Fabrice Lig Black Monday EP

His most substantial release on Marc Romboy’s label since his ‘Purple Raw’ series a few years back, each track
is written as a special tribute to four people who’ve had a massively positive impact on Fabrice’s life, but have
sadly since passed on. Expressing himself in the most honest, articulate way he can, this one runs deeper than
deep.
‘Jim The Magnificent Fox’ is a dark, strident tribute to FlashForward resident Christophe Adam. A doctor in
criminology and psychology, an exceptional DJ and a dear friend to Fabrice, you can feel the emotion on every
jagged edge.
‘Mr Wa’ follows. Striking poses at every possible opportunity, this dedication to an old school friend in his
hometown Charleroi. Bright, breezy and laced with movement and variation, it’s a celebration of the positive
energy and time Wa always gave to people.
‘Marc’s Tribal Dance’ follows. A hip-shifting, butt-wriggling funk techno workout, this commemorates Marc
Morgan. A gifted French singer, and also Fabrice’s good friend and publisher, he’s another soul who has left us
too soon.
Finally ‘Pivert The Playmobil’. Another firm ally and creative genius from Fabrice’s hometown, Pivert passed
away a few years ago but his impact on Lig has never faded. Light, jazzy and sprinkled with acid, it’s a fittingly
reflective finale for a touching, thoughtful EP.
Four stunning tracks, four beautiful tributes, four great men remembered, one powerful reminder to tell our
friends how much we appreciate them…

Already supported by :
Tiga, Solomon, Kolsh, Dubfire, Bog, John Digweed, Gregor Tresher, Kolombo, Ken Ishii, Dj Red D, Dan Curtin, Eddie Niguel, 

Where to Buy it ?

Vinyl :
https://www.deejay.de/Fabrice_Lig_Black_Monday_EP_SYST0127-6_Vinyl__950845

https://www.decks.de/track/fabrice_lig-black_monday_ep/cgk-je

https://www.juno.co.uk/products/fabrice-lig-black-monday-ep/771930-01/

https://www.redeyerecords.co.uk/vinyl/121271-syst01276-fabrice-lig-black-monday-ep

Digital :
https://www.beatport.com/release/black-monday-ep/2912241

https://www.amazon.com/gp/product/B086LJCGSB/ref=dm_ws_sp_ps_dp

https://www.traxsource.com/title/1320824/black-monday-ep


Connect with Fabrice Lig:
Website : http://www.fabricelig.com
Facebook: https://www.facebook.com/FabriceligArtist
Twitter: https://twitter.com/fabricelig1
Soundcloud: https://soundcloud.com/fabricelig
Youtube Fabrice Lig : http://www.youtube.com/fabricelig

#systematic, #blackmondayep, #jimthemagnificientfox, #mrwa, #marcstribaldance, #piverttheplaymobil, #purpleraw, #Fabrice Lig, #Techno, #LigMusic, #Titonton, #CarlCraig, #Kevin Saunderson, #Juan Atkins, #Charleroi, #Rockerill, #Freaksville, #Deeptechno, #Deephouse, #housemusic, #SoulDesigner, #FCommunications, #Laurentgarnier, #KennyLarkin,

Beatport

Fabrice Lig -  Black Monday  ep - Systematic 127-6

3 - Marc' s Tribal Dance

1 - Jim The Magnificent Fox

2 - Mr Wa - Compress

4 - Pivert The Playmobil

Fabrice Lig is considered by his peers & techno fans around the globe as a world class producer.

He is well known for his particularly funky use of Roland’s sh101 analog synth, and for his particularly emotional and personal melodies and harmonies.

There is no doubt that after more than 20 years of teaching himself production processes, complex midi programming and harmonies, Fabrice’s sound is unique and recognisable among the thousands of weekly techno releases.

Demonstrations of these skills appear on the crème de la crème of electronic music labels such as KMS (Kevin Saunderson), Planet-e (Carl Craig), Submerge, R&S, Third Ear, 7th City Records (Dan Bell), F-Communications (Laurent Garnier) , Versatile, Classic, Compost, Subject Detroit, Motech, Raygun, Playhouse Records, Kanzleramt (Heiko Laux), 70 Drums (Ken Ishii), Clone, Trapez ltd and so on...An exceptional discography into mythic labels, into history of electronic music.
By the end of 1998, after his first DJ and production experiences, under the Interwaves and Bug Orchestra nicknames, Fabrice was elevated to the ranks of the Detroit musical elite by Mad Mike himself, thanks to his classic remix of E-Dancer’s Banjo track on KMS: “Fabrice is a part of Detroit music's history by being the first white producer to record on KMS, and the first double groove recording from NSC”.
Fabrice has built a solid discography and reputation, confirmed by his reknowned appearances at the world’s best clubs & festival line ups such as Panorama Bar-Berlin, Fabric - London, Womb-Tokyo, Detroit Fuse-In Festival, Fuse - Brussels, Loft - Barcelona, Sub Club - Glasgow, The End - London, Sonar Festival, world famous official Montreux Jazz Festival, Bourges festival (On stage with Jean-Michel Jarre ), to name but a few. One of the highlight of Fabrice dj career is the paper into Detroit Free press where his performance was voted best dj Set of 2005’s Detroit Fuse-in Festival.
Fabrice also collaborated and remixed some artists like Laurent Garnier, Kevin Saunderson, Agoria, DJ Hell, Ken Ishii, Kenny Hawkes, Rob Mello, Frederic Galliano, Chymera, Trüby Trio…
After his last Soul Designer's album on Third Ear (2007), Fabrice decided to take a bit of a break from music and concentrate on some educational projects. Nevertheless, he released his classic Purple Raw EP on Versatile in that period, as well as some own EPs on R&S, Subject Detroit, .. next to a few remixes. Over the last few months however, Fabrice quietly prepared the celebration of 20 years of music by producing a new album with the idea to make a strong “come back” with fresh material for late 2014.
And when Carl Craig first heard "Galactic Soul Odysseys", he instantly decided to invite Fabrice to join Planet E's prestigious family. Once again, Fabrice work is entering history of music through one of the most respected labels from the techno community.
Fabrice is really excited to be back on tour for live performances around the globe and to present that new material to his fans...

As Jean-Michel Jarre said in an interview for MTV : "What is touching me in Fabrice Lig's career is the way he is following his own line, without caring about trends, and that's the path an artist should follow. It is not post Detroit, it's an emotion"
