yeah, this chorus.  this is an earworm for sures.

the vocals/harmonies/octaves on the word fire.  that melts me.   haha, like fire melts stuff.  i didn't mean it that way.   i meant it more like a teenage girl melting in front of the beatles.

I've got to say -- the dreamy vocals and the edge works very well :)

I love the chord progression and nice guitar sound of this song! The melody is cool and wonderful!

Full of irresistible cheekiness and subtle creativity. Hi Fady,we miss you,I hope you are well.

that chorus sticks in my head, sweet tune!

collab with the brilliant @sarahlettes
@robbartholemew sax

Sarah Lettes & William Snide - What did I do?

Co Written by Sean Drysdale and Tim Avram

All music performed by Sean Drysdale

*Andy Reed- Additional drum/percussion

User's Album

Avram

Its About

This is another 1 mic recording, just me and guitar, recorded on my 8 track in the living room, no effects or overdubs. I'm having a bit of decorating done in the house, so it's bare bones on the music front at the minute, a lot of gear packed away. So this  Is my song Push It Down The River, but I decided to try singing using my natural Geordie dialect/accent , oddly though it doesn't feel too normal  singing like this, but I've given it a go. Maybe just a one off, I'll see!

Thanks as always for listening and inspiring!

Push It Doon The River For Ye

Photo by Phill Sinders

Verse 1
Live another lovely day
lookout now to the sun come down
on you...

See myself from years before
leave that person sitting at the
the door...

But now I, turn around and I walk away
And I, make plans for another day
leave a world behind that door 
that never could have kept me there
but you...

Chorus

You and me now... we carried the wind above the trees
We were something and everything just trying to believe
that we could... live on forever, die for each other
but see...
It's still everything to me
It's still everything to me
you're there with me, can't you see
It's still everything to me...

Verse 2
Now I'm... never sure if I'm good enough
never know if I'll measure up
to you...

But we are who we are and that's okay
or at least that's the way I see it
anyway...

And now I, turn around and fade away
miss plans from the good old days
strain to see the world behind a door
that could have kept me there
but you...

Chorus x2

v3.93

It's Everything

A slow jam on the occasion of the withdrawal of daylight savings time. Sometimes a guy just can't let go.

Three guitar tracks, sequentially improvised.

Ceasing Summer

Vocals, Lyrics by Nadia Selvaggi
Instrumental and mix by Garddwr Porffor: https://soundcloud.com/garddwrporffor

Kyrie Eleison, Kyrie Eleison
Smooth down your lily white vestments
straighten your Roman collar
and stretch out your smile
and offer a stranger a pious bow
Modern disciple of Jesus
please do make an appointment
Read the sign --
there's no parking outside after five!
Pastoral man with a vision
Look, he's feeding the hungry!
But just don't get too close
and take your sandwich outside
It is after five --
you made me cry, you made me cry!
All Are Welcome
but not you, you dishonorable slime!
All Are Welcome
but not you, you disobedient swine!
(Shake off the dust from your feet when you leave.)
Rector of state sanctioned morals
handed pre-approved causes
You're a doctor
but don't heal the lame or the sick
You're a sinner, goodbye!
(Take heed St. Paul, take heed lest you fall.)
(Lord Have Mercy)
Kyrie Eleison

Kyrie Eleison by Garddwr Porffor & Nadia Selvaggi

Instrumental 

I’m just a balloon. Nothing to see here

Eden

Just Balloons

Nous l'avions appelé "Dipsy".
Chris Dent au solo guitare a très gentiment accepté la proposition de m'accompagner et a transformé ce moment de tristesse en beauté musicale.
Vous pouvez le découvrir ou ré-écouter ici: https://soundcloud.com/user-663569023
Nous accompagne, la voix de Clara Sorace: https://clarasorace.com/

*******************************************************************************************************

We had called him "Dipsy".
Chris Dent on guitar solo very kindly accepted the proposal to accompany me and transformed this moment of sadness into musical beauty.
You can discover or relisten to it here: https://soundcloud.com/user-663569023
Accompanying us, the voice of Clara Sorace: https://clarasorace.com/

Haunted By Memories .... With Chris Dent

The banjo is a musical instrument with African origins, believed to have been developed by enslaved Africans in the Caribbean and later brought to North America. The exact origins of the banjo are unclear, but it is thought to have evolved from similar stringed instruments in West Africa, such as the akonting or ngoni

The banjo first gained popularity in the United States during the 19th century, particularly in the American South, where it became associated with African American music and culture. Early banjos were typically made with gourds for resonators and animal skin for the drumhead, and were played using a technique called frailing or clawhammer, in which the player's fingernail or a piece of bone is used to strike the strings

In the late 19th century, the banjo underwent a period of rapid evolution, with improvements in materials and construction leading to the development of more sophisticated and versatile instruments. One important development was the introduction of the resonator, a wood plate behind the open drum that increased the volume and projection of the banjo's sound. Another was the development of the five-string banjo, which added a shorter fifth string that allowed for more complex playing techniques

The origins of the 5-string banjo are unclear, but it is believed to have been developed by African American musicians in the mid-19th century. The addition of the fifth string, which is shorter than the other four strings and is tuned to a higher pitch, allowed for a wider range of notes and made it easier to play certain melodies and chord progressions

One of the early pioneers of the 5-string banjo was Joel Sweeney, a white musician from Virginia who popularized the instrument in the mid-1800s. Sweeney is often credited with introducing the shorter fifth string, as well as other improvements to the banjo, such as the addition of frets and the use of metal strings

However, it's important to note that the development of the 5-string banjo was likely a collaborative effort among many musicians, both black and white, and its exact origins are difficult to trace. Nonetheless, Sweeney's contributions were significant and helped to establish the modern form of the instrument that is still popular today

During the early 20th century, the banjo became a popular instrument in a variety of musical styles, including jazz, blues, and country music. The instrument was played by a number of famous musicians, including Earl Scruggs, who popularized a three-finger picking style that became known as the Scruggs style

In recent years, the banjo has experienced a resurgence of popularity, particularly in the realm of folk and Americana music. Today, the banjo is played in a wide range of styles and genres, and is appreciated for its unique sound and cultural significance in musical storytelling 

JTS

Mu Receptor

Fady

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