Everything Flows

As some of you already know, I'm not too big on social media. Sure, I'll use some of the more popular outlets to share these words on all this music, mostly because I think that's where you all hang out. Sometimes it feels like entering a packed and loud bar and just quietly saying in the corner, "Hey, did you hear about this new album by Akira Kosemura?" and then retreating for the night to my quiet studio, where the noise in my memory of this encounter is finally relieved by the sound of the piano keys. I feel like every year, I make an offhand comment about the insanity of the world, and every year it seems to get a little worse. The news, in particular, appears to be an amplified magnet of defilements intensely blinking for attention at the top of the roof. But I won't comment on the headlines and instead attempt to make my own. Today I am premiering for you a piece from Kosemura's new soundtrack for a film called "Rudy", which is scheduled to be released via his own Tokyo-based Schole imprint on September 15th. This is a beautiful collection of 31 vignettes, where "the piano plays a central role, and the listener is transported by the emotion of the compositions of this internationally acclaimed pianist." The human condition is explored on every single track, with a slightly melancholy, touching, quiet tone, perfectly capturing the overall sentiment of the storyline, whether the images unfold on the screen or in my mind behind closed eyelids. I think you will enjoy this little gem.

Rudy

Looking in the Same Direction

TRACK PREMIERE : Akira Kosemura - Looking In The Same Direction

Ólafur Arnalds - Faun

This track in Spotify/AppleMusic: https://band.link/5rIec

New single "On The Hidden Field" is ready. Enjoy this peaceful and serene music!

Spotify: https://open.spotify.com/artist/3ZT6CL1pYRz20xt5BEhJpL
Apple Music: https://music.apple.com/us/artist/ashot-danielyan/551761240

Ashot Danielyan in the social media:
» Telegram: https://t.me/ashotdanielyancomposer
» VK: https://vk.com/club219373443
» Instagram: https://instagram.com/ashot_danielyan_composer?igshid=YTQwZjQ0NmI0OA%3D%3D&utm_source=qr
» YouTube: https://www.youtube.com/user/ashotdanielyan
» Facebook: www.facebook.com/ashot.danielyan.composer

All Ashot Danielyan Albums: https://ashotdanielyan.bandcamp.com/

» Ashot Danielyan Royalty Free Music: https://audiojungle.net/user/ashot-danielyan-composer/portfolio

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

On The Hidden Field

Apple/Spotify

Ashot Danielyan - On The Hidden Field

Rise

The light narrows into a single line, folding the day into its own shadow. Some feelings reject names, lingering like textures in the air. Time flows slower than the future it promises, while colors rise awake against the twilight. Between the mirror and the silence, thought burns briefly, with enough intensity to fade.

Sleepspell Paradox

cantsleep.1 Rest Here

Tout commence dans l'Eau-Mémoire, source vivante au pied de Karsak’a, le rocher et la source. Dans la Grotte des Échos, les voix anciennes se répondent, jusqu’à l’accord discret d’Hepicart. Alors s’ouvre l’océan intérieur, marée calme menant à la Bibliothèque fractale, où chaque fragment porte le tout. Plus haut, les nappes d’air nous relient, et Rosika — Mémoire douce apaise le rythme. Puis surgit (O)vni (N)ew (U)niverse, apparition d’un ailleurs déjà présent. Enfin, les Rivières-cosmos reprennent leur cours, reliant la terre et le ciel, laissant circuler la mémoire.

Eau-Mémoire

EMMA

2 - Cień

Follow:

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Apple Music: music.apple.com/us/artist/steven-…theinz/1421925543

SoundCloud: @steven-gutheinz

Instagram: www.instagram.com/stevengutheinz

Bandcamp: stevengutheinz.bandcamp.com

Web: stevengutheinz.com

Around the Sun

The Relatively Little House

Hi friends!
The coronavirus is altering all aspects of the lives of large numbers of people.
With this piece I wanted to share a bit of calm and hope.
Best Regards from Spain!

And in The End, The Light

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Everything Flows

Fabrizio Paterlini

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Svetlana Lazareva

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