How I would love to play a duet with you man. You've been my favorite pianist ever since I found you xD

this man will never know what he's exactly doing with his music...

Some people have a special "touch" when they play,,, you have it. I can feel it listening to you. This song cradled and rocked me. Thanks.

Bruno Sanfilippo as “The Poet” paints 11 sonic canvas of exhaustively expressive modern classical minimalism at its most exceedingly exquisite and profoundly poignant. With luminary contributions of kindred souls, Julián Kancepolski (cello) and Pere Bardagí (violin), Bruno’s narrative piano wizardry significantly exhibits in awe-inspiring equilibrium with performing delicacies of his mates. The beauty of magnificently evocative quietudes is in full blossom, immerse yourself into the poet’s tremendously embracing palette of lyrical mastery and sensitive insignias as this might be his magnum opus.

https://ampl.ink/ThePoet

The Poet

Seventy Seven Years Later

Spotify/Apple Music

Wind - Brian Crain

Préludes Op.11 No.16

Finally I´m somewhat happy,,  after some tinkering I think I arrived at how to set up my mic´s and how to play my upright for this project that has been building up for a long time -  And last night I did the first session of the hours albums.

The idea is to sit down and just record, and thats what I did last night, recorded 8 songs and this one is number two. Each album will be 8 songs named after the monastic hours, the circle of christian meditation that has mostly become lost in today society. 
https://steinthor.bandcamp.com/album/december-hours-2014


I really hope you like this idea and sound, and that some of you might even buy the whole album on itunes and bandcamp when the time comes. The other album Skuggaskil (physical release) is coming out next week,,, cover is finished and now they only need to print and put everything together.

Buy Bandcamp

2 Lauds - From December Hours Now out on Bandcamp

Please follow on Spotify and Facebook

https://play.spotify.com/artist/20wOhQj4vKTKcBWG9Eig6K

https://www.facebook.com/pages/Robert-Holm/1590396887871192

https://www.youtube.com/watch?v=_fMdUD02NO8

A little piece inspired by Vangelis Prelude, hope you like it <3

You Have Been In Here All Day

A  new little story for you! And, one by one, who knows maybe at the end they will become a nice vinyl...

Historiette #2

You can buy and download my albums here:
https://peternanasi.bandcamp.com/

Grace

Watch the video: 
https://www.youtube.com/watch?v=bHeoH1YkUy4

http://dirkmaassen.com

Dirk Maassen - Allewind (feat. Dirk Mallwitz & Deutsches Filmorchester Babelsberg)

My latest single 'Beautiful Girl' - strings recorded at Angel Studios in London :)

Listen here: https://ampl.ink/ob2lK

Hope you enjoy.

Love x

Beautiful Girl - Strings Version

Dirk Maassen composes wonderful short piano pieces inspired by contemporary composers such as Yann Tiersen and Ludovico Einaudi. 

I took on his invitation to record any of his piano pieces, and told him I would record 'Addio'... just to find out that there was no score! ... So after working directly with him the score was created and here is my take on it.

Reflections

Dirk Maassen: Addio

original music: luca longobardi
piano: Carlos Márquez

Luca Longobardi: in the meantime (four fingers) played by Carlos Márquez

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Historiette #2

Fabrizio Paterlini

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