Takahiro Kido - Where Time Goes

05.You Can't Die Twice

Solo Piano - Chris Bright

the heart of the matter - 4:20:24, 7.21 PM

"There can be no true beauty without decay."

I haven't posted new music since a while now, although I never stopped composing. I guess this track is the most personal thing I could share with you.
It's about a woman who means a lot to me. She always encouraged me in my darkest hours. Even if I was close to delete all of my recordings and burn all of the albums I made. She took me to Bonn to study film-music-composition this year and was proud of me doing what I do. She plays the violin in this song and was sitting next to me most of the time I was composing it (for her and with her).

On December the 8th 2014 she passed away. I am trying to accept it and that's why I am sharing her beauty with you. May her playing move you the way it moves me and may she never be forgotten.

I love you.
I miss you.
And I will never forget what you have done for me.
Thank you for everything my beloved muse.

Eva's Clock

Meeting the sunrise.
Download: https://themonkbythesea.bandcamp.com/album/soundscapes-iii

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The Monk by the Sea - Sunrise

Reunion

Walk In Bern

The Unknown Song

From the album: Sweeney - Middle Ages

Physical copies and digital downloads available here:
https://soundinsilencerecords.bandcamp.com

Sound In Silence is happy to announce the return of Jason Sweeney, presenting his new album Middle Ages under the name of Sweeney.

For about twenty years Jason Sweeney, now based in Adelaide, Australia, has been composing and recording either solo, under the alias of Panoptique Electrical, Other People’s Children and Simpático, or with friends in various musical projects like Pretty Boy Crossover, Sweet William, School of Two, Luxury Gap, Par Avion, Great Panoptique Winter, Mist & Sea, Winter Witches and many others. He has also been directing and creating interactive works for the internet, experimental films, projects for galleries and theatre spaces and has collaborated with some of Australia’s leading performing arts companies and organizations.

Middle Ages is a brilliant collection of ten more song-based tracks than his usual Panoptique Electrical sound, with a total duration of about 37 minutes. With the help of his collaborators Jed Palmer and Zoë Barry who provide cello, accordion, string arrangements, guitars and bass, Sweeney creates a peaceful and emotional album full of beautiful textures and sonic landscapes. Centered on his distinctive voice and melodic piano lines, Middle Ages magnificently merges songwriting, modern classical and ambient sounds with minimal beats and field recordings. Mastered by Antony Ryan (ISAN) in Denmark, Middle Ages is a beautifully breathtaking album, highly recommended for devotees of Anohni, Scott Walker and David Sylvian.

This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 300 gsm cream recycled cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist, lyrics and information printed on a 110 gsm light yellow fabric paper. It also comes bundled with a download code coupon and a Sound In Silence card.

Sweeney - When He Went Away

10 Waltzes

So It Is

Christopher Dicker - And So It Is

About Us - Opening Theme

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Walk In Bern

Fabrizio Paterlini

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