Ahhhhh nice flip! And the touch of jazz in the background... its like a perfect table setting!

Jaskin & Uneven X Electrosoul System - Northbound Train

Mineral - Alphawave radio - Guest Mix 2022 for Codename Amen crew
==================================================================

01. Mineral - Where Do The Sounds Come From [forthcoming Straight Up Breakbeat]
02. Synthforce - Make Your Spirit Fly (Moakz remix) [Default Recordings]
03. Eusebeia - Radiance [Omni Music]
04. Gremino - Aqua Transistor [selfreleased]
05. DJ Sofa & Infekto - Lost My Head [dub]
06. Harmony - Unconscious Mind [Deep Jungle]
07. Okee - Orchaori Orkunoi [VNR]
08. Mineral - Why Don't We See (Moakz remix) [Omni Music]
09. Moakz - Lost Chapter (Mineral remix) [Omni Music]
10. Mineral - Suddenly (Hproject remix) [Metius Music]
11. Trident & Woken Balance - Symbiosis [Metius Music]
12. Eschaton & Mineral - Arcadian [forthcoming Omni Music]
13. Mineral - Aural Destination [Straight Up Breakbeat]
14. Mineral - The Whispers Within (Resound remix) [Omni Music]
15. Moakz - A New Future (Mineral remix) [Omni Music]
16. Rhytual - Unsung (Mineral remix) [forthcoming Straight Up Breakbeat]
17. Eschaton & Parallel - Calm Resolve [Omni Music]
18. Esc & Mineral - ??? [dub]
19. Kr33per - Chasing Shadows (LAOS remix) [Midnight Sun recordings]
20. Eschaton & Mineral - Telekinesis [forthcoming Omni Music]
21. Mineral - It's Always With Me (Moakz remix) [Omni Music]

Mineral: Codename: Amen - Alpha Wave Radio Takeover 28/09/22

Full track available to download exclusively from the Lucida Audio Bandcamp page:

https://lucida1.bandcamp.com/track/invisible-soul

Invisible Soul

Invisible Soul (Clip)

NonRev returns to Omni Music with a 4 track opus of breakbeat drum and bass. Chopped Rhythms and splinters of ethereal melodies ebb and flow as hypnotic basslines drive each composition forward. The mayhem starts with the opener and title track 'A Secret Society' where bass and drums jostle for your attention, 'Day Drinking' picks up where that ends with stuttering drums, floating pads and drifting pads. Sense of Security continues the EP with its deceptive serene intro before it evolves into a amen-infused monster before ending with the dark jazz-fest of Someone Else's Problems. Watch this space for more from NonRev very soon.
Out now at:
https://omnimusic.bandcamp.com/album/secret-society-ep
https://www.beatport.com/release/secret-society-ep/4022656
https://www.junodownload.com/products/nonrev-secret-society-ep/6003930-02/
And all other good online stores.

OUT NOW: NONREV - SECRET SOCIETY EP (OmniEP306)

@semfree

Welcome, esteemed listeners, to the inaugural edition of "Weather Report" on Infame Radio, curated by the erudite Soul Ex Machina crew hailing from the cultural bastion of Brno, Czech Republic. For this occasion, prepare to embark upon an auditory expedition that traverses the ethereal landscape of dark, minimal, techno-infused drum and bass. This captivating amalgamation deftly pushes sonic boundaries, defying conventional norms, as it intertwines austere arrangements, intricately woven drum patterns, and evocative basslines. Drawing inspiration from the clandestine depths, sparse yet evocative textures, and an unwavering momentum. Join us as we delve into an enthralling realm where shadows converge with innovation, guided by the discerning taste of Soul Ex Machina's very own Attempt, elevating the cutting-edge sonorities of Brno onto the global stage.

facebook.com/SoulExMachinaDnB
instagram.com/soulexmachinadnb

Weather Report - Vol 01

Buy/stream

Kuttin Edge - Any Part Of You (Tellus Remix)

Former label head for legendary labels Skunkrock and Kokeshi brings her skills to the Armory family.

Big Bad Dark City EP

Alley Cat - Big Bad Dark City [Out Now!!]

Classy Coffee Cuts”, is out now.

All arenas, Bandcamp preferred:
http://fanu.bandcamp.com

Man, it’s tough to describe music with words, and I’ll let the music do the talking, but I decided I’d write an honest album intro in one single sitting using 10 mins on it tops, so here it is.

This one took a long, LONG time. I’ve been making music for 31 years (since 1992), and while the technical process of making music has become much easier, I’ve become increasingly picky in terms of what I want to do – and especially release.
And I’ve been trying to slightly reinvent myself all the time as I go, which isn’t always easy, but it is very fulfilling.

I’ve always been going against the grain in a way (not always by design – it’s just what I do and how I do it), and releasing an album of 14 songs is an absolute musical suicide in terms of capitalizing on people’s attention…but I didn’t start making music in 1992 for the sake of a popularity contest, and I’m not doing it now, either. 
I very largely dislike many things relating to how the world of music “should” operate. 
Albums, if you ask the industry, are not the way to operate these days: you should sprinkle things out there constantly to stay out there and stay on radars.
Nah. To me, albums are by far the best way to make music and present it: you get a lot of room to do you, be you, and even re-discover new sides of yourself. It’s a very long journey where you ask yourself a lot of musical questions and come up with some musical answers.
Those of you who have been following me closely for the 20 years I’ve been releasing music for will hear familiar moments and discover moments that go back to my very roots, but also hear something new. I hope.

I guess as an artist, you create your little own musical dimension, shape it along the lifelong mission, and dictate there how music should be for you. This album is just that.
Not all of it will be super easy to digest or appeal to a large group of people, but that’s exactly how actual art is: it’s not always easy, it’s not for everybody, but it will (hopefully) resonate in the right people.

I’m a “lifer” when it comes to music, and I look massively up to guys like Luke Vibert, Aphex Twin, The Future Sound of London, etc. who never wanted to place themselves in a mould, and that’s what I’m trying to avoid, too. Those guys started in the early 90s too, and back then, albums were more popular, and so was sticking out stylistically as an artist – instead of fitting in. My soul is still in that era.

Did any of that even make sense? Album took 1.5 years at least, but I told you I’d write it in one sitting (instead of hiring a pompous publicist).

Will I ever write another album? Remains to be seen. It can be massively taxing in a way. In a way I thought this one’s never come out.
Anyways, it did, and “Classy Coffee Cuts” is my story. It’s a long, detailed campfire story of someone who’s been in a conversation with breakbeat-driven music for three decades…and who ain’t stopping.

Art by Lonekink for the art as always.

PS: Bonus points to anyone who can say what that cover art is a reference to ;P

 - - - - - - -


Classy indeed mate. Sophisticated choppage going on there!
-Sully

Fanu stands among the very finest breakbeat masters. This album demonstrates rare mastery of the form at its highest level.
-John Rolodex

 The album is "Lush”. I really like it. 
-dgoHn

Stunning craftsmanship from the a man that can turn his hand to anything, congratulations on a beautiful piece of work.
-Detboi

It’s a breath of fresh air, pure breakbeat jungle mastery crossed with downtempo dusty hip hop joints. Something for everyone.
-Dj Crystl

Classy Coffee Cuts

Tek Ten

2-Step Is Boring

TakenAWay

Vykhod Sily Podcast  - Jaskin & Uneven Guest Mix

🎶 http://fanu.bandcamp.com
🟢 Fanu @ Spotify: http://tinyurl.com/fanuspotify
🟢 FatGyver @ Spotify: http://tinyurl.com/fatgyverspotify
🌎http://www.fanumusic.com
✉️fanu@fanumusic.com

2-Step Is Boring

Fanu / FatGyver

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