Name: Historiette #5 by Fabrizio Paterlini in mimz
Duration: 3 min 18 s
Description: My contribution to Piano Day held on March 28, 2016

dear fabrisio my little daughter loves your soft and beautiful music and she listen it every days many many time. I am glad to have such a master musician like you in our era. hope you bests

mimz

Written by Blake Ewing
Performed by Blake Ewing with cello performances by Craig Hultgren
Album art by Matthew Salleh and Rose Tucker

Spotify: https://open.spotify.com/album/6pyl44xfQwbJRWeImzhCPj?si=e4aca961eded4a88
Apple: https://music.apple.com/us/album/we-dont-deserve-dogs-original-motion-picture-soundtrack/1566426258

Film, CD, vinyl: https://www.wedontdeservedogs.com

We Don't Deserve Dogs (Original Motion Picture SoundtracK)

We Don't Deserve Dogs

Co-Composed with Nicolas Laget:

https://soundcloud.com/nicolaslaget

All things have hope. With patience and caring hands, even the delicate and vulnerable can survive winter and grow into maturity with strong roots and branches. With time and unconditional love, our tree may one day blossom and bear fruit in the joy of spring. We must remain patient.

ALBUM INFO:

"The Idea Of You" is the first of a trio of neoclassical solo piano albums composed, performed, and produced by Andrew Souter. These projects have been two decades in the making and represent a return to traditional music composition, engaging song-writing, and the pure passion of emotional story-telling. This Andrew's most personal and intimate music. It is quite literally a love project. We hope it may it help you on your journey, as it has us...

The Idea Of You Cover Art "The Idea Of You" is music inspired by the spirit of Eros and all of its blessings as well as its tribulations. It explores the vicissitudes of romantic love, the delicate seasons and contour of life, and all the lessons learned along the way. Themes of desire, passion, limerence, romantic love, idolatry, jealousy, envy, loss, regret, forgiveness, acknowledgment, appreciation, acceptance, and eventually glimpses of true understanding permeate the work. It attempts to communicate that which so many of us can never quite communicate properly with words. It is an open apology for the clumsy mistakes we all make when coming to maturity in learning how to care selflessly for another human being. It is a gentle reminder as to what is most important in life, as well as an invocation to continuously seek self-improvement regarding our understanding of such matters.

Andrew Souter & Nicolas Laget -- Solstice

Fabrizio Paterlini - Frozen River, Part II

"Veloma" (to be pronounced "Velouma") is the common way to say "Goodbye" in Madagascar. It's the last song of my EP "Viandanze". I hope to see you soon with the full LP!

Veloma (EP)

Soundtrack of the 1993 film The Piano, composed by Michael Nyman.

Live video: https://www.youtube.com/watch?ny8-EtKWiKE

This theme is reprised several times, called The Heart Asks Pleasure First/The Promise/The Sacrifice. It is based on a traditional Scottish tune titled "Gloomy Winter's Noo Awa".

The instrument is a Clavia Nord Stage 2, using a sampled Yamaha C7 grand piano, and one single note of sampled strings.

Note: replaced with a better take on June 3, 2014

Video

Michael Nyman - Theme from The Piano

"There can be no true beauty without decay."

I haven't posted new music since a while now, although I never stopped composing. I guess this track is the most personal thing I could share with you.
It's about a woman who means a lot to me. She always encouraged me in my darkest hours. Even if I was close to deleting all of my recordings and burning all of the albums I made. She took me to Bonn to study filmmusic-composition this year and was proud of me doing what I do. She plays the violin in this song and was sitting next to me most of the time I was composing it for her and with her.

On December the 8th 2014 she passed away. I am trying to accept it and that's why I am sharing her beauty with you. May her playing move you the way it moves me and may she never be forgotten.

I love you.
I miss you.
And I will never forget what you have done for me.
Thank you for everything.

Eva's Clock

RED VEIL

“Glass Piano” is a sublime collection of  solo piano versions of Philip Glass by a master interpreter of the legendary minimalist composer. All formats have various tracklistings and will be released June 1st 2015 (and 2nd in the USA).  

Meet Bruce @ Vynil Factory : http://www.thevinylfactory.com/vinyl-factory-news/premiere-listen-to-a-track-from-bruce-brubakers-glass-piano-a-new-album-reimagining-phillip-glass/

Glass Piano

Metamorphosis 2

Nowness

Bruce Brubaker - Metamorphosis 2

Legacy Broken is a cinematic orchestral concept album that explores the psychological weight of legacy, family, and emotional silence. Blending restrained elegance with hypnotic minimalism, each track unfolds like a room in a haunted memory palace—echoes of conversations, legal inheritances, betrayals, and unresolved grief.

Muted strings, fractured piano motifs, trembling horns, and emotionally conflicted harmonic structures form a sonic language of unspoken tension and decaying tradition. The arrangements resist resolution, allowing silence, repetition, and space to carry as much meaning as melody.

This album is not just a score — it’s a portrait of inheritance, power, and the long shadows of memory. The finale song "Inheritance of Silence" concludes with a vocalized song about empty love, wealth and social responsibility. 

6. Haunted Memories

I´m glad you found me and making music is the best I know.
When I composed the album "Shadowdance" I tried to make sense of the beauty when melody and harmony interact and with the wish that this will affect the listener.
I wrote it to put into sound that which cannot be expressed through words. 
To navigate the waters of the deep soul. 
To explore the melodies that flow in my veins.
Please share my music with your friends if you like it.

Have a nice day,
Kristoffer.

Artist: Kristoffer Wallin
Track: Prologue
Album: Shadowdance

Spotify -
https://open.spotify.com/album/37ZEBt...

Apple Music iTunes -
https://itunes.apple.com/se/album/sha...

Web -
www.wallinmusic.com

Amazon -
https://music.amazon.com/albums/B07ND...

Instagram -
https://www.instagram.com/wallinmusic/

Facebook - 
https://www.facebook.com/kristofferwa...

Twitter - 
https://twitter.com/kristofferwalin

Prologue

My contribution to Piano Day held on March 28, 2016

Historiette #5

My piano fantasy Soulmate, inspired by performance and destiny of
Marina Abramovic and Ulay
wahre Liebe ist unvergänglich
follow me on Spotify https://open.spotify.com/album/6KljKPhZnmvnLFb6ESxfA3
https://www.youtube.com/watch?v=jzxDlNuMTjg
https://www.facebook.com/lenamolfaviolin/

Soulmate - Piano Thema

Soulmate - Piano Thema - Lena MolFa

Using a 4 note motif, I've created a hypnotic, but soothing repeated passage & then underplayed it with a constantly moving left hand accompaniment. This was a challenge by the group Piano Soundboard. To come up with a tune that featured a 4 note motif. Using my tried & tested composition formula, I just turned on the recorder & improvised this in a one pass process. I hope this brings you some peace in a very busy world?

Motif-ation

Max Richter - Embers

A short story for you.
Taken from a series of piano and strings tiny sketches. 


Unrequited #4

If you stop before the 9:00 mark, you're doing a grave disservice to yourself.  Just sayin' 

This is from an unreleased album of Chad Lawson's world trio.  Piano, upright bass & auxiliary percussion.  Every note of this release is completely improvised.  Nothing was planned.  The release date is not set as they are waiting for proper timing of release.

Fable of Yorick - Unreleased Chad Lawson World Trio

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Historiette #5

Fabrizio Paterlini

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