Name: Be in the moment by Fabrizio Paterlini
Duration: 3 min 7 s
Description: Taken from the album "Riverscape", out on Oct 6th 2023

Written by Blake Ewing
Performed by Blake Ewing with cello performances by Craig Hultgren
Album art by Matthew Salleh and Rose Tucker

Spotify: open.spotify.com/album/6pyl44xfQw…e4aca961eded4a88
Apple: music.apple.com/us/album/we-dont-…dtrack/1566426258

Film, CD, vinyl: www.wedontdeservedogs.com

We Don't Deserve Dogs (Original Motion Picture Soundtrack)

Blessings

Taken from the album "Riverscape", out on Oct 6th 2023

Be in the moment

Story #10

J'air repris ici dans une toute nouvelle version un de mes premiers morceaux créés au moment où je m'étais acheté, il y a maintenant déjà quelques années, mon piano numérique (Roland FP30) qui m'enchantait à lui tout seul par ses sonorités nouvelles pour moi. Il perd malheureusement beaucoup ici de sa sonorité, car je ne peux le brancher à ma carte audio que par sa sortie casque. De cette première version et de son arrangement d'époque j'ai cependant conservé ici  la partie centrale. J'espère que vous apprécierez son ambiance très rêveuse

un ange passe

Knettle TeaBags: A Gentle Journey into Calm

This track is a soundscape designed to guide you into a state of deep tranquility and inner peace. Built on a foundation of warm, ethereal synth pads and subtle, lingering drones, "Knettle Tea Bags" unfolds slowly, like a vast, empty canvas waiting to be filled with your thoughts.

Each note is a breath, a gentle wave carrying you further away from the noise of the outside world. There are no sudden changes or jarring melodies, only a calm, continuous flow that allows you to release tension and find stillness. The music is a quiet companion for meditation, reflection, or simply unwinding after a long day.

Let the soft, atmospheric textures wash over you. Close your eyes and let your mind wander, finding a space of quietude and clarity.

Knettle Teabags

Along the Retroscape. From the album ES1 Retro Redux.

Bandcamp: https://linakamura.bandcamp.com
Spotify: https://open.spotify.com/artist/5JJaCP2DNoIXagSqLAWfhF
YouTube: https://www.youtube.com/watch?v=7MjFuIdqkDk
Find More Here: linktr.ee/linakamura

Composed and Produced by linakamura
Artwork/photography by linakamura
Released September 5th, 2025

ES1 Retro Redux

Along the Retroscape

"Hello World" is my entry to Piano Day 2016.
http://www.pianoday.org
#PianoDay

Mash Waves Music is a music project by Daniel Soffner based in Melbourne, Australia.

Blog:   http://mashwavesmusic.soffner.com
Bandcamp:  https://mashwavesmusic.bandcamp.com
Twitter:  https://twitter.com/danielsoffner
Facebook:  https://www.facebook.com/MashWavesMusic

Hello World

That's a piano piece totally improvised, I just sat on the piano and play what spontaneously came out. No sheet music, preparation, or forethought. Just spontaneous composition, in one take. No edit. This is why you may hear some "mistakes" but as Thelonious Monk said: “The piano ain't got no wrong notes.” ;-)
I made it as part of the Piano Journal experimentation, a project created by Jason Dzamba: www.thepianojournal.com

Impromptus Vol. 1

Impromptu n°II / FREE Download (Total improvisation, no edit)

A simple, descending piano amble based around A. Recorded with James Everingham's Woodchester Piano.

Drop me an email mark@markwhitemusic.co.uk if you'd like a copy of the sheet music.

Woodchester Piano: http://fracturesounds.com/product/woodchester-piano/

#pianoday2020

تمام شد.اما مگر می شود آن سه سرباز را فراموش کرد;یونس،یحیا،قباد را...
مگر می شود ترس از آسمون غرنبه ی قباد را فراموش کرد...مگر می شود غرق بی مزه بودن روزگارشان نشد...
تمام شد و دلشوره های فیروزه می ماند و نگرانی های جلال می ماند و اضطراب های ملاحت می ماند و خستگی های سامان می ماند و ...
بغض فریدون...
نور می آید...
-امیر بشیری
اول آذر 1397

One of the best experiences I've ever had was writing a short but deep and emotionally challenging theme for this incredible, award winning play, written by Mohammad Charmshir and directed by Amir Bashiri, one of the absolute talents in Iran.

Khanevadeh Mohtaram Ardekani

Main Theme

The new album, composed having in mind the idea of releasing it mostly on vinyl, has two different "sides" - the "Solo" side, in which I am playing a delicate and intimate felted grand piano and the "romance" side, in which I composed music with strings, in a more cinematic style.

And We Go Again [Romance]

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Be in the moment

Fabrizio Paterlini

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