I searched hard when i heard this on an episode of toonami, has been one of my favs since

RECOVERY-SKILZ - Part 1

Burial - Pirates

http://bit.ly/volorflexsabo ::

A master of lovelorn emotional surrender, Volor Flex brings his narrative to an end with Sabo, his fourth and last album under this alias. The reasons are only his to know, but Volor Flex certainly won't be this producer's final musical persona. Parts of Sabo already hint at subtle changes in direction and style - natural consequences of artistically perfecting oneself - showcasing even more of Volor's expert manipulation of samples and composer skills. 

Volor Flex's reputation and popularity have been steadily on the rise for the past two years; he has released 3 albums and 3 EPs, all representative of what it means to brilliantly adapt the specifics of a signature style while living up to the staple sound itself. The man who has been referred to as Burial 2.0, Alex Frolov of Syktyvkar, Komi Republic, Russia delivers us a complete, 20-track long, intensely introspective album, possibly his finest work to date. 

Sabo is laden with familiar bittersweet moods made of crisp, dancy garage breaks paired with artfully constructed soundscapes as fragile as glass that Volor peels back until they break apart and fade away. All twenty tracks enclose the darnkess of the boreal forest, the harshness of the tundra, the anxiousness of isolation, the solace of being lost in thought and the memories of a loved one. Volor Flex adds a new expanse to the timeless comfort area that he's been building and has now completed, a place of relief and daydreaming the listener will repeatedly want to come back to.

Volor Flex - Trick or Treat

Silbad - Nezhnost' (Forsch Remix)

Burial – Rival Dealer

A collaboration between Sixis and I out now on Shanti Planti<3 enjoy!
 
http://shantiplanti.bandcamp.com/album/rhythm-code

With squelchy delight, Shanti Planti is proud to release the first premier of a two part VA – Rhythm Code. Featuring 15 producers from the USA, France, UK, Australia and New Zealand, this VA is soaked in dreamy eastern instrumentals, squidgy crunches and soul shaking bass lines. Rhythm Code showcases a mind expanding stew of psydub and midtempo treasures. Each track was donated without intention of individual profit but in means to support expansion and to help sustain the auditory collective, Shanti Planti.

Buy VA 

Sixis & Shwex - Continuity Field (Out Now: Shanti Planti)

'Winter Linn' is the latest single from the new eponymous album out next week and is also available on YouTube - http://bit.ly/winter-linn

"like a techno version of shellac" - Clark

A Clark Special will broadcast on NTS from 3PM (UK) on Wednesday 29th - http://ntslive.co.uk/

The track is taken from 'Clark' out next week, and is available to download with pre-orders from,
Bleep - http://smarturl.it/clark-bleep
iTunes - http://smarturl.it/clark-itunes

The CD, LP and digital formats are also available from Amazon - http://smarturl.it/clark-amazon

http://throttleclark.com/
https://www.facebook.com/throttleclark
https://twitter.com/throttleclark

Clark

'Clark' on Bleep

Winter Linn

The quiet after the storm.
Reversed synthesizers and vocals layered like mist pull the listener into the space between dream and reality.
But this is not a peaceful silence. It is a beautiful state of suspension, where an unanswerable question lingers:
"If you can't love me, should I move on?"
The title, "Drawing Near," asks what approaches: the moment of decision, or the unforgiving light of dawn?
The final chapter of the story. There are no clear answers here—only a beautiful, lingering echo as you are left to float in the dream.

Drawing near

#dubstep #tearout #riddim #edm #moshpit #mosh #moshmusic #pitmusic

DEAD-IN-THE-PIT-TERROR-BASS SAYMYNAME LIL JON SKELLISM OG MIX(S) $Kibill MOSH UP$

Burial // Shutta

Burial - Night Bus

Lucky Shiner

After the critical success of his 'Hollowed' album, which many are calling an album of the year, Ital Tek releases a suite of five tracks which showcase a calm, lush side to his work. 

Lead track 'Beyond Sight’, one of the highlights of Hollowed, undulates and repeats, its riffs gathering gentle force as it approaches resolution. 'Sanctum' is dub from the catacombs; slow, dark and dusty with a sense of something ancient and foreboding. With ’Utter' traces of light start to appear taking us away from 'Sanctum’s' darkness, and as small notes start to form a melody over the palpitating backdrop, the sense of intensifying excitement develops throughout the track. 'Trace' is parched and elegant, its notes stretching out and extending into drones over a repeating rhythm, left flickering like a mirage. The EP ends with the swelling synths of 'Until The End Of Time' with its slowly rising melodies, snaking out over slow bass tones, suggesting a sunrise.

Ital Tek - Utter

https://lorn.bandcamp.com/album/a-d

a/d / analog to digital / music for picture 
volume 1 

selected commissions, abandoned or rejected themes and broken mantras for moving picture. largely beatless, ambient dives into tape with analog and digital synthesis, drones, dirty power and white noise. 

slow motion signal loss. 

much love to you all. 

reach out: 
info @ wednesdaysound.com

LORN - VESTIGE I

Nosaj Thing - Caves

FUJI||||||||||TA, iki, LP

Release date - April 3th 2020
Catalogue nr. - HG2003
Format - Ltd. Vinyl/digital

https://hallowground.bandcamp.com

Credits:
All music composed, played and Recorded by FUJI|||||||||||TA
Mixed by Makoto Oshiro
Mastering by Lawrence English at Negative Space

Tracklist:
1) keshiki (09:42)
2) nNami (09:20)
3) osoi (10:12)
4) sukima (07:03)

///
"FUJI|||||||||||TA has created a work that operates as a beautiful nexus between the material and immaterial qualities of music. 
It is a lived-in dreamscape of deep, rich tonality. A remarkable debut."
(Lawrence English)

///
FUJI||||||||||TA, real name FUJITA Yosuke, is a Japanese sound artist. After countless performances in different contexts either solo or along artists such as Yamantaka Eye of Boredoms and the legendary avant-gardist SUZUKI Akio as well as a slew of solo releases, his LP »iki« (»breath«) for the Swiss-based Hallow Ground label is his first in nine years. On these four pieces, Fujita explores the idiosyncratic sound qualities of the pipe organ he has built all by himself in 2009. This - quite literally unique - instrument features only eleven pipes, an air pump called »fuigo« which was modelled after a traditional blacksmith’s one and has no keyboard. Inspired by traditional gagaku, it was designed to evoke rich landscapes rather function as just another musical instrument. While his previous records saw FUJI||||||||||TA explore various modes of abstraction, »iki« is a highly emotive yet meditative album, musically restrained but full of imagination.

»keshiki« immediately sets the mood for this record with a long sustained note that is punctuated by the soft clicking of Fujita’s air pump. Once Fujita carefully starts bringing melodies into play, the interplay of the drone and the discrete rhythmic element gives way to a fuller harmonic whole. »keshiki« is an intimate piece that perfectly displays the artist’s knack for painting a rich sonic picture with only a reduced palette. »nNami« juxtaposes the sounds of two pipes that are out of tune with each other, creating a hypnotic sensation of ebb and flow (»nami« translates to »wave«) that is full of subtle friction. It’s a staggering artistic interpretation of the instrument’s material characteristics. Clocking in at ten minutes, »osoi« (»slow«) is an overall melancholic piece that explores the relationship between different tone colours through minute changes in pace. Finally, »sukima« (»blank space«) is the shortest and the most rhythmic piece of the four. Composed of only staccati, it is a masterful exploration of the harmonic qualities Fujita’s stunning pipe organ has to offer.

Recorded between September and December of 2019, »iki« marks the culmination of FUJI||||||||||TA’s ten-year-long work with the instrument that he had built without any prior knowledge and started to teach himself to play without a manual in sight. It is, in other words, the unique result of a unique musical mind paying his dues to the uniqueness of his own creation; introspective and welcoming at once.

Burial – Rival Dealer

F A N T O M

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