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Release Infos: JUNE 17
@tribuoro & @unambeat | Silence Ft. Sofia Lorena (@prizma-9 remix)
Label : @ @sofa-beats-1
Release date : 18/06/2021
➤ Instagram: www.instagram.com/sofabeatsmusic/ 
➤ Facebook: www.facebook.com/sofabeatsbooking/
⋘ ────── ∗ ⋅◈⋅ ∗ ────── ⋙
ÜNAM is a member of the Artist Collective, Territorio Slow, along with MOM, Holed Coin and Charlie M. Hailing from Malaga, the entire collective makes appearances at parties, often alongside Tribu Oro.
The Silence EP is their second, following the remix Tribu Oro did for ÜNAM's Bella, The Spider.  They've always wanted to collaborate due to their mutual respect of each other's creativity, feeling the results could only be beautiful.
Silence is the result.
After attending a silent retreat, ÜNAM was inspired by the powerful personal experience that Tribu Oro had also previously felt. Both artists are on a spiritual path that has joined for this moment in time and the lyrics of Silence are in their respective languages, reflecting their personal beliefs.
Much more to come in future…..
⋘ ────── ∗ ⋅◈⋅ ∗ ────── ⋙
➤ Connect with Us:
SC: @cosmovisionrecords
Youtube : bit.ly/36ZITqw
FB: www.facebook.com/cosmovisionrecords/
Insta: www.instagram.com/cosmovisionrecords/
BC: cosmovisionrecords.bandcamp.com/
Spotify: spoti.fi/2OIxXpp

Pre-Order

Premiere | Tribu Oro & ÜNAM | Silence Ft. Sofia Lorena (Marcelo Berges remix) [Sofa Beats]

Pre-order now :
Agogo Records http://bit.ly/16A1oKJ
Juno Records http://bit.ly/H3OD4D
OYE Record Store http://bit.ly/1apnYdE
HHV.DE Selected Store http://bit.ly/H6BEPO

iTunes : http://bit.ly/18OJxRb

Mop Mop follow up their surprise smash album “Isle Of Magic” with a special 3 song remix ep on a limited 12′Vinyl edition.

A1 – Let I Go Feat. Anthony Joseph (Mr Raoul K’s version)
B1 – Kamakumba (Simbad Dub)
B2 – Kamakumba (iZem remix)

first remix was done by Mr Raoul K who is well known for his productions that mixes original African instruments with Techno and Deep House. His releases spreaded his unique sound over the world with great acclaim from Gilles Peterson, Joe Claussel and many other DJs.
His 12 min epic rework is full of psychedelic elements, hypnotic grooves and african percussions. Gilles Peterson already supported this one on his Worldwide show.

Young prodigy of good music, DJ & producer Simbad has become – while making 3 albums and more than 200 productions & remixes – one of the most demanded beatmakers in today’s electronic scene.
Simbad brings Mop Mop’s “Kamakumba” into a killer dancefloor tune full of dub elements and tight beats. The original version of “Kamakumba” has been “Today’s Top Tune” on the legendary “KCRW” radio.

French producer and DJ iZem started writing music during a 6 year-long musical adventure through Brazil, Spain, Argentina and Ireland. Now based in Lisbon, his unique hybrid sound joins the dots between cutting-edge beatmaking and post-tropical influences. His remix is a mid tempo funk pearl with refined Jazz and Hip-Hop elements.

mastering and cut @ Dubplates & Mastering / Berlin

Credits :

Mop Mop – Let I Go Feat. Anthony Joseph (Mr Raoul K’s Version) 12:29
Additional Keys and Synth by Alex Trebo
Mixed by Mo Stern and Andrea Benini @ Mo Stern Studio, Berlin

Mop Mop – Kamakumba (Simbad Dub) 5:32
Remix & Additional Production by Simbad for Key Recordings
Mixed @ Gio’s Cosy Studios, Amsterdam
Twitter.com/djsimbad

Mop Mop – Kamakumba (iZem Remix) 4:45
Mixed @ Al Usbuna Studios, Lisbon
@soundcloud.com/dj_izem

p&c 2013 Agogo Records

Let I Go Ft. Anthony Joseph (Mr Raoul K's Version)(low res 96kbps)

taken from "POLAR-Revisited", a collection of 11 reworked versions of Wooden Peak´s third record "POLAR" (2013// ANALOGSOUL)

Download "POLAR-Revisited" here for free:
http://woodenpeak.de/polar-revisited

Get the original Album as Vinyl or CD here:
http://analogsoul.de/konsum/

Get the original Album via Itunes:
https://itunes.apple.com/de/album/polar/id703875648

Get in touch with Touchy Mob:
http://touchymob.com



Who Blinks First (Touchy Mob RMX)

The brutal-jazz power trio Schnellertollermeier doesn't screw around. Their uncompromising attitude is even apparent before you hear a note of their music -- it's right there in that deliberate tongue-twister of a name. Their fresh and uncompromising mix of jazz, punk, rock, sound and free improvised music, combined with great musicianship, interplay and a lot of energy, immediately hits the bullseye!

The three men behind the music, guitarist Manuel Troller, bassist Andi Schnellmann, and drummer David Meier, are all eclectic musicians. Schnellmann earned a degree from the Jazz School of Lucerne; Troller studied with British guitar legend Fred Frith and has collaborated with famed U.S. jazz drummer/composer Gerry Hemingway, among others; Meier's ability to bring his own voice into many different musical contexts has made him one of the most sought-after drummers of his generation and he has toured in most parts of Europe, as well as Russia, China and Japan.

In 2006, the three musicians, all around the age of 20, started the trio. Very quickly after their first concerts and their their 2008 debut album, Holz, they become something of a 'underground buzz' in Switzerland, leading to many further appearances. While Holz mostly featured traditional structures of composing revealing their eclectic influences (ranging from Tim Berne to John Abercrombie to Mr. Bungle etc.), Schnellertollermeier soon started working on new material, seeking a more personal sound, both compositionally and improvisationally. The result of this work, combined with the many concerts the group was playing, was their second album Zorn Einen Ehmer Üttert Stem, which was enthusiastically received critically and led to appearances in the most important clubs as well as festivals in Switzerland and Austria.

The group now had a more clear and more original roadmap they were traveling: the group's 'traditional jazz' elements were being subsumed by the brute energy from rock and experimental music, as well as improvisational soundscapes, minimal music and, finally, jazz in the modern, broad, experimental sense. Additionally the idea of a band sounding like one compact organism, with every element having its own importance and clear function, found its result on X. On X, the traditional function of the instruments - the classic power trio of bass, guitar and drums - have clearly been expanded, the bands energy as well as their compositional and performance qualities are even more intense and original than before. The songs, whether long or short, crushing or ambient, have absolutely no padding on them.

schnellertollermeier, "X" (excerpt) from 'X' (Cuneiform Records)

SOFA SURFERS - Das Ewige Leben (Theme)

Le Rex, "Le Clic" from 'Wild Man' (Cuneiform Records)

"I...was stunned by his Hendrix meets late era Coltrane approach."
– Guitar Moderne

"Despite the boilingly hot drive...influenced by Cream, Lifetime, the Jimi Hendrix Experience (and perhaps more notionally the Pete Cosey/Reggie Lucas version of the Miles Davis group), there's a lyrical side to the guitarist’s playing as well...Excellent."
– Point Of Departure

"...out jazz with lots of sass and vigor...recalls the thornier side of the ECM Records catalog, especially the works of fellow Scandinavians Edward Vesala and Terje Rypdal. Björkenheim attacks the guitar the way the late great Sonny Sharrock did - like Coltrane and Ayler “attacked” their saxophones...yet blues is never very far away. There’s also the chunky focus of pre-Mahavishnu John McLaughlin...The way RB cross-pollinates between jazz and rock recalls fellow traveler Nels Cline, and the results are similar: Oblique swing, gnarly noise, predictably unpredictable, swell."
– Icon

Ecstasy is usually an all too fleeting experience offering the briefest glimpse at transcendence. But a heightened sense of consciousness and discovery manifests throughout Out of the Blue, the transporting second album by composer and guitar maestro Raoul Björkenheim and his extraordinary Finnish quartet Ecstasy.
Featuring the celebrated drummer Markku Ounaskari, the young and dauntingly prolific bassist Jori Huhtala and saxophonist Pauli Lyytinen, Ecstasy has forged more than a signature sound. Over the course of five years the musicians have honed a supremely interactive modus operandi marked by unstable textures, rapidly shifting meters, and emotionally charged melodic flights. Earthy, pristine and unmistakably Nordic, the music evokes the grandeur of Finnish landscapes and the hothouse intimacy of a tight-knit Helsinki scene where the musicians regularly convene to refine their volatile sound.

“I always felt there’s something special about having a band,” Björkenheim says. “An all-star session can be good too, but the thing I’m missing nowadays in jazz is really good bands playing together tightly, turning on a dime together, and especially improvising together.” True to Raoul's statement, this is a band effort, and like all great bands, the sum is greater than the parts. With 2 years additional experience together for this album, everything is upped from the last one: the compositions, the improvisations, the ensemble work and the solos!

Raoul Björkenheim / eCsTaSy, "Uptown" from 'Out Of The Blue' (Cuneiform Records)

album title: ONWARDS TO MARS!
release date: 15th of April 2016
release date UK: 22nd of April 2016
label: Asphalt Tango Records GmbH
14 tracks (7 instrumentals and 7 songs)
total playing time: 45 minutes
featured artist: Iulian Canaf (I put a spell on you)/ Puerto Candelaria & Koby Israelite (Fiesta de negritos)
special guests: Michael Metzler (perc) / Kai Schoenburg (drums)

track list:
1.  Crayfish Hora (comp. by Koby Israelite)
2.  Mista Lobaloba (comp. by Adrian Sical)
3.  3 Romanians (comp. by Koby Israelite)
4.  Trenul, masina mica (trad.)
5.  Out to lounge (comp. by Koby Israelite)
6.  I put a spell on you (comp. by Screaming J. Hawkins)
7.  Cucuritza (comp. by Koby Israelite)
8.  Doina pentru un frant inima (trad.)
9.  Bunica bate toba (comp. by Mihail Gincu)
10. Saints & Dates (comp. by Koby Israelite)
11. Un tigan avea o casa (trad)
12. The patron's funeral (comp. by Koby Israelite)
13. Hora strengarilor (comp. by Koby Israelite)
14. Fiesta de negritos (comp. by Lucho Bermudez)

All horn arrangements by Henry Ernst
Produced by Henry Ernst & co-produced by Marc Elsner
Recorded in Berlin (Germany), Medellin (Colombia), 
Bucharest and Zece Prajini (Romania)
Recorded by Alexei Turcan, Henry Ernst, Gabriel Vallejo C.
Mixed by Marc Elsner and Henry Ernst at Marx Audio, Berlin 
Mastered by Sascha "Busy" Bühren at Truebusyness, Berlin

Fully album released on CD, Vinyl and as download.

artist website: www.fanfare-ciocarlia.com
artist on facebook: www.facebook.com/FanfareCiocarlia
label website: www.asphalt-tango.de

Fanfare Ciocarlia / Onwards To Mars!

Tenor Saxophone – Andrew White
Bass –  Steve Novosel
Drums – Eric Gravatt
Piano – Gene Rush

from
Andrew White Quartet -Live At The New Thing In Washington, D.C.

Andrew White Qt.  Milestones II

Welcome To Mali

Je Te Kiffe (feat. Juan Rozoff)

from 'Trails' [LP|DIGITAL]
Denovali Records · den269
available on all formats at [http://denovali.com/subheim]

Following on from 2015's praised "Foray" LP, berlin-based SUBHEIM releases his new "Trails" EP on Denovali Records. As with any Subheim release, it is important to consider your frame of mind when listening to his music. "Trails" takes the listener on a very personal journey with intent, riding upon an undercurrent of impending necessity. There is simplicity in its design, though the further you delve the more complex it becomes.

"Trails" opens with the sounds of slow-building, wavering and breathy strings. Soon you, the subject to this music, are guided onwards with the support of confident tribal drums, haunting vocals, otherworldly metallic sounds and muted guitars that ring across the plains.

Having arrived at a place of calm, we are next transported in an altogether more sinister direction through the soundscape of Ego. Desert winds and affected vocal samples provide the backdrop for disconcerting harmonies and long sustains, and through the expectant ticking of a regular clock-like beat we are reminded that we have only made it part-way along our journey.

"Sometimes gloomy, and sometimes lush, but always sweeping and atmospheric" – INTRO "Seductive, emotionally-charged nocturnes" – IGLOO – Subheim's "Foray" featured on Headphone Commute’s Best of 2015 list

Forsaken Pt.II is an altogether more minimal territory to inhabit. With the instantly recognisable return of its guitar melody and a lilting, dry kick there is, at first, less sense of urgency as we sift through the murkiness of this familiar territory. And so it makes way for John Lemke’s remix of Trails. With a subtle yet noticeable increase in tempo and set to an irregular yet constant techno kick, it wears a furrowed brow, pushing itself forward with confidence and conviction.

Trails

Subheim - Trails (John Lemke Remix)

Amankor / The Exile marks the long-awaited return of the iconic guardians of Tuareg music Tartit, whose hypnotic music speaks of the issues of a culture under attack. With heartfelt songs of nostalgia for their homeland, Tartit spread the message of love and peace whilst transporting the listener to the expanses of the Sahara.

http://www.worldmusic.net/store/item/TUG1120

Amankor / The Exile

Afous Dafous Bip

Semillas

Resulta que el árbol del vecino creció tanto en este último tiempo que una mañana desperté y tenía una gran rama metida en la cocina comedor de mi casa.
Se ve que entró durante la noche, por la ventana que está debajo del extractor de aire.

Ni bien la ví me quedé parpadeando sin entender, y antes de que dijera nada ella se meció, y en un lenguaje sin palabras me recitó una poesía de sus hojas, de las mas amarillas.

Fue tan dulce que me conquistó al instante, entonces la invité a desayunar conmigo y aceptó hamacandose en un sí.  

Inclinándose hacia el té de canela y clavo dijo: “ Solo espera a que se enfríe un poco y echalo de a sorbos sobre la tierra que esconde mis pies.” Y así lo hice.
Nos miramos durante un largo rato, y luego de un gesto de corteza comenzamos a hablar.

Fue una charla en silencio, donde hablamos de la importancia de los días de lluvia, que aunque a nosotros los humanos no siempre nos moja, también nos riega.
Coincidimos en que los rayos del sol en la mañana son los mejores, y de lo especial que es la luz en otoño.

Le conté de qué manera nos afectan las estaciones, y se sorprendió al saber que también nosotros estamos bajo la influencia de la luna y sus ciclos. 

Yo me sorprendí de que estuviese al tanto de la vida de todos los demás árboles y plantas del barrio, y de lo bien que guardan sus secretos. También cuando me habló de la rapidez con la que aceptan el dolor de sus pérdidas, no lo podía creer.

Así pasamos la tarde filosofando como buenos amigos, y al llegar la noche dejó que me hamacase sobre ella hasta quedarme dormido.

A la mañana siguiente la rama no estaba mas allí, y al asomarme por la ventana me entristecí al ver que el vecino había podado el árbol por completo. Entonces desesperado le grité al tronco amputado cómo podía ayudarlo, y ya no respondió mas.
Pero en mi desconsuelo miré hacia abajo y ví la respuesta. 

La rama había dejado de sus semillas por todo el piso de mi cocina comedor.

Pedro Canale
13/05/ 2011

Todos los tracks fueron compuestos por Pedro Canale entre 2009 y 2011, Mezclado x Andrés Oddone y Masterizado por Sebastián Cordovés en Diciembre de 2012
Track 3 contiene sample de The Zombies, track 5 contiene sample de Michael Jackson.
Arte de tapa por Paula Duró (www.nodefinitivo.com)

Cortesía de ZZKRECORDS para su distribución gratuita.

04 Vaina

21. MURCOF feat ERIK TRUFFAZ - Mir

Buy / Stream here: 

Spotify: https://spoti.fi/2FOFd16
Apple Music: https://apple.co/3iMq1A3
Amazon Music: https://amzn.to/3hMd6N8
Bandcamp: https://bit.ly/35PQxFc
-------------------------------------------------------------------

Gitkin’s music exists somewhere between primal, rootsy memory and distant exotic yearning — A dusty bordertown where the familiar blends imperceptibly into the enchantingly foreign. 

After a long and fruitful run as a bandleader with relentlessly touring party-rockers Pimps Of Joytime and a Grammy-nominated country blues collaboration with Cedric Burnside, multi-instrumentalist Brian J set out to “explore tonalities I’d never messed with,” as he puts it. It was a release from “having to write lyrics or involve my voice,” he notes, and so the (mostly) instrumental sound of Gitkin came into being. 

Reviews of Gitkin’s first LP grappled with descriptors, tagging it vaguely as “cinematic” and comparing it favorably with Khruangbin. True, the music is largely wordless, emotionally evocative, and guitar driven. But it possesses an alluring alchemy all its own. 

Gitkin’s first release, 2018’s well-received Five Star Motel, amply demonstrated his ease with earthy funk and comfortably-cut rhythm. On his new full-length release Safe Passage, the itinerant guitar slinger broadens his already rich palette with melodies informed by Greek and Middle Eastern modalities, Peruvian Chicha and Tuareg Saharan guitar styles. No gimmick, this juxtaposition of gut-bucket blues and funk low-end with unexpectedly twisting lead phrases highlights the intense flavors found in each savory ingredient. 

Recorded at his home studio in New Orleans, Safe Passage showcases a new batch of immediately engaging, repeatedly satisfying cuts, ranging from surf exotica (“Cat Nip”) to raunchy roadhouse stompers (“Fools Gold” and “The Drive”) to dreamy vocal cuts “Foot Steps” and “Hold On” to the floating finale of “Safe Passage.” 

Gitkin’s production radiates character and warmth, leaning on soft-focus vintage mics, dubby spring reverbs and the quirks of an analog tape machine. Further enhancing the intimate vibe are distinguished guests like Carol C (of Si*Sé), who lends her striking voice to three tracks, including the strutting single “De La,” veteran Chauncey Yearwood (congas) and New Orleans local Clifton “Spug” Smith, who provides a sousaphone low-end on the cumbia-not-cumbia “Spug Life.” 

Safe Passage will be released by Wonderwheel on September 18th, 2020 and will be available on vinyl, CD and digitally.

Fanfare Ciocarlia / Onwards To Mars!

FanfareCiocarlia

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