Name: Dawn by Fabrizio Paterlini in pian frumos
Duration: 3 min 11 s
Description: First track for my "Winter Stories" album.

pian frumos

"Fragile" is a third full-length album by Endless Melancholy. Recorded during 2013-2014 it was released as limited edition 12" vinyl and limited edition CD via Hidden Vibes and AZH Music Label on 21 Oct 2014. Little Hands is a third track on album.
Piano by Oleksiy Sakevych 
Viola by Anatoliy Gavrilov 
Cello by Vladimir Babutin 
Mastering by James Plotkin 
Special thanks to Anton Belov, Konstantin Naumenko 
Photography by Aldona Pieniążek

Little Hands

Music for solo piano.

Follow: 

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Web: https://stevengutheinz.com

Man on Wire

In Time

License via Mail:
clemens.ruh@googlemail.com

Buy on Bandcamp:
www.clemensruh.bandcamp.com/track/beyond

© 2015 Clemens Ruh

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www.clemensruh.bandcamp.com

Buy on Bandcamp

Beyond

train to elsewhere

Stranded

i wish i could bring you back old friend ,i miss you dearly cried making this❤️‍🩹

imissyousomuch(kurai midi)

piece by piece 8.23.25

First track from Plume, my new album on vinyl.

Pre-order availble on Bandcamp: http://luca-longobardi.bandcamp.com/album/plume

Bloom (vinyl cut)

First track for my "Winter Stories" album.

Winter Stories

Dawn

Rainy Days

Anne Lovett’s stunning new release for 1631 is a departure from her beautiful previous solo piano album Beyond (and below). Without loosing any of the startling beauty of the preceding album, in The Eleventh Hour, Anne Lovett revels in a new sonic world. Joined by the London Contemporary Orchestra , UK’s most innovative and respected ensemble routinely heard alongside such luminaries as Radiohead or Johnny Greenwood, and later in duo with phenomenal cellist and composer Oliver Coates, Anne Lovett also introduces subtle electronics interwoven carefully alongside layered melodic piano lines.

The main narrative for the album was conceived shortly after a new addition was brought in to Anne’s studio, a plantation chair which sat opposite her Grotrian-Steinweg grand piano. It led to intense hours of rethinking around the instrument itself and more generally about the seismic shifts that were taking place in society. The album is an attempt to reconcile the flaws of time. 

Best described by the Japanese concept of Kintsugi or “broken beauty”, The Eleventh Hour is a heartbreakingly beautiful contribution to the modern “indie” classical genre. The thirteen tracks all meticulously crafted and ringing out with a dark luminosity, like an elegy to our troubled times. 

It will appeal to fans of Dustin O’Halloran, Nils Frahm, Max Richter, Philipp Glass, Jóhann Jóhannson who will find many reasons to love this album .

www.1631recordings.bandcamp.com/album/the-eleventh-hour

The Eleventh Hour

Anne Lovett - The Eleventh Hour

Single taken from the new album by Roberto Attanasio, Poèmes Pour Piano.

Poèmes pour piano

Roberto Attanasio - Ashes On The Couch

Select your favorite platform: https://ampl.ink/d3Qm4 
'Pianette' consists of a collection of solo piano compositions inspired by dreams and the bucolic fantasy of mechanical toys, the dolls, the essence of the circus and the puppets.
Available on CD, Sheet Music Book & digital.
Analog Mastered by Ian Hawgood · Cover image by Larissa Kulik
Design by Nikki Snow BNBA
www.bruno-sanfilippo.com

Pianette

Paloma

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In Silentio

On The First Day

Single for the re-issue of the album "Autumn Stories", out on March 15th in a stunning vinyl edition! 
Differently from the original, which was a piano solo song, this one has been completely re-arranged - enjoy it!

Autumn Stories 2019

Week #10

Vinyl

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Dawn

Fabrizio Paterlini

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Miriam

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