keep having dreams ab kurt cobain. one take in the morning

dumb- nirvana cover

Jen sits at home to talk to you about her silly frustrations with people’s inability to Google information, in honor of what would be Kurt Cobain’s 47th birthday tells about the time she prank called Kurt and her delusions that she’d go on tour as Nirvana’s opening act.  Also a letter from an I Seem Fun-ner poses the question – was Jen his surly waitress twenty years ago?

Feel The Love Buzz

PEARL JAM - BLACK (piano instrumental cover)

New File uploaded 28/7/2020. Recorded @ FourF4TY Studios, Victoria

90s Piano Chill

Pearl Jam - Black (piano instrumental cover)

COVER ART BY J.C.G.Millo

THIS IS A SORT OF TRIBUTE TO NIRVANA'S MUSIC. OP3RATOR GREW WITH THIS SONGS. IN THIS PARTICULARLY PIECE IS MIXING IT WITH HE'S LATINAMERICAN FAVORITE RIDDIM, CUMBIA!!! ENJOY THIS RE-WORK FAMILIA!!

https://soundcloud.com/op3rador
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https://myspace.com/op3rador

Nirvana By Op3rador   On A Plain (op3rador Cumbia Remix)

Nirvana - All Apologies

Spitfire Felt Piano Session (27-10-2025)

Peaceful and relaxing contemplative piano music

Sprinkled

DJ Buddy Holly and Nirvana's album "Kurtain Call"

DJ Buddy Holly- vocals
Nirvana- everything else

I Hate Myself and Want to Die (live)

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Nirvana - Drain You (Lonely in the Rain Remix)

In Utero

All Apologies - Cover

guitars + bass + drums + vocals by me

preguiça de regravar os vocal, vai assim mesmo de primeira, ta real o feel

nirvana - serve the servants (seithèn cover)

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Nirvana - All Apologies

Fabrizio Paterlini

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