descent stuff

L'eau et la peau

L'oeuvre de nos vies

Guitar by Badger and Phonetic Freefall 

https://soundcloud.com/i-am-badger
https://www.facebook.com/phoneticfreefall?fref=ts

You tube link : http://www.youtube.com/watch?v=gS_nUPspg_0

Guitarreros

Rescue Me

Rescue Me (Quiet Version)

Support Facebook: http://www.facebook.com/SorgMusic

Digital & CD version : 
http://sorg.bandcamp.com/

The Pursuit of Hapinness

Friends In Paris - Be Right - Villa Remix

HACKING☆PARADISE
.

Written, produced & performed by:
Vi Ellis - https://soundcloud.com/v1xl3t
.

Dark Transfiguration

Blood Contract

Light House

Ghosts

Billy

To celebrate the 5th birthday of Good Netlabels, a site devoted to the promotion of noteworthy endevours within the underground scene, we have decided to release a new album in the GNs Compilation series. It is the third project in the series, but for the first time ever the contributions have been selected in the course of a contest. Over the last three months we have collected entries that would then undergo a careful selection. In order to make the process as fair and unbiased as possible, music journalists, visual artists as well as musicians have been asked to make the selection.
This newest part of the GNs Compilation series, entitled Empty Shadows, is an international project that marks a shift in the approach to and the preparation of the compilation. While Jazzy Puzzle and Break Asymmetry were collections of recordings created specifically for these compilations by artists invited to these projects, this time it is Good Netlabels readers that contributed to the compilation, by the same token showcasing the underground scene.
Once again the author of the cover is Justyna Bielecka. All translations have been done by Ola Górska, and the sound and mastering have been done by Cuefx.

Jury:
Cuefx (Hipnoza, Export Label, Silesian Banquet Union)
Blossom (Export Label)
Mr. S (Among Notes, Ms. No One)
Emilia Stachowska (Podotykaj Sobie Poznań, Radio Meteor, Piętrowe Piosenki)
Kamila Szeniawska (Nowamuzyka.pl)
Jędrzej Siwek (Phono, Radio Jazz.fm, Soul-Jazz)
Justyna Bielecka (GNs Compilation covers)
Mateusz Bogucki (promo video , Export Label, Good Netlabels)


Patronage:
http://meteor.amu.edu.pl/
http://www.facebook.com/podotykajsobiepoznan
http://www.fragile.net.pl/
http://goodnetlabels.blogspot.com/
http://exportlabel.blogspot.com/

Stream / Download

Jumo - Bloom feat Holy Oysters (La Fine  Equipe Remix)

Buy / Stream: https://LateNightTales.lnk.to/departure

Seeking a respite from the noise and clamour of New York City, Eric Phillips and some friends moved for a time out to a remote area on the Olympic peninsula. With no fixed plan in mind, this period of adventure and discovery spent in the beautiful Pacific Northwest gradually seeped into an organically evolving musical vision for Kennebec.

In many ways, ‘Departure’ catalogues this time of his move out west. Eventually moving to Portland to find work as a teacher, film composer, and mentorship under Mark Orton (Nebraska, Tin Hat.) Kennebec’s producing of ‘Departure’ began in Spring 2017. It took two long years of patient, daily labour to complete the album, during which time influences such as Studio Ghibli soundtrack composer Joe Hisaishi, cult hip hop artist Nujabes as well as Australia’s Taylor Crawford and Tycho’s ambient electronica began to permeate the soundworld. On February 14th 2020, Night Time Stories, sister label of acclaimed Late Night Tales, will release his much anticipated debut album and Kennebec will become part of an internationally respected roster including Khraungbin, Leifur James and Ash Walker.

He scored parts for classical guitar, ngoni, kalimba, bass, piano and Rhodes all of which he plays himself on ‘Departure’. Phillips began writing violin and viola parts for friend and collaborator Mirabai Peart (Joanna Newsom, Alela Diane, Ryan Francesconi), whose balkan inflections and beautiful tone became a defining sound of the record — and eventually tied the album together. All tracks on the album were mixed by Phillips.

On ‘Departure’, organic beats and soaring string lines envelope the listener with a dreamful kind of optimism. New single ‘Seasons Change’ is a silky myriad of sounds, textures and techniques that melt against a backdrop of subtle electronics, while ‘Kalahari’ glistens with curiosity and adventure as magnetic strings meet with a mosaic of horns. Elsewhere, the melancholic and wistful moods of ‘Wellspring’ provide a moment of reflection before the warm, fuzzy, feel good grooves of ‘Quest’, embellished by flutes and sax, venture into more overt atmospherics and fluid modulations.

“Recording ‘Departure’ was an amazing learning experience for me as a producer, composer and musician. It was a concentrated period of time in my life that was fully dedicated to focusing in on my craft. To me, the songs sound like journal entries — they bring me back to those specific times and places, but I also write music in an active, intentional way to try and summon the better parts of myself day to day to come to life and fruition. I have to be doing something new and experimenting to be inspired musically and I also wanted the music to be evocative of that sense of discovery in an almost physical sense — a sense of journey, motion and exploration of new spaces. The passing of time, setting out,” says Phillips.

He adds, “I wanted to make something bold and ambitious that sounded fresh and different. I think I took a big swing with this album, and, while I feel it’s impossible to fully nail the vision and intention, I’m really proud of it and the sense of idealism, even if naive at times. Hopefully it’s just fun to listen to someone take a big swing like that.”

In addition to the Kennebec project, Phillips has enjoyed working on and composing the music for numerous feature films, shorts, national parks films, documentaries (including 2017’s National Geographic ‘From the Ashes’), advertisements and video games. Films Phillip’s has worked on have screened and are set to screen at the Toronto, Napa Valley and Big Sky film festivals as well as National Geographic and more.

Kennebec - Abundance / In The Reeds

07. High Seat Flight (Remix Fakear)

EP released on Nowadays Records

BUY IT ON ITUNES : https://itunes.apple.com/fr/album/morning-in-japan-ep/id651383740



Introduction

Dark Lands Vinyle (Morning In Japan inclus): http://musique.fnac.com/a7231618/Fakear-Dark-lands-Vinyl-album
Aiguisant ses couteaux entre la musique orientale et celle de Londres, le caennais Fakear marche sur les beats ardents d'un hip-hop instrumental original. Son univers oscille entre des hymnes trip-hop et des armes hip-hop remplies de basses qui vibrent.

Après avoir conquis le Trianon (Paris) et le Liberté (Rennes) en faisant la première partie de Wax Tailor , Fakear rempli la Boule Noire (Paris) le 4 avril dernier et passera aux festivals Astropolis, Beauregard et Nordik Impakt.

Il présente aujourd'hui son premier EP "Morning in Japan".
Soundcloud: www.soundcloud.com/fakear
Facebook: www.facebook.com/fakear

FAKEAR - Morning In Japan

The only thing to do

Contacts
 
For Management Enquiries:
Aude Malhere
aude@nowadaysrecords.com

For Booking Enquiries : 
Vincent Cron
vincent@bleucitron.net

Bio 
Fakear's electronic collages are inspired by influences as divergent but inspiring as the post-dubstep scene in London, and the films of Miyazaki. 
Having established a fervent fanbase in his native France, Fakear has gifted his globally-tuned dance music to an even larger audience after dates supporting Bonobo and ODESZA across the US and Canada. He’s made waves in the UK as well, garnering deserved notice from a consistently attention-catching figure herself—M.I.A.— who tapped the young phenom to produce tracks on her latest record and asked him to perform at her Meltdown Festival in London. His last record "Talisman" sees him tap in his old influences, but with the experience and techniques of his 10ish years experience in music producing.

Introduction

Fakear

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