My God, I am in aww with these compostions- truly original & each with a haunting cadence that makes you return to it like an emotion you want to experience over & over. Love, loss, new beginings, & the unknown. Bravo. And thank you.

for the softer side

Poyan Abdi - Etefagh

Somehow familiar

Midsummer tiny song

Broken

Ólafur Arnalds - Eyes Shut

مرا ببخش علیرضا قربانی
Mara bebakhsh

Mara Bebakhsh Alireza ghorbani 320 مرا ببخش علیرضا قربانی

The Mad Poet

The Mad Poet - Shayan Badri

This "Quasi una Sonata" is an improvisation based on Schenkerian approach to musical expression.
With this experiments I'm exploring the depth and beauty of music theory in my improvisation.
~
dedicated to my friend Mehran Badakhshan

Sonatisches Impromptu, P. 1

Week #7 (Piano solo)

Piano: Fabrizio Paterlini 
Electronics: London DC

You are not alone

آهنگ صدا اثری از پرزاد منتشر شد

آهنگ صدا با اجرا و صدای پرزاد را می توانید از پلتفرم های معتبر موسیقی جهان بشنوید و دانلود کنید

Parzad - Seda

Parzad - Seda

یرگه(یارکم) کار مو و تو دِرَه بالا می‌گیره
ذره ذره دِرَه عشقت تو دلم جا می‌گیره
روز اول به خودُم گفتُم ای‌یم مثل بَقی
حالا کم کم می‌بینُم کار دِرَه بالا می‌گیره
کار دره بالا می‌گیره
چن شبه واز مودوزُم چشمامَه تا صبح به چْخت (سقف)
با به یک سمت بی‌خودی مات مِمنه ، را می‌گیره
چن شبَه واز مث چهل سال پیش از ای مرغ دلُم
تو زمستون بَهِنه‌ی سبزه و صحرا می‌گیره
سِبزه و صحرا می‌گیره
تا سحر جُل می زنم (تکون می خورم) خواب به سراغُم نمیاد
هی دلُم مثل بِچِه بَهَنه‌ی بی‌جا می‌گیره
موگومش هرچی که مرگت چیه؟ کوفتی نمِگه
عوضش نق مِزنه ذکر خدایا می‌گیره
(به به، ساغ‌ اول، دمت گرم)
پیری و معرکه‌گیری که مِگن حال مویه
دِره کم‌کم ای کتاب صفحه پینجا می‌گیره
صفحه‌ی پینجا می‌گیره
هر که عاشق مِشه پنهون مِکِنه مثل اویه(۲)
که سوار شُتُرَ و پوشتِشَه دولا می‌گیره
این بیتش رو شجریان در این ترانه استفاده نکرده (یا به عقیده برخی سانسور کرده) :
کتا کردن (کوتاه کردند) دامنا رَ تا بیخ رون مشتی عماد!
دیگه مجنون توی خواب دامن لیلا می‌گیره


eshghe piri - mohammadreza shajarian عشق پیری - محمدرضا شجریان

one direction - one thing, slower ballad piano

Dark autumn music about a mysterious fall village. This music is called Honeyspice. We hope you enjoy listening to it!

#spooky #dark #autumn #halloween #village #pumpkins #night #mystery

Spooky Autumn II

Dark Autumn Music - Honeyspice

This is the previously unreleased track included in the benefit compilation "... and darkness came", curated by Headphone Commute for helping people affected by Hurricane Sandy. All the income generated from this release will be donated to Doctors without Borders and The Humane Society. 

You can buy it and contribute to the cause by checking:
www.headphonecommute.bandcamp.com

Fabrizio plays the piano.

Silvia Dal Paos: Cello
Chiara Spagnolo: Violin

Buy 

There's a light we might see

برای تو ای شعر، اسماعیل خویی.wma

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Broken

Fabrizio Paterlini

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