Name: Week #11 by Fabrizio Paterlini in bgm대기
Duration: 3 min 30 s
Description: Fog is now everywhere. Cold and freezing in the very early mornings, dark in the early afternoon. Autumn is gently fading away - the steps of winter are louder now. Please welcome the month of December, the last of this fantastic Autumn 2011.

I absolutely love this week!s' inspiration of you, Fabrizio! Such a beautiful sound - so full, so pure... 

marvellous piece. i need more time to listen all your tracks

Hypnotic, sad, melancholic - regretful even, but with hope.

bgm대기

wintermute

He cleared his throat, and told me the story as I was sitting in front of my piano. And I suddenly noticed that I've never felt love the way he has. It was wonderful listening to his story, and seeing how much a human being is capable of loving and caring. 

Sadly, now it's all just memories.



Meine Nacht

Taken from the EP ‘Sympathetic Resonance’ (2014), "Zwischenspiel I" is a collaboration with Russian cellist Dmitri ‘Dimi’ Devine who sadly passed away in January 2015. This EP features six emotional, post-classical compositions for Piano and Cello by Berlin-based composer Sebastian Morawietz.

Credits:
Written, produced and recorded: Sebastian Morawietz
Piano, Electronic Treatments: Sebastian Morawietz  
Cello: Dmitri 'Dimi' Levine
Mixing: Sebastian Ohmert (Sonic-Impulse, Berlin)
Mastering: Taylor Deupree (12K Mastering, NYC)

sebastian-morawietz.com

stream/buy

Zwischenspiel I

Here is a new piano solo called "Crystalline".  It's freezing cold outside - this piece was inspired by the developing frost as the cold night draws in! 

I hope you like this piece.  :)

Crystalline (piano solo)

Douteux Amour

segue is Jordan Sauer from Vancouver, Canada. His sound is a patchwork of textures and tones with a focus on the interplay of timbre. These sounds are created through the blending of various instruments (12-string acoustic and electric guitar, piano, violin, melodica, various percussive drums and instruments, didgeridoo, childrens toys), incidental found sounds and field recordings. Being a lover of all music, his approach to music/sound composition is constantly evolving.

Grey was the second album on the original Tokyo Droning release package. It was originally released in edition of 100, which sold out in about 2 weeks despite limited press. I've known and been an enormous fan of Jordan's work for a number of years now. Its hard to think of a quieter and more gentle artist who approaches his work with great care and attention to detail. 'Grey' has always felt like a kind of organic folk drone record, which might seem like an odd hybrid. But it works beautifully and of all the releases on all the labels over the past few years, this is the one that has stayed with me and worked no matter the mood, time or situation. Jordan still very quietly continues to produce music with no fuss whatsoever (a trait sorely lacking in the current crop of young producers I find) and my only hope is that people can discover the work of this incredibly talented artist. 

segue - The Holiday

Daydream Vol 5

Xriso

blue roads  9.6.25

... rework for the upcoming album "Trabant"

Lumiere (Album Version)

Impromptu

One of my recent favorite tracks.  Check out more of Novo Amor's music because every single track he's released is truly magic.  I need to go through and still mix this track down but want to at least get this out while I can!

Here's a link to the original: https://soundcloud.com/novo-amor/anchor

Anchor (original by Novo Amor)

Fallen

Fog is now everywhere. Cold and freezing in the very early mornings, dark in the early afternoon. Autumn is gently fading away - the steps of winter are louder now. Please welcome the month of December, the last of this fantastic Autumn 2011. 

Week #11

The 21st release on the Time Released Sound label is a collaboration between Pleq and Spheruleus...

Pleq and Spheruleus - Quietus Gradualis (Preview)

Spotify: https://open.spotify.com/album/1qw2Z2Lcs1YAx6zxih1yEJ?si=-u_oumWVSi2HXjCMHopkzA

My contribution to Piano Day 2019 and played live for the first time at AfrikaBurn 2019 (State of Bliss on Saturday 1-2 am)

Here is a dreamy piano piece which started as a short improvisation thinking about my AfrikaBurn experience. After having had four improvisation bars resting in the drawer for months I re-listened one morning and finalised this piece within an hour, simply following my heart and emotions at that very moment. It stops as abrupt as a dream.

The current version, however, is a remake posted April 7, 2019 with less 16th notes.

I grew up in Copenhagen, Denmark, and believe it has a very danish sound to it - whatever that is.

Enjoy <3

Bjørn-Henrik Zink - Tankwa Daydreaming (Piano Day 2019)

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Discography - Playings

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Week #11

Fabrizio Paterlini

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