JRMC Estrellas (1-5) (CP) - Part 1

[p*dis] distribution sampler for April 2014


Misha Mishenko - strákur sem spilar með vindi - Skilningi (Flowers Blossom In The Space)

Bad (U2 Cover) - Scala and Kolacny Brothers

07 Reflectar

“Hidden In The Mine” is a deep and introspective solo piano piece that delves into hidden emotional layers. Through careful use of tension, silence, and evolving harmony, the track evokes subterranean imagery and internal landscapes. Ideal for film scenes of introspection, moody visuals, or narratives with psychological depth.
Tags: introspective piano, ambient, cinematic, minimal, emotional, dark piano

Hidden In the Mine

Light was a gift

Live recordings of the concert held in Bratislava at the National Radio Hall on June 30th, 2015. 
Tracks 1, 2, 5 and 7 are previously unreleased

Fabrizio Paterlini: Piano, synthetizers and live electronics 
Pavel Bogacz jr. - violin
Martin Petrík - viola
Karolína Hurayová - cello
Electronics in track 8 and 19 by London-DC

Recorded Live by Sap Sound  (Stanislav Parízek)
Mixed and mastered by Carlo Cantini at Digitube Studio 
Photos by Rudolf Baranovič
Artwork by Eugenio Ormas





My Piano, The Clouds (Live)

Ludovico Einaudi

What I try to do is to give things a sound. To give emotions a sound. My music is very simple, direct and communicative. I am a pianist, so the main instrument will be the piano, but this does not mean that piano is the protagonist. You will listen to lots of other shades that give the piano a direction, a dimension, a path. And you will walk along that path and discover the sounds of your emotions, breaths, thoughts...

Disturbed Music

Buy | Stream ▸ https://awal.lnk.to/pf6Fs

• Lyrics •
Made me promise to never leave you
Oh well, look what you’ve done
And it’s a shame that you never got to
Connect the dots on my skin

Slow down, can you hear that sound?
Slow down, can you hear that?
It’s my heart breaking for you
It’s my soul splitting in two
Cease to believe in your dreams with me
Cos you always knew in the end you’d leave,
Sweet nothings mean everything
Cos you always knew in the end you’d leave

Your apologies fall through 
They’re weak just like you
Oh well look what you’ve done
I wouldn’t reconcile 
Or want to meet you
I guess you’ve handed me a loaded gun

Slow down, can you hear that sound?
Slow down, can you hear that?
It’s my heart breaking for you
It’s my soul splitting in two
Cease to believe in your dreams with me
Cos you always knew in the end you’d leave,
Sweet nothings mean everything
Cos you always knew in the end you’d leave

Lungley

Lungley •• Slow Down

Lara Fabian - Je t'aime -

The world premiere of "I Shall Not Live in Vain," sung by Westminster Williamson Voices under the direction of Dr. James Jordan at the Cathedral Basilica of Saints Peter and Paul, Philadelphia, PA. The piece will be available soon on GIA Publications' Evoking Sound Choral Series.

I Shall Not Live in Vain

05 Olafur Arnalds   Happiness Does Not Wait (Original Mix)

موزیک تیتراژ برنامه دیدنی ها

Joel Fajerman - Flowers Love

Pearl Collection

Psalme

Soprano: Emily Haswell
Alto: Sara Ricer
Tenor: Mike Dupre
Bass: Scott Villard

Bill Douglas: Deep Peace

jc beat$produciones
producido por doble-s
en la profesiaestudios

Ludovico einaudi

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


My Piano, The Clouds (Live)

Fabrizio Paterlini

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