I pull at the drawer and it resists me for a moment, the way things do when they've settled into themselves over time. There is that particular sound—wood sliding against wood—and then suddenly it gives way, revealing its contents with a quiet rattle. Morning light streams over each object; items that have rested in darkness since the last time I visited, their colors now vivid and startling. It is as if the drawer itself has been safeguarding small treasures meant only for me.


Mastering by Inner Most

Album artwork by Salka Rosinkranz
https://www.salkarosinkranz.com/

@serpuline @preciousmoment @powerdynamics @wardizemoth @land_scap3 @rotabega @still-life-doves @montanhadeluz @user-492249249 @yyyafffeee @dj_spur @elfani8 @philgeraldi

（ミ￣ー￣ミ）
https://freesound.org/people/inner_most_garden/packs/43520/

Drawerful

Inner Most 

Gather

Inner Most 🍃 Looking for my glasses

RICK OWENS {YUNG BEEF}

@griigg
@poirot-penelope
@spraelle
@m0ntage

“Consumed by the Void
In darkness we crawl
Islands of dreams in a sea of emptiness
Through mud and moonlight
We celebrate noise and harshness, bliss and glitters
We are the makers of stars, the grinders of chaos
The glue that make everything whole
Casting the sublime into oblivion
Our chants make the skies cry
And the mountains leak
Body as a cauldron
Akin we breathe into eternity
Dust to dust, from flesh bags to astral bodies”

Vessels of Chaos is a musical tale - an ode to change and reconfiguration. Set in a crumbling lorescape, it explores primitive forms of collective organizations rooted in material reality and its associated imperfections.

It takes the form of a double EP, released on MONTAGE and Over My Body.

Both EPs explore different directions with similar structures. Seen as complementary, they explore the use of voice and organic noises as source material to craft hypnotizing soundscapes and cathartic rhythms. Infused with paleofuturist imagery, they imagine new forms of communities, beliefs, rituals and worships - cherishing communion, shifting perspectives and internal transformations as ways to situate ourselves in the emptiness of existence.

–
Celestial Tears blends shimmering textures with vast soundscapes, distilled with ethereal winds, heart-felt melodies, and astral cries - for a blisscore contemplation of serenity to be found in impermanence and infinity.

Mercurial Blood combines muddy subs with cavernous vocals, mutilated by fractured beats, rough textures and crystalline hits - for an abrasive harshclub exploration of friction as an integral part of dynamic change.

--
Vessels of Chaos marks Griigg's second solo release after Action Replay (TAR, 2018) and is to be taken as the direct continuation of Interbeings (Club Late Music, 2019).

It embodies the conclusion of a years-long change in his creative process for something much more raw and spontaneous, to lay new foundations for his lore and practice. As a convergence point between his previous works, it explores ways to be with the world by crafting abstract landscapes and immersive tales - seeking the sublime in chaos.
--

Mastering by @bademjan 
Visuals by Ovoïde Studio & Griigg
With sculpture by Barbara Leclercq

premiere: Griigg - Stardusters (ft. Pénélope & Sprælle) [label: MONTAGE]

i invited kacha because she&amp#39;s my bff, i love her sense of humor, i love the cute time we spend together, i feel like she gets me and she&amp#39;s one of the most angelic the most emotional polish singers ever . i invited jśa because i love her style, her vibes, her scarfs, and her mystical shopping-mall-club-music.. time to have a good evening🍸:)


GIVE UP RADIO w/ Julek Ploski, kacha, jśa (25/03/25)

abelø

there, path between trees

bread and flower

Responding to the theme ‘Grindcore’ Society of Cutting Up Men leads you through an arc of pain, joy, anxiety, hell and love towards a not-so-distant breakdown. An aural executioner, S.C.U.M forges her own space through audio assault, piercing sonic frequencies, and abhorrent noise. An ode to magic in all its forms - women, rage, movies, community and collaboration S.C.U.M. uses industrial materials to inflict pain upon her audience and piss people off. 

Tracklist
9 to 5 - Dolly Parton
What You Waiting For - Gwen Stefani
BDE - Shygirl
Bitches - Mindless Self Indulgence 
Life Is Killing Me - Type O Negative
Fuck The Pain Away - Peaches
Napalm Death - SCUM
Demolition - Ugly Broke Miserable 
Vacuum - Pharmakon

Samples:
SOPHIE
Jivin’ Josh  

Mastered by Jivin  
Artwork by Eek 





[SOFT.spot] Society of Cutting Up Men - Time Theft

le besoin de revenir au blues comme à une source toujours vive et première

Blues is inner emotion

Blue - Five  BW

“lo-fi for getting by” is a 11-track, long-form instrumental album built for resilience, comfort, and slow progress. Each piece stretches to six or seven minutes, unfolding across clear movements that shift between piano-driven calm, classical guitar textures, avant-garde experiments, and warm jam-band progressions. Occasional wordless scatting blends into the instrumentation as another layer rather than a lead. The album follows the arc of a long day—small struggles, small victories, and steady forward motion—designed to help the listener focus, breathe, and get through whatever they’re working on. Subtle vinyl grit, soft drums, warm bass, and evolving motifs keep every track alive and moving without breaking the quiet atmosphere.

there, path between trees

face stealer

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