Name: Dawn by Fabrizio Paterlini in pian frumos
Duration: 3 min 11 s
Description: First track for my "Winter Stories" album.

pian frumos

Tambour - Chapitre I | mr002

Listen/Buy/Download:
Bandcamp : https://modernarecords.bandcamp.com/album/chapitre-i
Spotify : https://open.spotify.com/album/1T9ZEbw8xXTWjBz5z0440N
iTunes : https://itunes.apple.com/au/album/chapitre-i-ep/id1050834587
BUY / 12" VINYL : https://modernarecords.bandcamp.com/album/chapitres-vinyl-edition

.: Esquisses oubliées en trois mouvements :.
Composed and produced by Simon P. Castonguay
Piano - Simon P. Castonguay
Violon I - Rose Frappier
Violon II - Audrée Leduc
Alto - Mélanie Venditti
Recorded by Benoît Parent
Mixed by Benoît Parent
Mastering by Pierre Duchesne
Cello - Anaïs Constantin

Tambour - Esquisses oubliées en trois mouvements

A Remix of my debut album “Day To Day”

Not Now, Not Never (GF Demo) (Bonus)

“Matilda is a delicate and introspective piano piece that weaves together melancholy and gentle tension. Its expressive melody and subtle harmonic shifts evoke emotional depth, while pauses and silence accentuate its narrative space. Ideal for cinematic cues, reflective storytelling, or intimate brand visuals, Matilda embodies Bislo’s capacity to convey emotion through restraint.”

Matilda

www.patreon.com/alicebaldwin

Für Rik. 
Experimenting with an old song idea. Trying not to mess it all up with the strings..

Freiheit wär viel lustiger

Icelandic composer Ólafur Arnalds set to release his first Hollywood film score.

Ólafur Arnalds’ original motion picture soundtrack for Sam Levinson’s feature film debut ‘Another Happy Day’, starring Ellen Barkin and Demi Moore, will see a worldwide release via UK modern classical label Erased Tapes Records on February 27, 2012.

PRE-ORDER it on CD/Vinyl/Digital now from: http://erasedtapes.com/store/index/ERATP038

IN HIS OWN WORDS: 

‘In mid-December 2010 I was on a holiday in China when I received an email from Sam Levinson about the film. We got on the phone at like 4 in the morning Beijing time and ended up talking all through the night, instantly connecting. He told me that they had been listening to my music while making the film, so the film was already very influenced by my music. However, it was not until Ellen Barkin – the beautiful force that she is – had pestered the producers for a week, calling them every day about how I am the right one for this film, that they finally gave in. The only catch was that it had to be done two weeks later, in the first week of January. So I ended up scoring nonstop all throughout Christmas, making my mother mad in the process.’ - Ólafur Arnalds

CONTEXT:

Born in the suburban Icelandic town of Mosfellsbær, a few kilometres outside of Reykjavík, the 24-year old composer has always enjoyed pushing boundaries with both his studio work and his live-shows. Through relentless touring and determination this young artist has steadily gained recognition worldwide and continues his mission to lure an indie-generation of pop and rock fans into an emotive world of beguiling electronic chamber music and delicate classical arrangements.

'The indie kid who knows the score’ – Guardian’s Observer

'An artist who can exert power with the lightest of touches’ – BBC Music


TRACK LISTING:  

1. The Land Of Nod  2. Through The Screen  3. Before The Calm  4. Lynn's Theme  5. Alice Enters  6. The Wait  7. A Family Stroll  8. Poland  9. Out To Sea  10. Autumn Day  11. Everything Must Change

OFFICIAL WEBSITES:

OLAFURARNALDS.COM
ERASEDTAPES.COM

Erased Tapes Collection IV

Ólafur Arnalds - Poland

3.32.39 is the 4th track in preview of Plume, my album on vinyl, that will be released October 16th.
The title is the exact hour in which, on April 6th 2009, an earthquake occured in L'Aquila, destroying  part of the city and changing its very soul forever.
The track is meant to be an homage to the victims memory and, at the same time, a hymn to life for whom has survived and found the strength to react.

http://luca-longobardi.bandcamp.com/track/33239

3.32.39

Music for piano.

Follow:

Spotify: https://open.spotify.com/artist/2pHCm7cvE0ADlPp68tScqW

Apple Music: https://music.apple.com/us/artist/steven-gutheinz/1421925543

SoundCloud: https://soundcloud.com/steven-gutheinz

Instagram: https://www.instagram.com/stevengutheinz

Facebook: https://www.facebook.com/stevengutheinzmusic/

YouTube: https://www.youtube.com/@stevengutheinz

Bandcamp: https://stevengutheinz.bandcamp.com

Musicbed: https://www.musicbed.com/artists/steven-gutheinz/4360

Web: https://stevengutheinz.com

Atlas

First track for my "Winter Stories" album.

Winter Stories

Dawn

Rainy Days

02 Sunlight Zone

Single taken from the new album by Roberto Attanasio, Poèmes Pour Piano.

Poèmes pour piano

Roberto Attanasio - Ashes On The Couch

Select your favorite platform: https://ampl.ink/d3Qm4 
'Pianette' consists of a collection of solo piano compositions inspired by dreams and the bucolic fantasy of mechanical toys, the dolls, the essence of the circus and the puppets.
Available on CD, Sheet Music Book & digital.
Analog Mastered by Ian Hawgood · Cover image by Larissa Kulik
Design by Nikki Snow BNBA
www.bruno-sanfilippo.com

Pianette

Paloma

Select your platform

Single for the re-issue of the album "Autumn Stories", out on March 15th in a stunning vinyl edition! 
Differently from the original, which was a piano solo song, this one has been completely re-arranged - enjoy it!

Autumn Stories 2019

Week #10

Vinyl

From Tambour's upcoming EP 'Constellations (ou comment arrêter le temps)' out August 23 

Spotify: https://spoti.fi/2Yg4aWN 
Pre-order: https://modernarecords.bandcamp.com/album/constellations-ou-comment-arr-ter-le-temps

Composed and produced by Tambour (Simon P. Castonguay)
Additional electronic production by Thomas Haahr
'Mommies on the run' string quartet

Engineered by Pietro Amato 
Mixed by Mark Lawson, Montréal 
Mastered by Martyn Heyne at Lichte studio, Berlin

Constellations (ou comment arrêter le temps)

Ursa Minor (Caroline's Theme)

Tambour - Ursa Minor (Caroline's Theme)

Re: Better Now - Philip Daniel and Shawn Williams

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Dawn

Fabrizio Paterlini

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Miriam

Miriam

ALIEN$UICIDE

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