Name: From Whence You Came - For Dream Dance Act 2 by Falk in After the Sequel OST
Duration: 4 min
Description: Sorry, not anything new. Just realized I never uploaded this to Soundcloud. Not that it really matters a year later, but eh, consistency.

Why was this just uploaded now? It's an amazing track, and I thought you would have released it here sooner

I was not expecting this when I got this far, nince!!

Dude, I flipped the mother fucking table with this!!! Awesome job!

I’m literally obsessed by this part lol

This is why this is my favorite track in the game.

Absolutely beautiful. Sorry for the late comment, didn't want to spoil myself for ATS, although I was playing the DX version.

After the Sequel OST

Ripped from https://www.youtube.com/playlist?list=PLhHeDWmBywa2vDVdHoLZ3r_AqYeYuWZVo

Phoenix Highway - Freedom Planet 2 OST

Sorry, not anything new. Just realized I never uploaded this to Soundcloud. Not that it really matters a year later, but eh, consistency.

From Whence You Came - For Dream Dance Act 2

YouTube link: https://www.youtube.com/watch?v=t0thJ-A17-8

- ̗̀ new ̖́- Super Sanic Advance Bros. U World

Sonic Advance - Neo Green Hill

My rescore of the Doctor Who episode, The Fires of Pompeii, which was originally released on February 1st, 2022.

The Gods Approve!

Wub Wub Wub Wub

One of my early college video game audio assignments was a modtracker project*. I've always wanted to revisit it outside a modtracker setting just to see what I could do with it, but it didn't seem fair to just take an earlier work and plug it into BTS, especially for one of the last few bosses in the game. This track is perhaps a re-envisioning and re-composition on the same base concepts - b2 aeolian scale, a triplet/swing breakdown section, pads vs in-your-face hooks. The one biggest difference I guess would be the inclusion of a much more prominent melody. 

Also in terms of production, my original attempt at this sounded way too much like a commercial hardcore track. In the spirit of this being part of an OST for a retro game, I re-thought my instrumentation and synths to be a little more... 'chiptune'y, with the goal of 'if Saturn-era music tried to be as badass as possible, what would it sound like?'. The transition from that to real guitars/bass and then a more modern (albeit unconventional, at 200bpm) dub breakdown section highlights that contrast, I hope.

*http://soundcloud.com/falk-2/superspeed

World's Largest Unicycle - For Titanic Tower Boss Act

Final Boss. I've always wanted to use french horns in the highest register to emulate wind/air. Guess I finally get my wish. :V

That's Corona at the end. A little something I really had to do; that thing went unused for way too long.

Ode to Shattered Illusions - For Final Boss

That classic metro feel. Except not quite 'classic'.

Tea With Ellie - For Cyan City Act 1

Ghosts with Guitars - Moon Mansion Act 2

2 - 04 Sea Devil Chase! - For Fortress Flow Boss Act

Props if you can remember where the quote is from without googling.

(All cutscene music names are video game quotes because I'm a marketing genius)

CUTSCENE - But Dropping a Warship On Me is Cheating

Memories - For Horizon Heights Act 3

featuring Bass and Drums by Falk.

remix of Mr. Lange's Foliage Furnace Act 1.

Smokey Bear Says - Foliage Furnace Act 2

This is the finished version of Sugar Splash Zone Act 2 for LakeFeperd's fangame Sonic After the Sequel. This song was a collaborative effort. Credit goes to Falk for added instrumentation and rearrangement.

Carbohydration - Sugar Splash Zone Act 2 (Feat. Falk)

Pomp and Circumstance

Cyan City Zone's special act, a 16-bit rendition of Cyan City Zone Act 1 by Falk.
Original: (https://soundcloud.com/falk-2/tea-with-ellie-for-cyan-city)
For LakeFeperd's fangame Sonic After the Sequel

Cyan City Zone - Special Act

Intro music.

ATS Intro: "A Matter of Pomp"
BTS Intro: "Circumstance"

Remix/Mashup: Pomp and Circumstance

I'M A GENIUS THANKS FOR PLAYING

Special thanks to Andre and KgZ.

A Matter of Pomp

Falk is a home-grown musician with a skillset just about as diverse as his interests. Hailing from Malaysia, he jumped with both feet into audio for games right out of college and spent a few years as Audio Lead at a rhythm game publisher. After having travelled to Boston to attend the prestigious Berklee College of Music, Falk has been involved in countless fan productions and remixes, original compositions, arrangements, and orchestrations.

Falk, through his affiliation with the Video Game Orchestra, has had the privilege to work in the presence of industry veterans such as Hitoshi Sakimoto of Basiscape, Masashi Hamauzu, and Go Shiina of Namco Bandai, amongst others, in the capacity of recording and mix engineer for their various projects in ensembles varying from simple instrumental overdubs to full orchestral/choir recordings.

From Whence You Came - For Dream Dance Act 2

Falk

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