"No Discharge" was not enough to capture the weight I wanted to unleash.
This new interpretation is heavier, darker, and closer to the truth.

Buy-March of the Void

March of the Void

Witch House meets Wave Phonk because delish! 🤤

GraveWave

AREA 666 - PERIA

Rescue & Research Pt. 2

Always Stop At The Shell

Yogev Freilichman ft. Horesh Ram - Always Stop At The Shell

BUY VINYL/DIGITAL: https://robertrental.bandcamp.com/album/paralysis

Robert Rental is an artist as influential as he is overlooked. An anchor of the early British DIY and post-punk scene, his name is most frequently uttered alongside illustrious collaborators such as Thomas Leer and Daniel Miller. Dark Entries and Optimo ally to illuminate some of Rental’s early solo works with an expanded reissue of his debut 7” Paralysis /A.C.C.. Both labels have previously excavated Rental’s catalog; we reissued the collaborative LP with Glenn Wallis in 2017, and Optimo released a collection of demos in 2018.
	The double A-side Paralysis /A.C.C. 7” was self-released on Regular Records in 1978, around the same time as Leer’s Private Plane/International 7”. The record is a perfect document of the DIY ethos. It was recorded with the assistance of Leer in the council flat that Robert lived in, using an assortment of budget electronics: a Roland drum machine, a Stylophone, an Electroharmonix DrQ,  and a TEAC A3440 4-track recorder. The record’s sleeves were surreptitiously photocopied after hours at the offices of Virgin Records by Robert's partner Hilary Farrow, and the labels were hand-stamped The initial print run was a scant 650 copies. With its prominent notes of Krautrock, prog, dub, and ambient, Paralysis /A.C.C. points to a then-emergent musical form. “Paralysis” makes its four and a half minute runtime feel like an eon, an endless morass of processed vocals and mournful melodies underpinned by the static whirrings of synthesizers. “A.C.C.” is an angular pop song that is at once both fractured and droning, like a skipping record that sounds incrementally more warped with each iteration. The original 7” material is joined here by three previously unreleased tracks. Instrumentals “G.B.D.” and “Ugly Talk” evidence Rental’s outre-prog and melodic electronic sides, respectively. Sitting between the instrumentals is “Untitled”, a sparse gem that layers Rental’s gently processed vox with guitar and drum machine, beautiful in its simplicity.
	The Paralysis EP has been remastered for vinyl by George Horn at Fantasy studios. The record comes in a sleeve with the original xeroxed 7” artwork. Also included is a four page booklet with lyrics, photos, and archival press material.

Paralysis

Robert Rental - Paralysis EP SNIPS

Jita Sensation infuse their digi-dub with an essence of Balearic breeze.

'Champ Des Idoles' is out September 16th.

Pre-order: bit.ly/31KLEKY

@jitasensation

Premiere: Jita Sensation - Champ Des Idoles

Krikor graces Tigersushi's 20-year anniversary compilation with some sludged-out-industrial ascension.

'TIGERSUSHI DEMOS 2000​-​2020' is out now.

Buy: bit.ly/2F9awnd

@krikorparis
@tigersushirecords

Premiere: Krikor - Le Sacrifice du Goeland [Tigersushi]

ISHAM KOUIDRI “ALL I SEE IS BLUE” (ENXPL03)

Paris based artist Isham Kouidri presents his debut release “All I See Is Blue” for the Enmossed and Psychic Liberation collaboration series. On “All I See Is Blue”, the artist extrapolates a sonic environment from a single piano loop. As the recording progresses through it’s respective acts, A side “Through The Window” and B side “Now He’s Gone”, tension and the sublime interplay compositionally. Isham Kouidri uses his time on “All I See Is Blue” to allow for his process to subvert the reverie he has created, but the light is always right around the bend.

Mastered by Glyn Maier
Art by Pierre Roy-Camille
purchase : https://psychicliberation.bandcamp.com/album/enxpl03-all-i-see-is-blue

ENXPL03 - ISHAM KOUIDRI - B3. NOW HE'S GONE PT.3

Marc-Aurèle Baly invite Jean Carval & Guillaume Heuguet

Rinse France Podcast

Download

VICE présente 'Une certaine idée de l'underground à la française' - 14 Octobre 2020

Amongst the layers of sheets, she buried her head deep into the folds, hiding away from the world. Her bed had become an unhealthy sanctuary; a place for eating, sleeping and working. The outside filled her with dread, the thought of interaction with another forcing her chest to tighten and her breath to shorten. She willed the tears back into her ears, afraid to show how defeated she'd become, but she needed to accept the help that she'd spent so long ignoring.

Greek artist Penelope's Fiancé follows a string of tape releases on the likes of Clan Destine Records and Live Adult Entertainment, with a vinyl debut on Hypermedium. The Cutting Edge Of A Knife fuses the sounds he's become known for across his previous releases; a fuzzy blend of post-industrial, lo-fi and techno, and merges frantic percussion with ghostly, eerie atmospheres and thunderous bass lines.  

Penelope’s Fiancé 'The Cutting Edge Of The Knife’ will be followed on Hypermedium by Yara 'Eyeless / Loss' EP, out December 11th & Ice_Eyes ‘Vicious Circles’ due out February 19th.

The Cutting Edge Of The Knife

PREMIERE: Penelope's Fiancé - Anxiety [Hypermedium]

From the LP 'Never Trust A Cyborg'
Release date: January 15th 

Artist : @user-677756352

Label : @comicsansrec
https://www.instagram.com/comicsansrecords/
https://www.facebook.com/comicsansrec

Premiere : Low Khey - Homos Festivus [Comic Sans Records]

s o m e t h i n g ' s ___g o n e___w r o n g

https://soundcloud.com/daniel-ruane-2 / https://soundcloud.com/carnelecarne / Vee

Demos and spare parts to failed.units.corp@gmail.com

Yogev Freilichman ft. Horesh Ram - Always Stop At The Shell

Failed Units

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