beautiful gentle weeping guitar play! And great mastering with all the tones coming out so clearly yet smooth

Really amazing sound! The song perfectly captures that prog feel. Brilliant!

Loving the slow chilled vibes, great production work as always!

great track..reminds me of pink Floyd..✨✨✨👍

Daily Drops

It's mostly a lie, mostly......except for love, sometimes. 

Look…Drones!

After 18yrs of releasing a new song, Hostal Handshake are BACK!
Maybe just a single, maybe just an EP or maybe...an album? But we are Back! :D
#ripOzzy

Youtube link: https://www.youtube.com/watch?v=lYcakJJnz1E
-----------------------------------------------------------------------------------------------
lyrics:
This is not a drill!

Give me something to break it in two
give me glory to rule the fools
take me in your house on a big flat screen
Ready to sink you on a dark black dream

Are you ready to become a slave of me?
Corrupted government ain't gonna set u free
All these righteous pre-election pigs
are now pointing the finger for you to pay the fee

Now it's the time, this is not a drill
ain't got no privilege , got nothing to feel
Your heart is gray from the news today
only your soul left in the end to pay


(p) & (c) 2025, Hostal Handshake.

This is not a drill! (new song 2025)

4U / For Ukraine  (Pussy Riot mix)

Music, lyrics, vocal and acoustic guitar : Grave
Bass, drums, electric guitars, arangement & mix : PJ Project

I Am Memory

This instrumental track, performed by GOLTZ (Gunther Benedict-drums, Christoph Musil-bass, Mario Palaschke-keyboards), is the result of a late-night improvisation over a poem by German writer Christian Morgenstern (1871-1914). 
Cover: Ink drawing by Gunther Benedict

Der Wasseresel

LYRIC VIDEO  https://www.youtube.com/watch?v=yukpFvbhX-Y
So ~ I wasn't really intending on writing / recording another new song at the moment since I'm attempting to finish a number of other songs for my current project ~~but This One came to me one day in July & I felt compelled & decided to kind of drop everything  & record it, as I was hearing it as the possible song I may tag on as the Final Song of my new project once it is complete to close it out ~~
Would Love to hear any thoughts on it at all ! :-)
©2025 Donna Dior

THE LAVENDER

I have been using a CPAP machine for several months.  I am sleeping much better and I decided to take a stab at writing a song about it.  
***
Continuous positive airway pressure (CPAP) therapy is a common treatment for obstructive sleep apnea. A CPAP machine uses a hose connected to a mask or nosepiece to deliver constant and steady air pressure to help you breathe while you sleep.
***
Copyright 2025
Vocals, Lyrics and Chords: Joe Stroffolino
Guitars:  Joe Stroffolino: Taylor 114ce (two guitar strumming tracks) and Fender Squire Picking track
Drums:  Programmed using EZ drummer 3
Bass:  Pg Music Midi track with .vst sound from Native instruments Rickenbacker
Organ: Joe Stroffolino: Playing Midi Keyboard with vintage B3 Organ sound from Logic Pro
***
Cover art:  Real (Non-AI) Photo of a Halloween Skeleton wearing my actual CPAP mask  (I was going to take a picture of me wearing the mask but believe it or not, the skeleton looks more attractive) 
****
CPAP Lyrics: 
I was snoring, so I had a sleep study, and they gave me a CPAP machine
It took a bit of getting used to, it was uncomfortable at first, but now it’s part of my nightly routine
When I first put on that CPAP mask, I tried to pretend I was like Darth Vader, part man and part machine, but actually I look more l like Jason in that hockey mask on Friday the thirteenth
The doctor said if I don’t wear that mask, I’ll be gasping for breath all night long and I know I’d better keep wearing it, if I want my heart and brain to stay strong.  I just wish I looked a little bit more sexy while I was wearing it.
Every night when I go to bed I wear a mask that covers my mouth and my nose and on the top of my head, connected to the mask, there’s a big, long hose.
They say when it comes to romance, you shouldn’t judge a book by its cover 
 But something about that CPAP mask makes me thinks it’s goanna be hard to find myself a new lover.
The doctor said if I don’t wear that mask, I’ll be gasping for breath all night long and I know I’d better keep wearing it, if I want my heart and brain to stay strong. I just wish I looked a little bit more sexy while I was wearing it.
Sometime you gotta try to put things in perspective
Sometimes you gotta try to be a little bit more objective
Sometimes you just gotta put function over form
Sometimes you gotta be willing to deviate from the norm
The doctor said if I don’t wear that mask, I’ll be gasping for breath all night long and I know I’d better keep wearing it, if I want my heart and brain to stay strong.
I know it’s very important to follow all the proper medical advice and I have every intention to keep using my CPAP device.  I just wish I looked a little bit more sexy while I was wearing it.

CPAP

So follow the path of eternal light

The Aries & The Leo (II)

https://www.instagram.com/reel/DNntOqxN1fi/?igsh=OWJ1M2hqZ3ozNW5j

MARTIAN WASTELAND
The Martian winds whispered across the empty plains, carrying dust like ash from an old fire. When SPACECAT landed, he knew immediately—something here was wrong. His whiskers tingled, his tail flicked. Mars wasn’t just silent. It was watching.

Shapes appeared through the red haze. Astronauts. But their suits were torn, their visors cracked—inside, nothing but pale light, shifting like smoke. They walked with jerking, unnatural steps, boots leaving no trace in the dust.

Ghosts.

The stories were true. The lost crews of Mars missions, trapped between life and death, now wandering the wasteland.

One lifted its helmet, revealing a hollow void that hissed his name:
“Sssspaaacecaaat…”

SPACECAT didn’t flinch. He’d faced worse. Probably.

Then came the sound—metal grinding against rock. A rover rolled into view, but it was twisted, warped by something beyond engineering. Its headlights burned white like empty eyes. Chains rattled as it tore across the soil, hunting.

The ghosts pointed, and the rover roared forward.

SPACECAT sprinted, claws flashing on stone, his jetpack coughing weak sparks. The rover chased close, its mechanical arm snapping inches from his tail. The ghosts drifted after, whispering in unison:

“Stay. With. Us.”

He leapt into the shadows of a crater—and there, waiting, was Zorgo. Oil on his claws, sparks in the dust, he grinned his lizard grin.
“Fixed it. Just in time. The MARS RIDER is yours.”

The machine stood ready: sleek black hull, neon veins pulsing, engines glowing like fire in the dark. It looked alive. It looked hungry.

SPACECAT dove into the cockpit. The rover crested the ridge above, screeching, its jaws widening—

FWOOOSH!

The MARS RIDER launched like a lightning strike, neon trails tearing across the wasteland. The rover gave chase, but the Rider cut sharper, faster, burning over ridges and craters. With a final burst, SPACECAT flipped a switch marked with a claw-scratch: Overdrive.

Engines screamed. The Rider leapt a canyon, fire spilling behind. The rover couldn’t follow. It fell, crashing into the abyss, its death-screech swallowed by the Martian dark.

Silence returned. But not peace.

The ghosts still stood on the plain, far behind now—hundreds of them. Their glowing visors turned, following the Rider’s path. They raised their hands in eerie unison.

SPACECAT narrowed his eyes, tail lashing as he sped into the horizon.
“They’re not gone,” he muttered. “And next time… they’ll come for me.”

The Martian night swallowed the MARS RIDER, leaving only dust and whispers in the wasteland.

Martian Wasteland

Here's my take on this Yanni's masterpiece. I've changed the original arrange in some sections to differ slightly, improvisations during the recording sessions are always full of surprises. I've added some subtle strings as an essence of Yanni's original version, no intention to copy it anyway. It wouldn't be an appropriate approach to this project, I think. It is strangely satisfying to dive into a genius mind to discover what is moving the gears inside. Yanni as a composer seems to be simple and minimalistic, but there are some quite complex twists in his compositions...

The End Of August by Yanni - piano remake

When Everything Was Ours

Heavenly Ray

Music : Janne Hennie & Little Man
Lyrics & vocals : Janne Hennie

A little bird told me you had left this town
And no one knew where you had gone
So many rumors everywhere
They all talked about you, when you weren't there

But little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Sharp tongues on the little birds
They spoke very loudly, made sure they were heard
"What have you done?"
"Why did you leave?"
While you were hiding, the little birds screamed

Little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Fake little birds.....

Fake little birds....

Fake Little Birds

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

In a world of lost moments... we all need to understand... That's Time!

Enjoy the latest track from falcon; "That's Time".

Recorded at Rose Pro Studio
Produced by Kit Gratrix

That's Time

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

falcon....  we are working on developing a new sub genre!  , 'Ambi-Prog'. Each track comes from a session of ideas and feelings that we make up as we go along, then developed accordingly while keeping the energy and feelings of the orignal Jams..

Our concept E.P. 'Slower Things'. Like, Comment and share if the concept behind the tracks takes you to that place where slower things reside...

That's Time

falcon

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