To who else do you like it and want to die at the same time?

beautiful, calm intro … and movement into higher tones, something so sad, played beautifully with the melody and dynamics, simply wonderful and as it moves into the faster flows of arpeggiation, perhaps of hope intermingled with the sorrow … this touches the soul x

Instrumental

"An intimate journey led by a minimalistic piano, looking for something that went missing."

Grab your copy of the Digital Deluxe Edition of The Last Days of Winter. The digital download includes:

▶ The official video of "Missing"
▶ "The Ordeal" - Bonus track
▶ High resolution version of the official and the alternate cd cover
▶ PDF with the liner notes of the album

:: credits ::

Composed, recorded and mastered by Francesco Berta.

Piano, celesta, guitars and programming: Francesco Berta 
Cello: Aríanna Hönnudóttir

► For the last news and exclusive downloads, make sure to subscribe to Francesco's newsletter here ▶ eepurl.com/baSn-T

►►► More Links ◄◄◄

Soundcloud ▶ @francescoberta 
Facebook ▶ facebook.com/francescobertaofficial 
Twitter ▶ twitter.com/francescoberta 
YouTube ▶ www.youtube.com/user/francescobertaYT

The Last Days of Winter

Download

Memories

Post Korpo

from "Above the Sky" https://alessandracelletti.bandcamp.com/album/above-the-sky

Above the sky

There it rains

THERE IT RAINS

Produced by Jacques-Laurent Benech. @ jacojack_news



My Song

Hortus Musicus: "Comforter" (Aleksander Knaifel) [Estonia]

Stream/Buy the full album (12 tracks LP)-(CD/Digital): 
Bandcamp : https://modernarecords.bandcamp.com/album/ichiru
iTunes : https://itunes.apple.com/ca/album/ichiru/id1198539909
Spotify : https://open.spotify.com/album/4rVHa8DsyPyT12IMpdSQOL

written and recorded by daigo hanada 
mastered by emil thomsen (et mastering)

Ichiru

Buy CD/Digital

Daigo Hanada - Solitude

Download Lúppulagið from Inni, in exchange for your email address: http://bit.ly/luppulagid-mp3

Valtari

Varðeldur

for further info: http://www.redorange.org.uk | info@redorange.org.uk

Badi Assad: "Ondas" [Brazil]

Nearly 2 hours ago I asked to my FB friends to give their own images/scenes that melancholy inspires them. I was literally overwhelmed with their beautiful images and thoughts. So I decided to compose this music, to add my contribution to the discussion. 
Thank you, guys - you rock. 

If melancholy were music

Piano solo piece from my new album "Carnet de Voyage", released on October 26 2018, with Memory Recordings.
© 2018 Dominique Charpentier. All rights reserved
© 2018 Memory Recordings. All rights reserved
Photo by Laurent Pistiaux: http://cargocollective.com/laurentpistiaux

Carnet de Voyage

Raz Blanchard

There she was, standing in the distance like a fading spirit. I remember all those days we spent together walking on the streets of that big busy city.I was only listening .There was no need for me to talk and she was speaking to me not by her mouth and lips but by her eyes. All I could ask for was her standing by my side, smiling. We walked for maybe an hour to the airport and there she was, standing on the other side of the passing gate. She just turned around and smiled, waved her hand at me. But to me it wasn't a goodbye. It was something even more heart-rending. Will we ever meet again?


Some material from my third album.Still incomplete.Still needs more touches of beautiful human souls who were once in my life.

Frost

Taken from my Autumn Stories album, Digipack Edition.

Week #5 (Piano solo)

Here is my next song. A beautiful piano and violin quartet. More to come, so stay tned, as always.

Instrumental - Safe Haven

My latest single 'Beautiful Girl' - strings recorded at Angel Studios in London :)

Listen here: https://ampl.ink/ob2lK

Hope you enjoy.

Love x

Beautiful Girl - Strings Version

About Us - Opening Theme

Composed, performed & produced by Deryn Cullen

Snowdrifts

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


If melancholy were music

Fabrizio Paterlini

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