La música de Paterlini expresa los misterios del universo y pone al alma en sintonía con la esencia de lo bello

It's Mother-Space calling us back into orbit.

I wonder is there any part II for this awesome work? I really love this one :'(

Elegy No.3 (piano interpretation by Milana Zilnik)

Hi dears, 

Here it is my latest collaboration with Jazzdefector/ Sebastian Buccheri, a lovely ambient composer and guitar player.
Hope you'll enjoy our Blurred Accuracy :)

love, 
n

https://soundcloud.com/jazzdefector

Lyrics:

What if tomorrow dies and there would be no hope?
Will I say goodbye? or smiling I'll say hello?
Would you hold my hands? would they be free?
Would i have roses on my forehead? wrinkles by all those years

Blurred Accuracy - Jazzdefector & Noemi Bolojan (collaboration)

New single for you! 

I wrote this track imaginig a space journey among the planets (can't you actually see notes fluctuating?). Download it and share it!

ps headphones recommended! 

Kepler (Part I)

serenity

"There can be no true beauty without decay."

I haven't posted new music since a while now, although I never stopped composing. I guess this track is the most personal thing I could share with you.
It's about a woman who means a lot to me. She always encouraged me in my darkest hours. Even if I was close to delete all of my recordings and burn all of the albums I made. She took me to Bonn to study film-music-composition this year and was proud of me doing what I do. She plays the violin in this song and was sitting next to me most of the time I was composing it (for her and with her).

On December the 8th 2014 she passed away. I am trying to accept it and that's why I am sharing her beauty with you. May her playing move you the way it moves me and may she never be forgotten.

I love you.
I miss you.
And I will never forget what you have done for me.
Thank you for everything my beloved muse.

Eva's Clock

Oversky

Icelandic composer Ólafur Arnalds set to release his first Hollywood film score.

Ólafur Arnalds’ original motion picture soundtrack for Sam Levinson’s feature film debut ‘Another Happy Day’, starring Ellen Barkin and Demi Moore, will see a worldwide release via UK modern classical label Erased Tapes Records on February 27, 2012.

PRE-ORDER it on CD/Vinyl/Digital now from: http://erasedtapes.com/store/index/ERATP038

IN HIS OWN WORDS: 

‘In mid-December 2010 I was on a holiday in China when I received an email from Sam Levinson about the film. We got on the phone at like 4 in the morning Beijing time and ended up talking all through the night, instantly connecting. He told me that they had been listening to my music while making the film, so the film was already very influenced by my music. However, it was not until Ellen Barkin – the beautiful force that she is – had pestered the producers for a week, calling them every day about how I am the right one for this film, that they finally gave in. The only catch was that it had to be done two weeks later, in the first week of January. So I ended up scoring nonstop all throughout Christmas, making my mother mad in the process.’ - Ólafur Arnalds

CONTEXT:

Born in the suburban Icelandic town of Mosfellsbær, a few kilometres outside of Reykjavík, the 24-year old composer has always enjoyed pushing boundaries with both his studio work and his live-shows. Through relentless touring and determination this young artist has steadily gained recognition worldwide and continues his mission to lure an indie-generation of pop and rock fans into an emotive world of beguiling electronic chamber music and delicate classical arrangements.

'The indie kid who knows the score’ – Guardian’s Observer

'An artist who can exert power with the lightest of touches’ – BBC Music


TRACK LISTING:  

1. The Land Of Nod  2. Through The Screen  3. Before The Calm  4. Lynn's Theme  5. Alice Enters  6. The Wait  7. A Family Stroll  8. Poland  9. Out To Sea  10. Autumn Day  11. Everything Must Change

OFFICIAL WEBSITES:

OLAFURARNALDS.COM
ERASEDTAPES.COM

Erased Tapes Collection IV

Ólafur Arnalds - Poland

I totally forgot about that recording of my song "Fate" that was originally released two years ago. It's a re-recording I did in the studio back in 2015.

Best regards
Silvio

Nyctalgia- Fate (Studio version)

Piano solo piece from my new Album "Reminiscence", released May 4 2018 © 2018 Dominique Charpentier. All rights reserved
https://dominiquecharpentier.bandcamp.com/album/r-miniscence
Artwork by Anna Salzmann: www.annasalzmann.com

Réminiscence

Buy now

Buda (from "Réminiscence")

Photograph by Ania Waluśkiewicz
You can find more Ania's images here:
www.instagram.com/ann_walus/

and the full concert here:
https://www.youtube.com/watch?v=3jolcJ7htGU&t=4293s

'Veni Emmanuel' by Michał Ziółkowski performed by: 
'Rondo' Vocal Ensemble, 
'Con Brio' Children's Choir, 
Leopoldinum orchestra, 
soprano: Magdalena Dudek,
conducted by Małgorzata Podzielny

21.01.2018 National Forum of Music 
Wrocław

Veni Emmanuel

La Prima Ora is the third single from my upcoming album The Yard Sale, out on December 13. The track is the central point of the saturation path I have designed within the 11 tracks of my new LP.

The Yard Sale

La prima ora

La Prima Ora

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Kepler (Part I)

Fabrizio Paterlini

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