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LIVE  UNDAE TROPIC 

Paris 2021. Le 2 mai, 20h47. En direct live du Shakirail et sur Radioshak, Undae Tropic se joint aux forces résistantes de la pénombre. L'objectif : y raviver toutes âmes qui vivent encore. 

À la recherche d'une forme libre où s'évader et où convoquer les divinités festives, Undae fait de son set Tropic une conquête des cœurs et du dancefloor. Son univers emprunt d'influences multiples est un parcours de séquences aux mutations perpétuelles, joué, manipulé et revisité à chaque concert. L'expérimentale prend place entre textures noise, sons techno, pop, et rythmiques de trance africaine pour une longue traversée électronique où les polyrythmies s'immiscent, les frontières s'envolent et l'hybride sublime. 

La première partie de ce concert vous est dévoilé ici !  



Remerciement à la team Shakirail et aux supères acolytes de Paratonnerre ! 
#Livesetélectronique  #cosmotroniquedancefloor 

→ youtube : https://youtu.be/57tfCHji_y8                    
→ facebook : https://www.facebook.com/undaemusic/
→ bandcamp: https://undae.bandcamp.com/                 
→ instagram : https://www.instagram.com/undaetropic/
→ soundcloud : https://soundcloud.com/undaetropic

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UNDAE TROPIC - Live Shakirail Part1 - Paris 02.05.21

Mayu Islapi (collab. with Ana Quiroga, Fil Uno & Ignacio Briceño)

Programmateur et initiateur du tiers lieu la Grenze et de komakanette avec Julie, Thibaut fait partie des personnes essentielles du milieu culturel strasbourgeois. Toujours enthousiaste pour de nouvelles expériences musicales, il nous livre ici un mix plein de surprises et d’humour ou s’entremêlent scène alternative, musique traditionnelle, drone et tribalité électronique
https://soundcloud.com/carpacciocathedrale

Sandwich Club par Carpaccio Cathédrale avec Toby du Placard ~ 12.02.2022

Rio Doce, a deep dive into Brazilian music and its roots, with contributions from Caio Rosa and guests.

https://www.nts.live/shows/rio-doce/episodes/rio-doce-9th-november-2022

Rio Doce 091122

Live set de Automat4 (@rosaester000 y @luchoalvarado) en el último episodio de nuestra residencia en RAVE DE CASA de Radio Usach, el primer espacio 100% dedicado a la electrónica rave o de club en radio abierta frecuencia 94.5 FM 📻

🎛️ Automat4 es un dúo de música electrónica radicado en Concepción, que combina el uso de máquinas y livecoding. Parte de la experiencia de Automat4 en vivo son las visuales generativas que acompañan la música que mezcla géneros como el techno, idm, breakbeat y ambient.

AUTOMAT4 / live set / piedra+cruz x rave de casa x radio usach

XMAS with MAVRO
just beautiful songs and tunas for your christmas celebration time...
https://soundcloud.com/skylosmavros

GUEST SHOW XMAS WITH MAVRO

Pour son premier passage sur Lyl Radio, DJ Sport 2000 partage une sélection de morceaux autour de la thématique actuelle du travail et du rapport à ce dernier. 
Extraits préférés de sa bibliothèque Soundcloud et enregistrements remaniés - dans une ambiance lofi et bricolée - pour partager des tonalités de répondeurs et des histoires de travailleurs·euses.

Ô Travail w/ Dj Sport 2000 (03-03-23)

Kate Wolf speaks with the writer and scholar McKenzie Wark about her latest book, Raving. Raving beckons readers onto the dance floors of underground parties in New York, combining Wark’s own vivid experience of these spaces with her theories of the rave itself. Wark considers the rave’s potential for a break in linear time, and its offering of a different mode of self-embodiment or self-abandon; its condition as a communion place for a variety of queer and trans bodies; its array of substances; and of course, its techno soundtrack. In the book’s six essays Wark moves seamlessly from autofiction to reportage to cultural critique, and invites the voices of other ravers along for the ride.
Also, Malcolm Harris, author of Palo Alto: A History of California, Capitalism, and the World, returns once again to recommend Antony Loewenstein's The Palestine Laboratory.

McKenzie Wark's "Raving"

LE MYTHE ROMANTIQUE DE L'ARTISTE
Un statut séparé du corps social de sa genèse à sa perpétuation au sein des écoles d’art.

Invité·es : Aziliz Bucas, Aurélien Catin, Thomas Golsenne et Noémie Sauve. Modération : Elsa Cecchini, Gauthier Ployette

Dans le cadre de "Radio Plouf !" collectif FAIR-E x ∏Node, CCN de Rennes et de Bretagne, du 24 au 26 mars 2023.

CONVERSATION(S) / Le Mythe romantique de l’artiste

MARTINA BERTHER / PHILIPP SCHLOTTER, Matt, LP

Release date: September 29, 2023
Catalogue nr. – HG2305
Red vinyl, ltd. to 200 copies
Hallow Ground

hallowground.bandcamp.com

Tracklist:
1. Unruhe (14:10)
2. LFO 1 (07:55) – Single release on September 1
3. Gallia (05:03)
4. LFO 2 (06:26)
5. Frachter (05:10)

Credits:
Music by Martina Berther (bass, organ) and Philipp Schlotter (synthesizer, organ)
Recorded by Flo Götte at Reformierte Kirche Matt (GL)
Pre-Mix by Roland Wäspe
Mastering and Post-Production by Lawrence English
Cover photo by Andrea Ebener
Band photo by Jeremie Luke
Design by Laurin Huber

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Martina Berther and Philipp Schlotter are prolific in their respective ways, having been active in pop and jazz music, respectively, as well as playing in bands and exploring the outer fringes of sound art or composing music for film. Their first joint album »Matt« was recorded over the course of four days in a church in the Swiss village after which the album was named. Berther and Schlotter worked with the buildingʼs organ as well as synthesizers and electric bass to follow an experimental approach that oscillated between composition and free improvisation. The five pieces, recorded directly to tape by Flo Götte without any additional overdubs, are characterised by an intimacy and rawness that calls to mind the introspective atmosphere of Hallow Ground label mateʼs FUJI||||||||||TA or mastering engineer Lawrence Englishʼs latest album for the Swiss label. »Matt« is the result of two versatile composers and musicians executing minimalist ideas by giving them plenty of space to unfold.

The album opens with »Unruhe,« a composition that is based on the twelve-tone technique. Using a stopwatch to ensure the adherence to the pre-determined temporal intervals between the individual notes, Berther and Schlotter used the church organ and synthesizers for an ominous piece that traverses different moods and levels of intensity throughout its 14-minute run time. »LFO1« and »LFO2« are different variations of the same concept: Based on a synthesizer preset and structured by an organ drone, two tone generators slowly fall silent, resulting in elegiac pieces that call to mind the work of Éliane Radigue. »Frachter« and »Gallia« put more emphasis on percussive elements. Again working with organ as well as Bertherʼs prepared electric bass, this improvisation comprises interlocking textures that sound almost menacing on »Frachter,« while they create a very different atmosphere on »Gallia.« These notable discrepancies in sound and mood are even more astonishing if you consider that the two pieces are based on the exact same recording, played at different speeds.

As two variations on the same idea with very different results, these two pieces perfectly represent how the duo effectively creates emotionally affective sound worlds with very few means. Berther and Schlotterʼs conceptual minimalism yields rewarding, multi-faceted aesthetic results. »Matt« is an intimate album, marked by a sense of vividness and spontaneity, but also the product of compositional conciseness.

Matt

MARTINA BERTHER / PHILIPP SCHLOTTER - LFO 1 (HG2305)

- This release is the soundtrack of the sound system parties we used to host in various places in Paris through the years. 
It's also a tribute to all the fantastic friends we've met along the way -

Big Up Lil Toby, @felixhall , @mothermark , @jon_k_mcr -

Few Crackles Riddims - Lil Toby

Les podcasts du Centre chorégraphique national de Rennes et de Bretagne, dirigé par le Collectif FAIR-E.

CONVERSATION(S) / Le Mythe romantique de l’artiste

FAIR-E PLAY CCNRB

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