PIANO

Rue des Enfants

Rue Des Enfants

emotive, inspiration, dark, light, minimal, expressive, touching

Code

Úti

www.facebook.com/hugarmusic
www.hugar.is
http://hugar.bandcamp.com

Hugar are Bergur Þórisson & Pétur Jónsson

Other instrumentalists are:
Ólafur Arnalds - Drums
Pétur Björnsson - Violin
Sólveig Vaka Eyþórsdóttir - Violin
Guðbjartur Hákonarson - Viola
Hrafnhildur Marta Guðmundsdóttir - Cello

Cover Photography: Anna Iceland
Other Photography: Ólafur Baldvin Jónsson



Endalok

We Move Lightly

a collection of starlings 11.28.25

youtube teaser... https://www.youtube.com/watch?v=fHnJO61m1BI

this one is composed to be recorded at "The Giant" soon in the frame of my 8 Pianos project. Inspired by a classical piece of Schubert/Liszt which I enjoyed very much recently when I visted the concert of Klavierklasse Ulm

Dirk Maassen - Onda (https://www.youtube.com/watch?v=fHnJO61m1BI)

Taken from my debut LP "Ichiru".

Stream/Buy the full album (12 tracks LP)-(CD/Digital): 
Bandcamp : modernarecords.bandcamp.com/album/ichiru
iTunes : itunes.apple.com/ca/album/ichiru/id1198539909
Spotify : open.spotify.com/album/4rVHa8DsyPyT12IMpdSQOL

written and recorded by daigo hanada

Ichiru

Buy CD/Digital

And This Is How It Ends

For those who saw their lives truncated, for those left by society, for those who had no chance, ... For The Forgotten Ones.

Image by Gamel (tribute for Adam Martinakis)

For The Forgotten Ones

The Time To Run (Original Piano)

Artwork by Spencer Murphy: www.spencermurphy.co.uk

FREE DOWNLOAD: Solace

Photograph by Ania Waluśkiewicz
You can find more Ania's images here:
www.instagram.com/ann_walus/

and the full concert here:
https://www.youtube.com/watch?v=3jolcJ7htGU&t=4293s

'Veni Emmanuel' by Michał Ziółkowski performed by: 
'Rondo' Vocal Ensemble, 
'Con Brio' Children's Choir, 
Leopoldinum orchestra, 
soprano: Magdalena Dudek,
conducted by Małgorzata Podzielny

21.01.2018 National Forum of Music 
Wrocław

Veni Emmanuel

My piano, the clouds

Reuse is an original theme composed by Mario Viñuela to conmemorate the Piano Day 2019

Reuse (piano)- Mario Viñuela

This is my first waltz, inspired by the great series of waltzes from Stephan Beneking, I could not hold back to compose my own one. It was fun composing it and I hope you like it....

Really Amazing Swan Video: http://www.youtube.com/watch?v=11k0ipBaz_0

If you like my music please give me a smile and like my Facebook page :-): http://www.facebook.com/Dirk.Maassen.Music

watch my piano video clips at youtube: http://www.youtube.com/user/ascoltadi?feature

Dirk Maassen - Stella (Valse #1) - (Project Ascolta !) - Don't miss THE SWAN Video in description

Follow on instagram: https://www.instagram.com/dirk_maassen

this is a short version of Up! for those of you having only little time ;-)

If you like my music please give me a smile and like my Facebook page :-): www.facebook.com/Dirk.Maassen.Music

watch my piano video clips at youtube: www.youtube.com/user/ascoltadi?feature

Dirk Maassen - Up! (Short Version) - follow @dirk_maassen on instagram

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


My piano, the clouds

Fabrizio Paterlini

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