Hello can I use this song for one of my videos on youtube?

classique

Title: Cant Forgive 용서 못해 (Ballad) 
Album: Temptation of Wife / 아내의 유혹 / 妻子的誘惑 OST

..........................................................................

Cant Forgive 용서 못해 (Ballad)

Eleni Karaindrou - Adagio (From the Movie-Landscape in the Mist)

My piano, the clouds

Andante Pour Trompette | Saint-Preux

Introducing "Glacial Phoenix," a transcendent collection of 10 soft piano tracks, each one a gentle whisper of melody designed to breathe life into the rich tapestries of RPG and JRPG worlds. As the title suggests, this album is an embodiment of both the serene and the majestic, perfect for developers and content creators seeking to infuse their games with an atmosphere of contemplative calm and subtle grandeur.

Crafted with the delicate touch of a storyteller, every track in "Glacial Phoenix" is a chapter in an unwritten saga, waiting to set the scene for heroes’ journeys, tranquil village settings, and introspective moments. The soft piano tones echo the quiet footsteps of a lone adventurer across icy landscapes, the warm light in a cozy inn, or the tender scenes that tug at the heartstrings.

"Glacial Phoenix" offers more than background music; it is an invitation to a sensory experience that complements the visual artistry of any game. With compositions that flow as gracefully as time-worn tales, these tracks are ideal for enhancing narrative depth, adding layers of emotion, and enriching the player's immersion.

For creators who craft worlds of fantasy and seek to captivate their audience, "Glacial Phoenix" is an essential companion. Its melodies promise to linger with the listener, like the soft echo of a distant myth, ensuring that every quest is not only played but truly felt.

Elevate your creative work with the ethereal touch of "Glacial Phoenix," where each note is a flutter of the soul's wings against the silent frost of imagined realms.

6 - Phat Phrog Studio - Glacial Phoenix - Frostbite Flats

We already reached week #5! It means we are almost at the half of my project... this time, for the first time, i wrote and recorded a string quartet part together with my piano. I want to experiment in these months and so i am doing :)
Once again, the song is free to download.. please share it, if you think it is worth.

The original photo has been downloaded from here:
http://www.sxc.hu/profile/bjearwicke 
Then i edited it a little bit, but this is another story. 


Week #5

"It is tragic to think that we live in a world where our capacity to offer sanctuary to those uprooted by violent circumstances beyond their control is determined by geographical borders." Anoushka Shankar 
I couldn't say it better... . Love, Sebastian

Elegy No.1

Empty Stare

Spotify

We Can Be Alone is a track written for Piano Day 2018, March 29th.

We Can Be Alone

DOWNLOAD FREE

Richard P John - We Can Be Alone (Piano Day 2018)

New track from the upcoming "Lifestream", the new album from the Italian pianist and composer Francesco Nigri.

Lifestream

On the other side

Francesco Nigri - On the other side

Albinoni - Adagio

Mono - Dream Odyssey

Music by Fabrizio Paterlini

Fabrizio plays the piano

Live electronics: London DC

Violin: Eugenio Gargiola
Cello: Silvia Dal Paos


My perfect time

Excerpt from the My Sweet Orange Tree OST.
A film by Marcos Bernstein.
Music by Armand Amar.

Zézé II - Armand Amar

This is another piano piece taken live from the streaming concert I made on April 22nd for celebrating the release of my new album "Now". 
It's a free download - enjoy and share!

Darkness is not the opposite of light (live)

Summer arrived. This is my welcome. 
Please share if you enjoyed. 

Picture by Ali Farid 
http://www.sxc.hu/profile/alifarid

Broken

Peyman Yazdanian - Friday's Soldiers II

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


My piano, the clouds

Fabrizio Paterlini

Recent comments

mohadese

А

donnaalcala

Eva Tolkien

Related tracks