Name: Juana Molina FADER Mix by The FADER in Museo d'Amore
Duration: 32 min 25 s
Description: INTEVIEW: http://www.thefader.com/2013/12/05/fader-mix-juana-molina/

ID please! this is such a beautiful song 

Tracklist: 1. El Kinto, "Suena Blanca Espuma" (1969) 2. Marvin Pontiac (aka John Lurie), "No Kids" (1999) 3. The Sound of Lucrecia, "Extraña Colección" (2009) 4. Philippe Katrine, "Excuse Moi" (2007) 5. Aka Girls, "Sweet Lullaby" 6. Broadcast, "Echo's Answer" (2000) 7. Sam Amidon, "Fall on my Knees (2008) 8. Matías Aguayo "Ritmo Juarez" (2009) 9. Os Ritmistas, "Samba de Pacto" (2010) 10. Foehn, "To the Forgotten Forest Deep in Space" (2000)

Museo d'Amore

This Willow Smith edit is the first solo offering from Jeremiah Meece aka Jeremiah Chrome of The-Drum, JODY, VALIS, and formerly Clique Talk

Buy link will direct you to FREE DOWNLOAD

Or click link below ↓ 
http://www.mediafire.com/listen/cb30afqr3zimgc5/Summer%20Fling%20(Jeremiah%20Meece%20Edit).mp3

Summer Fling (Jeremiah Meece Edit) FREE DOWNLOAD

INTEVIEW: http://www.thefader.com/2013/12/05/fader-mix-juana-molina/

Juana Molina FADER Mix

This dj mix was made for Danish Radio Show, Ungabunga early 2013, now available for your soundcloud enjoyment and download.

Ungabunga dj-mix

<b> Read more: http://www.fatkidonfire.com/interviews/irrelevant-little-figurines-kokeshi </b>

Track list:

1. Irrelevant - Erase [Kokeshi]
2. Sangam - Remember [Endless Plain]
3. Irrelevant - Shell [Kokeshi]
4. Manu Shrine - Buddhi Cutout [Free]
5. Irrelevant - Epitaph (Trilapse remix) [Kokeshi]
6. Vacant - Hollow [Insight]
7. Sykes - Summertime (?? remix) [dub]
8. Mssingno - Xe2 [Goon Club Allstars]
9. Enyui - All We Were [Bokeh]
10. Irrelevant - All Over Again [Kokeshi]
11. Manu Shrine ft. Elo Method - Before [Free]
12. Irrelevant - Untitled [Kokeshi]
13. Burial - Shell Of Light (EvenS remix) [Free]
14. James Blake - I Am Sold (EvenS remix) [ATLAS]
15. Burial - Nightbus (Davwuh remix) [Free]

We're celebrating @irrelevantsounds' latest release on @kokeshi (the 'Little Figurines' LP out 16/12/13) with an interview and guest mix from the producer. Absolutely astonishing sounds! 

<i>Thanks to Matt at @outpostmedia for all his help </i>

@kokeshi
http://fatkidonfire.com
@irrelevantsounds
http://facebook.com/iheartkokeshi
http://facebook.com/irrelevantsounds

Irrelevant x FatKidOnFire mix

Cut for me Kelela Pandora's Jukebox & Lucien Walker

COME 4 ME by P.J.

Immerse yourself in the magic of the intergalactic voyage into unknown Brazilian music and feel the pain!

Abobora Mechanica

DJ, music enthusiast & ye seferé lij Maheder Aekalu & I chatted about the music that makes us happy, nostalgic & provokes us to think about how Africa is processed & consumed in the global music scene. Maheder also talked to me about her involvement with Ethiopia Skate, an organization that builds accessible skate parks in Ethiopia and by the end, we were both wishing to be teleported to Addis!

Find out more about Ethiopia Skate here: http://www.ethiopiaskate.org/
& check out a new piece on them from Post Radical here: https://youtu.be/2GZlWN2JcZE?t=17m16s

~ Songs We Played ~
Shame - William Onyeabor
Bati Bati - Hailu Mergia
Homeless Wanderer - Emahoy Tsegue-Mariam Gebrou
Concentrate the Funk - OH NO
 Soul Makossa - Manu Dibanjo 
Sekkle Down - Burna Boy featuring J Hus 
Makeda - Ethiopian Records 
 Fikratchin - Mulatu Astatke and Menelik Wossenatchew
Hagarae- Aster Aweke

Maheder Aekalu (episode 6)

More Info: http://connyfrischauf.eu/savanne.htm

Download: https://reichundfoehn.bandcamp.com/track/in-der-savanne-marina

In Der Savanne

Tracklist and Q&A: https://www.thefader.com/2018/10/25/ushka-nyc-ibomba-fader-mix

FADER Mix: Ushka

Available from 27 June 2019 on vinyl & digital formats
www.westmineral.ltd
www.boomkat.com

The Jibaro philosophy and way-of-___ing, life from land, music from hand, tension and release, hard work and nothing to show.

"The music is calling the shots to me & I just listen." - John McLaughlin

Music for spiritual rituals: can I reach Pedro Albizu Campos?
Music for the bosque - music made by hand from trash and dust, ground relics and artefacts connect the past present and future.

The Rhythm may not include drums, but it should reference the ocean and the mountains - spoken in storms.

The pile may not add value to its individual layers, but there was never time to second guess this attempt at cobble-and-collage.  No Kopyright Infringement intended under fair use of a mortar and pestle.

Buy the farm and bury yourself in mud.

"Yo, múltiple, como en contradicción" - Julia de Borgos

**RIYL**
Eddie Palmieri, Herbie Hancock, Airto, Terje Rypdal, MF Doom, Bill Laswell, Ray Barretto, Eberhard Weber, RZA, Nana Vasconcelos, Lol Coxhill, Fred Frith, Brian Eno, Mongo Santamaria, Art Ensemble of Chicago, Andreas Vollenweider, Varese, Wendy Carlos, Wally Badarou, Irakere, Sakamoto, Bill Vermette, Jack DeJohnette, & countless more.

Bought The Farm (OUEST095)

Mister Water Wet – Bought The Farm (OUEST095 preview)

R. Elizabeth is the recording name of London-based artist and academic Rachael Finney. Every And All We Voyage On is her
solo recording project’s second full length and is a focused distillation of her practice in sound art and her knack for pop
minimalism. It follows a long sold out release on Where To Now? Records and a prolonged period in which she concentrated
on artist residencies exploring her interest in recorded sound and voice. Immediate and natural, Every And All We Voyage On
manages to sound joyful while tackling complex themes, handling everything with an improvisatory touch. The songs are full of
air and light; infectious, melodic and off-the-cuff.
Recorded using a single 80s Casio keyboard, reel-to-reel tape manipulation, piano and vocal, Finney’s practice with R. Elizabeth
belies a studious attention to detail. Her academic work is often focused on analysing sounds – particularly voice and language –
divorced from meaning and R. Elizabeth challenges the listener with overtly emotional tropes: sweeping portmento lap-steel
guitar keyboard tones on Back From Ten suggest a nostalgic melancholy when it intersects with the narrator closing her eyes,
realising she has nothing left to give. The lilting vocal cloaked in reverb is disarming, with an almost child-like surrender to the
undertow of the song. On Tragedy And Trade there’s a rough grace to the mixing with visceral, manipulated tape sounding like
the artists’ hands are literally in the speakers wrenching the melodies in mid-air. When it intersects with chants about the “gaps
and the silences” it has an eerie, hauntological effect. R. Elizabeth is constantly playing with sound and song: a Wonderland of
perceived emotion, the listener’s perception of what they’re hearing constantly in flux, it’s deceptively simple and deserving of
repetitive listening.
Cut Piano opens the album and introduces a documentary-feel which the album upholds through-out. It’s the sound of the artist
mangling a tape of her own piano recording, twisting it out of shape and suggesting a bend in reality. We’re listening to the artist
becoming a ghost in her own machine, a 3rd or 4th generation copy of an emotion rendered a long time ago, chilling and playful at
the same time. An Image Is Different bursts out of this with a sunny Casiotone beat, a melodic contrast that also introduces
Finney’s vocal. It flitters between a gorgeous repetitive melody ruminating about the nature of reality and a seemingly careless,
conversational tone. The effect is joyful, but you don’t really know why. The lyrics instruct someone (you? The artist?) to “go
outside and break someone’s neck, make it feel so real” before ending with R. Elizabeth nonchalantly stating “I dunno, to be
honest I don’t really care” as if on the phone to someone they’re bored with. It would be jarring if it wasn’t so catchy and uplifting.
The title track is a slow-tempo meditation with droning synths providing the background to slow, dragging tape sounds and
grounding, just-out-of-focus vocals bunkering down in the mix. The methodology suggests the work of Broadcast: there’s a
loping bassline that propels the track forward but the duet/duel between Finney’s haunted vocal and the soloing tape warble
provides aural snakes for the listener’s ear to follow.

R. Elizabeth - SPIRITUAL TO SYMPHONY (from Every And All We Voyage On)

* We do not own the copyright in this music. If you like what you hear, please support the artists! *

Put your ear towards Accra, and you'll hear the shockwaves instantly. The amount of innovative, expressive, and diverse music pouring out is truly awe inspiring. With the small collection we've made for you here, you'll traverse from spoken word to rap to hiplife to jazz to soul to acoustic to folk all within a few riffs. 
With some of the artists being based in Ghana and others paying homage to Ghanian roots from abroad, we hope this stellar hour helps give you a taster of all the talent pouring out of Ghana today. 
Keep those ears peeled!

M3NSA / Anaa / No. 1 Mango Street / 2010 
M3NSA / Asɛm Pa feat Kwabena Jones  / No. 1 Mango Street / 2010 
Ria Boss / Golden / Find Your Free / 2018 
Ria Boss / Everything / Find Your Free / 2018 
Jojo Abot / To Li / Fyfya Woto / 2015
Jojo Abot / Pi Lo Lo / Fffya Woto / 2015
Vula Viel / Yes Yaa Yaa / Good is Good / 2015
Vula Viel / Takyen Korakora/ Good is Good / 2015
Mamou Sidibé / Mary / Chop Our Music by Akwaaba Music / 2011
Blitz the Ambassador / Shine / Diasporadical / 2016 
Blitz the Ambassador / Juju Girl / Diasporadical / 2016 
Skeat / Dumelang / Chop Our Music by Akwaaba Music / 2011
Akotowaa / Akotowaa ft. Meffstone - IWITP / Solitaire EP / 2016
King Ayisoba / Wekana (feat. Zea) / 1000 Can Die / 2017 
King Ayisoba / Anka yen Tu Kwai (feat. Atinbila & Steven Anaho) /1000 Can Die / 2017
Wan Lov The Kubulor / No Service (ft Anjolee & Mutombo Da Poet)  / Orange Cards - Frutopian Raps / 2017 
Wan Lov The Kubulor / Trotro Blues / Orange Cards - Frutopian Raps / 2017 
Wanlov the Kubulor, Otunto / Trotro Blues / Orange Cards - Frutopian Raps / 2017 
Ata Kak / Daa Nyinaa/ Obaa Sima / 2015
Ata Kak / Medofo / Obaa Sima / 2015
Mutombo Da Poet / Sweet Memories / Photosentences / 2012
Mutombo Da Poet / Internal Migration / Photosentences / 2012
Pat Thomas / Enye Woa (Extended Intro) / 2018 / 

Artwork: Jojo Abot, by Kgomotso Neto 
Mix compiled by Xan Coppinger
musicinexile.com.au
hi@musicinexile.com.au

Music in Exile Presents #6: A Guide to Contemporary Ghanian Music

60 minute sci-fi u can watch with closed eyes

Tracklist:
Lucinda Chua, William Arcane - ONE [edit]
Suzannah Pettigrew - Short Story 31
Lena Platonos - Lego
LA Timpa - 2,e1
Levan Schanidze - Le [Chushi Edit]
Ratkiller - Machinery Responds
Ben Vince - Makeshift Paradigm
Lucinda Chua, William Arcane - TWO
Holly Herndon - Fear, Uncertainty, Doubt
Ernst Reijseger, Nederlands Kammerkoor - Child’s Footprint Duo
[Tears in the rain Monologue]
Low - Quorum
Stafford Bawelr - The Garden
Broadcast - Echo’s Answer
Lucinda Chua, William Arcane - THREE
Patten - Life2
Mica Levi - Love
David Motion, Sally Potter - The Kiss
[Alexa, do you love me?]
Paul Lansky - Mild Und Leise
Ligeti - Atmospheres
Lucinda Chua, William Arcane - FOUR
[Deactivation of HAL]

Fictions

Lullaby

www.thelotradio.com
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@thelotradio

Ghostly with Michna @ The Lot Radio 04 - 20 - 2020

The FADER is the definitive voice of emerging music and the lifestyle that surrounds it. Through in-depth reporting and a distinct street sensibility, The FADER aggressively covers the most dynamic breadth of music and style emanating from the fringes of the mainstream to the heart of the underground. The FADER is the authority on what's next.

Juana Molina FADER Mix

The FADER

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