when your looking for a dubstep then LISTEN TO THIS

Reuploads of the same tracks, but in full versions for the fan game After the Sequel. Enjoy!

Hot N' Cold (Horizon Heights Special)

Electronic music ranging from electro-swing to industrial and everything in between.

Lost in a Dream

zonedout - POLYMORPHIC RUNEBLADE (prod. phntmzn bR)

http://www.youtube.com/watch?v=g7Z9whouusI

Act 2 of the first Zone of this awesome fangame. It's out and you can play it now*; we're making a 2012 special edition with an original score for SAGE 2012.

In many ways Rivulets (Hilltop Heights Act 1 music) is iconic of Before the Sequel as a whole - It's the first piece of music (other than the title screen) that people will hear, and it sets the mood of the game as 'something wildly different from the typical Sonic experience' (as opposed to starting with a Green ____ trope for example).

For Act 2, I decided to retain a lot of familiarity with Act 1's music. I think this should help that feeling of 'a new adventure' to fully sink in, while at the same time building up the intensity level.

p.s. This track has arguably the most recognizable Sonic music cameo so far out of all the stuff I've done for BTS. :V

* http://www.sonicfangameshq.com/forum/showthread.php?t=7437

Downpour - For Hilltop Heights Act 2

Rolling Out - For Hilltop Heights Boss Act

When The End is in Sight - For Arcane Altitude Act 2

Wub Wub Wub Wub

One of my early college video game audio assignments was a modtracker project*. I've always wanted to revisit it outside a modtracker setting just to see what I could do with it, but it didn't seem fair to just take an earlier work and plug it into BTS, especially for one of the last few bosses in the game. This track is perhaps a re-envisioning and re-composition on the same base concepts - b2 aeolian scale, a triplet/swing breakdown section, pads vs in-your-face hooks. The one biggest difference I guess would be the inclusion of a much more prominent melody. 

Also in terms of production, my original attempt at this sounded way too much like a commercial hardcore track. In the spirit of this being part of an OST for a retro game, I re-thought my instrumentation and synths to be a little more... 'chiptune'y, with the goal of 'if Saturn-era music tried to be as badass as possible, what would it sound like?'. The transition from that to real guitars/bass and then a more modern (albeit unconventional, at 200bpm) dub breakdown section highlights that contrast, I hope.

*http://soundcloud.com/falk-2/superspeed

World's Largest Unicycle - For Titanic Tower Boss Act

Written for Metro Madness Boss of Sonic Before The Sequel.

For the boss, had to take it to Techno. Square wave acid lines, jazz funk chords drenched all over, pizzicato violin B section sampling, we're going everywhere and nowhere in 60 seconds.

Bandcamp

Metro Madness Boss

Written for Titanic Tower Zone Act 1 of Sonic Before The Sequel.

Just plain fun. High times and good vibes here. Stylized vintage mode. Moog leads, Rhodes chords, grooving bass, disco strings, disco toms, wah guitar transitions, and best of all… filters. Capture that French Disco House sound here and enjoy the rest of your day, or life. :)

Titanic Tower Act 1

2 - 04 Sea Devil Chase! - For Fortress Flow Boss Act

Horizon Heights Act 1

Falk is a home-grown musician with a skillset just about as diverse as his interests. Hailing from Malaysia, he jumped with both feet into audio for games right out of college and spent a few years as Audio Lead at a rhythm game publisher. After having travelled to Boston to attend the prestigious Berklee College of Music, Falk has been involved in countless fan productions and remixes, original compositions, arrangements, and orchestrations.

Falk, through his affiliation with the Video Game Orchestra, has had the privilege to work in the presence of industry veterans such as Hitoshi Sakimoto of Basiscape, Masashi Hamauzu, and Go Shiina of Namco Bandai, amongst others, in the capacity of recording and mix engineer for their various projects in ensembles varying from simple instrumental overdubs to full orchestral/choir recordings.

World's Largest Unicycle - For Titanic Tower Boss Act

Falk

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