ı|[§>)•(Cç˛.   ////

There I was, tranc'd in my tinkling hullabaloo, an eidolike mindscape, an unkempt joycean dreamscape; I seemed mazed and dazed in this obtusely enchanting kaleidoscope, a scene filled with vibrancied hues, throngful of indefatigably emergent sights and musics, where I was(?) filled with awestruck terror and ripening curiosity. This whimsical carnival of textures and tones troubled the dull eons of proverbial rigidity, though I never felt conscious of the act, I could still intuit the voiceless secrets which reign silently in their eclectic dance. All these cradles of fusion bequeathed to me the enduring narratives of the forgotten, perchance unseen forms that swirl around me, vibrating my eyes a holozoa mockery of my emotions, as if they were risin' amidst the transience of the air. It was all so cunningly alive, captivating me in its chaotic fluidity, a musty melange of sibyllaneous tales, a pageant of lives remade as one.

https://www.youtube.com/watch?v=ISiA0qG-9sc&ab_channel=LaurinkoSattumaa

/⁄∏]ı∑<«>⁄˝´-_//⁄⁄<◊

This is the ambient version of Weaving Coloured Weft Threads, a eurorack performance recording. The flute is recorded using the Mutable Instruments Beads module.

Photograph by Hannes Häfele.

Weaving Coloured Weft Ambient Threads

In the corrupting reflections of Saimaa's abyss, the onlooker met a reflection distorted, murky with riddles – a disjointed ballet shadowed by murmurs that neither soothe nor disturb, woven through the jarring mesh of tempest and twilight. Here was a spectacle of fading, the precarious dance of seasons succumbing, plucked by invisible hands from the gnarled vine of a merciless epoch.

The panorama whispered an arcane hymn to change; an enigmatic echo of a precarious harmony - a river's muted fury clashing with the fierce yearning to persist amidst its ruthless, wild tableau. It murmured transience with a curious cruelty, sketching a narrative of intoxicating enigma and vexing inertia, spiraling in a phantasmagoria of elegance and entropy.

Within the continuum of existence, the relentless waltz of genesis and disintegration reached a climax, inscribed by time-worn remnants decomposing beneath the indifferent chronicle of nature and serrated escarpments sculpted by an indifferent glacial rage. Inhabiting the silent resignation born from chaos, Saimaa divulged the impending dominion of temporal scars upon us; the fusion of splendor too piercing to behold, with a paradoxical paralysis that poisons once effortless motions.

Ensnared in the ephemeral aria, Saimaa mutes us with a requiem for the dying whisper of being. It’s the grand flux beneath a relentless stillness – a cryptic verse to impermanence, murmured through the harsh expanse of untamed backwoods, stifled by the relentless erosion of our epochs.

https://soundcloud.com/vn820hbn20nb/iiix/s-NG4O8NGP9qE?si=31c31ecfac844302a44ac7bb34e20216&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

ıı||⁄\ı⁄

Another version with the structure still to be defined
but with the addition of an excerpt/reworked part at the end 
coming from another old song: Tales from the dark store.
I preferred low-impact editing to preserve the purity of the performance

Work in progress.

On the cover, Monet's painting:
Le train dans la neige, la locomotive - 1875

Rêvé pour l’hiver__*2nd study

Spotify: https://open.spotify.com/track/60a4VBKsnAfgx5ruDVRBz5?si=6c79ce41c8484701

Part or Particle

I used these samples from freesound.org, as raw as was possible:
50422 Church prayer, by ERH
188938 Call to prayer, by musesdelight
496748 Child vocal chops, by f-r-a-g-i-l-e
345386 KLINGON poetry, by fiatknox
In the intro (reversing beep) I used a binaural recording, so it gives a different result if you use headphones (although I mixed on speakers):
177190 Binaural machinery by denismcdonald
Picture by Celia

31032024 They All Speak in tongues

Geko

Jazzopédie II

osu! World Cup 2025 Original Track

Illustrated by Raybean
Designed by Boolmaster Flex & Raybean & Kheops
Design Quality Assured by Boolmaster Flex & LowGraphics
Design Coordinated by Sakura006

Out of Place

Farahnoise pudiera ser mas conocido como bajista de diferentes agrupaciones underground de la ciudad de Guadalajara desde los 90'.
Se inicia como ruidista alrededor del año 2006.

Farahnoise quiere agradecer a las siguientes agrupaciones en la que ha participado ya que sin su apoyo jamas hubiera sido posible crear ninguno de estos noises.

Voz sin Cuello - Garagexeprimental
Síndrome de Estocolmo - mathcorexperimental post -hardcore
Pandemia - Hardcoremetal
Imopectore - Hardcoremetal
Le Caterpiller - Worldmusicjazzrockfusion
Cerado dl Noise - Experimentalcircuitbending&feedback 
Cerado dl Hibre - Unknown jazz
David Chanson - Bad Nerved jazz freenoiselanders

Estas piezas son el resultado de una extensa búsqueda por plasmar un momento vivo.

Geko

F4R4HN015E

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