HOLD ON

HOLD ON (Original Mix)

CRYME - HOLD ON (Original Mix) [SEVEN7001]

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Ice Lolly

Fresh on DISCHI is Magnetic Flow, the latest EP from rising french talent Batenko. With a keen ear for hypnotic grooves and deep, driving basslines, the producer delivers a four-track journey that fuses UK-inspired sounds, trancy atmospheres, and playful house rhythms.
From the very first beat, O_Eyes sets the tone with an enigmatic, almost otherworldly energy. Trippy vocals intertwine with hypnotic chords, while a weighty bassline keeps you locked in. To The B flips the script, bursting onto the dancefloor with an organic groove and captivating vocals that radiate pure euphoria. As the track unfolds, its soaring lead reaches an ecstatic, hands-in-the-air climax.
Switching gears, Funky River eases into a minimalist house flow, a shimmering groove that invites you to lose yourself in its effortless momentum. Closing out the trip is 90’s Doggy Dream, an electro-tinged reverie where nostalgia and club energy collide. A playful, barking sample hints at the surreal, like a '90s club kid reincarnated as a raving canine, lost in its own wild fantasy.
With Magnetic Flow, Batenko crafts a multi-faceted club record, balancing hypnotic depth with unfiltered dancefloor joy.


Batenko - To The B

🛒 Buy: 
https://neptunediscs.bandcamp.com/album/modex-the-letter-seekers

🎧 Artist:
✦ Modex
https://soundcloud.com/m0dex
https://www.instagram.com/modex.fndtn

💿 Label:
✦ Pyramid Fields︱Neptune Discs
https://soundcloud.com/neptunediscs
https://www.instagram.com/neptunediscs
https://www.facebook.com/NeptuneDiscs

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Modex ─ The Hollow Men [PYR003]

After three years and numerous club events, festival showcases, vernissages, and DJ workshops, we want to give something back: We are proud to officially share our first compilation with you. A compilation by FLINTA* Artists - as a tribute to the years of support we have received and as a sign of the visibility and also achievements of the community. We are pleased to announce that Layers will now also be a music label for FLINTA* producers and artists.

As a kickoff, a total of 11 artists will release nine tracks on our first compilation (LAY001). All proceeds generated by the compilation will be donated to GLADT - an independent self-organisation of black and colour of lesbians, gays, bisexuals, trans*, inter* and queer people who have teamed up to offer workshops, counselling and awareness raising in their respective fields.

LACATY - Groove u

Four vibrant, dancefloor-ready tracks straight from the heart of the underground. Designed to energize bodies and lift spirits — use these DJ-friendly cuts to transmit warmth, emotion, and positive energy into the world.

Written Produced n' Mixed by Raveld
Mastered by Pheek
Art by P.Yves.Charles

Twisted Minds

A hypnotic slice of house music, Trash Talk blends deep, sensual rhythms with stripped-down minimal elements and airy female vocals.

Built on a driving yet understated groove, the track explores themes of unspoken tension and emotional residue—conversations left unsaid, energies that linger. Warm pads, syncopated percussion, and a pulsing bassline create a moody atmosphere where intimacy and detachment blur.

Perfect for late-night dance floors, foggy headphones, or introspective after-hours, Trash Talk invites you to move inward as much as outward.
Thank you for Your support !

Support Link

Trash Talk

B.T.F

Practicing Cirklon sequencing... stereo mix recorded into Reaper.

Taliriktug

he boys are back! After their initial collaboration cleverly named IGORI (an homage to the name they share), Cosmic G & Dakman returned to the studio. Dazzled by the contrasts of their surrounding and the most recent insurrection of society in their native country of Serbia, the two prolific producers dug deep into their past, in an attempt to disclose these contrasts through club music - using essential console entertainment of their kidulthood.

The four-tracker release bares the names of legendary video games, with the objective to marry the carelessness of the artists’ upbringing in the early 2000s and the current state of affairs, while subliminally pointing out the ill features that surround them.

First up is “Frozen Throne”, shaking up the place with a warm bouncy baseline and a tropical drum arrangement; cold vocal snippets and synth hits create a smart divergence of elements upsurging the tension in the break, before the warmth of the bass and groove overwhelms us on the drop.

Next off is “CS 1.6” the infamous tactical first-person shooter computer game, this time disguised in a wonderful, yet esoteric progressive house track displaying the joint signature sound the two producers are known for from their previous EP: positive backing theme is confronted by gloomy synth arrangements, and closed off with an oriental melody, all placed along a solid 90’s drum machine arrangement.

“Serious Sam” takes us on a voyage full of gated voices and pads: straight to the point, the almost-dystopian, deep, cut up vocal articulation is carried by a playful baseline and emerging one-note stabs, before it all evolves to a frisky chase of melodic components. As the game itself, this B-side is full anticipations and uncertainties - a guaranteed recipe for a busy dance floor.

Concluding this release is “Age of Empire (Burn A Bich Edit)” - clearly alluding to the political state, while cleverly placing a voice of a known figure of that milieu. Adding much more swing to the drum pattern, the track’s simplified baseline gives way to the melodic structures: the breakdown releases the full statement of the vocal piece, sending a message of hope and perseverance. 
                                                                                                                      Autor: Uros Veselinovic
released July 5, 2025

BANDCAMP

B1 Cosmic G & Dakman - Serious Sam (Original Mix)

Having developed an impeccable reputation in the past twenty years since delving into the word of turntables and mixtapes at an early age, Sims can be called a genuine legend in the world of techno. As a producer he has remixed Jeff Mills, Chris Liebing, Adam Beyer and Kevin Saunderson as well as releasing on just about every seminal techno imprint there is. As an A&R he’s been at the helm of nine labels, including the highly influential Ingoma and KB Records inc, and continues to steward Theory and Hardgroove towards the boxes of the discerning fans. 

Most recently the London-based producer has seen his ‘Way Back Wednesday’ (with Tony Anderson), ‘Funk You’ and occasional disco radio shows garner huge support while ploughing further energy into the futurist techno club night “Machine’ alongside Kirk Degiorgio. 

It’s with Sims’ multitude of achievements and notoritey in mind that the knowledge that ‘Smoke & Mirrors’ is his debut LP is somewhat unbelievable, but fact it is. After initially hooking up with Adam Beyer’s Drumcode imprint late in 2010 after a long standing friendship, the affable and dry witted Sims’ was persuaded to deliver an LP and the lengthy writing and selection process began. The result is 11 superb productions which showcase Ben’s talents, influences and perhaps most importantly, his vision of what techno can and should be. 

From the off ‘Smoke & Mirrors’ is a technicolour affair that refuses to sit too comfortably into one groove, preferring to pull the listener through a range of vibes that, while disparate, flow together perfectly. As the album moves, snippets of new vibes bleed through before developing into themes and this is one of the brilliant elements of ‘Smoke & Mirrors’.  

The rousing and prophetically titled ‘Riots in London’ opener leads us into a frenetic, dub-tinged and filter-driven aesthetic which is neatly carried on in ‘Descent’ but subtly augmented with almost-there soulful vocal samples. This nod to soulful elements is then carried on in the less pacey, house referencing ‘ The Snake’ which fuses stabbing keys to a skipping beat which is as much New York as it is Detroit, London or Berlin. 

As ‘Smoke & Mirrors’ develops, suprises like the out-and-out tech-funk of ‘Back To The Pod’ and the street party disco of ‘Can You Feel It?’ are hinted at but never lack surprise when dropped. The emphatic drive of the huge sounding ‘I Wanna Go Back’ featuring Blake Baxter takes things back to techno territory and does so with real purpose while darker edged tracks such as the lethal ‘Bullet’ and the late-night discordance of  ‘The Afterparty’ ramp up the tension. 

The twilight sections of Sims’ debut are perfectly judged. The dubbed (and blissed) out title track lightens the mood before the slightly more aggressive but widescreen ‘The Calling’ trips proceedings out in anticipation of the closer, the Tyree Cooper vocalled and aptly titled ‘I Feel It Deep’

‘Smoke & Mirrors’ has been more than worth the wait. It’s as balanced, entertaining, engaging and powerful as you’d expect from such an artist as Ben Sims and, complete with artwork from Alan Oldham and collaborations from Blake Baxter and Tyree Cooper, is essential stuff.

Trash Talk

Fake Moses

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