei

Soorat Hesabe Mize Shomare 13

به یاد احمد عاشورپور و برای گیلان
In The Memory Of Ahmad Ashourpour

Darya Too Fun Dare : دریا طوفان داره

Faarjam Saidi is an Iranian musician and producer whose sound blends pop and indie pop with rich Middle Eastern influences. Drawing inspiration from contemporary Iranian poetry, his music is marked by emotional depth, poetic lyricism, and a unique cross-cultural sensibility. Tracks like “Fathe Bagh,” “Sabze Lajani,” and “Amsterdam” showcase his ability to fuse reflective storytelling with memorable melodies.
With releases including Koala (EP, 2017), Sabze Lajani (2022), and Harf Bezan (2024), Faarjam continues to explore themes of identity, longing, and resilience through his distinctive musical lens.

Faarjam - Che Faide? (Single)

Faarjam Saidi | فرجام سعیدی

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