ok this makes a lot of sense, considering the fandom just considers asgore to be the 'kid killer', i wonder how the YBN replacement will be then in that case...oh well, guess we'll find out in like 2 years lmao

So is the difference between Asgore here and in undertale? Is that asgore more power hungry?

wait i get it its cause asgore is evil and he kills kids for fun

* OH! THE HUMAN HAS FINALLY ARRIVED!
* OH! I CAN'T CONTAIN MY EXCITEMENT!
* OH NO! MY HUMAN ERADICATION FUNCTIONS ARE ACTIVATING!
* OH NO!!!

Arrangement by @moonstrikefour tweaked by @junnboi-the-fourth

Groovy Fight

by: The Yoter ( 
https://on.soundcloud.com/gkc8RoBY4xn8Ys1C6 )

WORLD OF CRAZY ORDER

Here are a variety of "Voice lines" I sentence mixed from a variety of Toy Story Media to give you the AUTHENTIC LOGGY EXPERIENCE!

Note: You may use these pieces of audio as you see fit! Just be sure to link back to me in some manner through the description or comments!
Edit them! 
Use em in a RIDING THE BULLSEYE cover!
Have fu◢uuuulUu7(̴͖̪̱̳͆̃̐̉̅̀̅̔͠:̷͔̆̾͛̐͘͝͝    ̸⃞    ̈́⃞uuuu_____-----

Voice Lines (In Order):
- REACH FOR - A STAR
- YOU  R MY  FAVOR - IT
- YE HA-a_■A7AA•--__aaAaa■A
- THERES SOME  THIN  IN MYy--SNA  KE!
- SOMEBODY'S POISONE   D DD D 
- YOU'R  RITE
- 𝙔𝙊𝙐❜𝙍𝙀 𝙈𝙔 𝙍𝙄𝙏𝙀 𝙊𝙁 ​🇵​​🇦​​🇸​​🇸​​🇦​​🇬​​🇪​
- WE -- PASSED 
- I   --L  O V E
- R EACH FOR ---
- MY FAVOR IT
- YE HA    ahahaaHAH (Alternate)
- RIDE THE BULLSEYE
- ​🇷​​🇮​​🇩​​🇪​ ​🇹​​🇭​​🇪​ ​🇧​​🇺​​🇱​​🇱​​🇸​̶̧̯͈͇̼̆̌̍͒͗̈​🇪​̵̰̻̰͈̤̤͇̖͚̀̀͛​🇾​̷͓̽͊̚͝​🇪​̷̫͙̩͔̬͔̼̫̄̇̚͘͜

LOGGY {F-iend---} Sentence-Mix Samples

Check it out on YouTube: https://youtu.be/_1CpVtjgz8I

* This will only hurt a little bit. 

Fanontale is an AU that takes inspiration from Undertale fanon perceptions by using it to influence the roles the beloved characters take, as well as manifesting in-universe, affecting the characters and their stories.
This is not an Undertale AU about "What if Undertale fanon was good", but rather one that seeks to answer the question of "what if fanon perceptions had direct consequences for the lives these characters live?"

Asgore takes Flowey's role. He's going to fulfill his royal duty. 

This song doesn't replace anything from Undertale, but context-wise it's for Flowey's "DIE." scene, and it plays when Asgore tries to kill you immediately. 

Song, AU description and logo by @dashingtoadie-the-sequel

Sprite and thumbnail by @austhetic

Design, dialogue and character description by https://tumblr.com/pocketpennytm

King's Gambit

Check it out on YouTube: https://youtu.be/Eiia_H_2XCI

* Please. Do not be afraid, human.
* I'm afraid too, but...
* Let me free us from that fear, and let me take up my burden once more.

Fanontale is an AU that takes inspiration from Undertale fanon perceptions by using it to influence the roles the beloved characters take, as well as manifesting in-universe, affecting the characters and their stories.
This is not an Undertale AU about "What if Undertale fanon was good", but rather one that seeks to answer the question of "what if fanon perceptions had direct consequences for the lives these characters live?"

Asgore takes Flowey's role. After being dethroned, he fled to the Ruins, and now leads a simpler existence. To the monsters and to Frisk, he is merely a friendly, humble father figure, who's always willing to lend a helping hand. 

As for Chara? Well, he knows what must be done, for his kingdom's sake. He will return to his rightful throne... But can he really finish what he started?

Song, back sprite, AU description and logo by @dashingtoadie-the-sequel

Sprite, thumbnail, dialogue and character description by https://tumblr.com/pocketpennytm

Nice To Meet You

A Real Boy!

You put the diskette inside the "C:" port.

A pop-up appears.
You press accept.

...

It doesn't seem like anything changed...

You hit the computer.

But nothing happened.

System Root

* (The sand is pulling you in.)
* (In the midst of the panic, something resonates in your soul…)

* (Press [Z] to DASH through ORANGE attacks.)

♪ BURIED DYNASTY

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

The Darkness of Future Past

Time Has Stretch Marks

port 5 40 bpm take 1 62425

* The Absolute... The One Who Has Seen The Surface...
* They will return.
* And the underground will go empty.

From the same gal that brought you Furtherfell, AU by https://tumblr.com/pocketpennytm

Logo, AU description and co-ownership by @dashingtoadie-the-sequel

(Also thank you to Toadie for telling me to put Chara into Frisk's role, because that inspired the overall premise and made me get reinterested into this.)

Fanontale is an AU that takes inspiration from Undertale fanon perceptions by using it to influence the roles the beloved characters take, as well as manifesting in-universe, affecting the characters and their stories.
This is not an Undertale AU about "What if Undertale fanon was good", but rather one that seeks to answer the question of "what if fanon perceptions had direct consequences for the lives these characters live?"

The Underground has been overcome by a dangerous prophecy, one that has spread like wildfire. The Absolute will come- and they will usher in a new era. Some think of them as the end of the world, the final nail in the coffin for monsterkind, and others idolise them to an absurd extent, heralding them as their new god. 

Watch Chara, the fallen a̶n̶g̶e̶l̶ human, have to fight their way out of these perceptions and distortions, and maybe uncover the truest version of themselves along the way.

Nice To Meet You

FANONTALE Official Soundtrack

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