Something about this that pulls at all my emotions at once, heartbreak, happiness, sadness, struggle and perseverance all seem to be present in this song

Just beautiful... calm and relaxing.. combined with the most beautiful memories

if Music could describe the nature of a soul.. this would be who my soul is.. this is beautiful and powerful 

https://soundcloud.com/faerytale - vocals
https://soundcloud.com/scienceteheran - keyboards
https://soundcloud.com/themonkbythesea - guitar

Elegy No.2

Wind - Brian Crain

Solo Piano. Created LIVE in Our Lady of Mount Carmel Chruch, Carmel Valley Village CA.

Photo by Richard Carr.

Year of Music Xii

Year of Music: May 3, 2024

New music is coming on August 29, 2011. "The star the fell over that night" (originally composed for FBL sound postcard) will be part of the album that will be released under Creative Commons license @ www.fabriziopaterlinirecords.com.

Download the single and share it :)

The stars that fell over that night

Emma - Suite by composed by Hendric Bünck © 2015
All rights reserved

Cello played by Albrecht Kleinlein

Emma - Suite

Music for solo piano.

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Vision

Sierra

Ólafur Arnalds  | Day II - Raein

Here is the second piece from my live concert in London last year, called Desire - I hope you like this piece! :)

Desire (Live at St James's Church)

My piano, the clouds

Fyrsta (Living Room Songs)

Music by Fabrizio Paterlini

Fabrizio plays the piano
Live electronics by London DC

Violin: Eugenio Gargiola
Cello: Silvia Dal Paos


Buy the CD

After the rain there will always be the sun

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


The stars that fell over that night

Fabrizio Paterlini

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