My God, I am in aww with these compostions- truly original & each with a haunting cadence that makes you return to it like an emotion you want to experience over & over. Love, loss, new beginings, & the unknown. Bravo. And thank you.

Combo's

Philip Glass - Tirol Concerto

Rene Aubry - Salento (koko Remix)

Broken

deep

مرا ببخش علیرضا قربانی
Mara bebakhsh

Mara Bebakhsh Alireza ghorbani 320 مرا ببخش علیرضا قربانی

Solace .

Shab Abestan Ast

This is the second collaboration work by Takahiro Kido and Yuki Murata, music composers who also are active as members of Anoice, RiLF, and Films, together with Kenji Azuma, an ambient music artist who plays a range of unusual instruments and the trio’s first EP.

It's been only three months since the previous collaboration single 'Ice Mermaid' with the basis of the song’s sounds created from materials which are related to ice and water. This time, they will release the four songs-included EP 'Memories of the Stone' featuring the sounds of a stone and limestone cave. Just like their previous work, this song is also based on an illustration painted by MATSURICA who also takes charge of the artwork for some of the releases from Anoice, Yuki Murata, and Films, and it is under the theme of the exploration into a cave. A wolf finds a cave in the forest and gingerly goes into it, and steps forward to the deep as if being invited by the sounds of water dropped on the puddle and bats singing. And then, he leaves his body to energetic dance of the ancient animals drawn on the wall...

Like the previous collaboration 'Ice Mermaid', each artist took charge of playing various instruments, but the most notable point in this EP 'Memories of the Stone' is that they mined Sanukitoids, a variety of high-Mg granitoid found in limited area of Japan and recorded its sound in the forest. You should be able to feel the memories of the long and epic history via the beautiful and clear sound of the stone which has existed since ancient times.

Step into an adventure with the main character wolf, Rem, while looking at the illustration.

Spotify, Apple Music, iTunes, etc:
https://linkco.re/Z9Z4y5a6
BandCamp:
https://riccolabel.bandcamp.com/album/memories-of-the-stone

Memories of the Stone

BandCamp

lure (Anoice / Takahiro Kido, Yuki Murata, Kenji Azuma 'Memories of the Stone')

10/09/2025

I Can't Believe We're Still Together

Yuki No Namida [雪の涙]

!DelaDap second Album, Remastered Special Edition, out in July 2012

Spieluhr

A lovely piece by Amon Tobin adapted for orchestra by Ilan Eshkeri and played by The London Metropolitan Orchestra live at the Royal Albert Hall, which was part of the soundtrack of Elie Saab Haute Couture Automne /Hiver 2012/2013.

Amon Tobin - At the End of the Day [Live Performance by The London Metropolitan Orchestra]

Buy Two Fingers aka Amon Tobin - 'Stunt Rhythms' :

iTunes: http://glnk.it/1nv
Amazon: http://glnk.it/1hv
Ninjashop: http://bit.ly/stuntrhythms

Amon Tobin marches to no one’s beat but his own. In a career spanning over ten years he has been connected to but never belonged to a host of scenes and styles. He has consistently made the music he feels he needs to make, not what other people think he ought to make, always exhibiting a level of attention to sonic detail which makes his music more intensely textured, beautiful and brutal than almost anyone’s out there. 

Make no mistake – 'Stunt Rhythms' is about beats and bass. The model for the album comes from “Fools Rhythm” (included here), one of the standout tracks from Ninja’s 20th anniversary 'XX' boxset, an infectious mixture of playground melody, sharp beat and thunderous bass. 

Although Amon’s love of the lower reaches of low end will undoubtedly cause people to reach for lazy comparisons with dubstep, 'Stunt Rhythms' is in fact more accurately viewed as his love letter to hip hop – less the rampant consumerism of, say, G-Unit’s “Stunt 101” than the early culture of innovation and freshness, of showing off simply that you’re better at what you do than anyone else. So while tracks like “Snap” could be said to literally break down classic hip hop to its constituent components and put them back together in completely new shapes, the more uptempo tracks like “Razorback” come on like a whole new soundtrack for an as-yet-uninvented future pop-locking. If you imagine Mantronix as a Kenworth K100 truck, Two Fingers is what happens when the truck turns into Optimus Prime. 

Uncompromising, muscular and powerful, the music of Two Fingers is also full of subtle touches, humour and a supple sense of rhythm. Which, when you think about it, is just showing off.

Buy 'Stunt Rhythms'

Two Fingers aka Amon Tobin - 'Two Fingers Mix' (From ISAM Live)

Bedtime Stories (Austin Peralta Reinterpretation)

An improvisation exploiting the sensitive sound of the Una Corda piano, the unique instrument created by David Klavins.

Interlude for Una Corda (Piano Day 2020)

Composed and performed by Richard Brincklow (Bledig) on Piano and Andrew Phillips (Grasscut) on GuitarViol and effects. Part of an album, Dusk, Andrew and Richard hope to release later in the year.

Hymn

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Broken

Fabrizio Paterlini

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