FARAN-ALL

FLASH POINT

Yalova Sema Fest 2015

Laboratorium Pieśni - Rosna Livada - EtnoWiosnowisko - Spichlerz Opacki - Oliwa 2 2

Live at the Blue Whale! in Little Tokyo, L.A. 
(Encore performance)
Vocals by Aditya Prakash. Written and arranged by Sheela Bringi.
Originally produced by Clinton Patterson from Sheela Bringi's album "Incantations"
https://www.youtube.com/watch?v=ociXwzxx6Ho (video link)

Raja Ram (Live Encore) Feat. Aditya Prakash

Check out my new videoclip, La vida es un Lalalala - Song from Album "Encuentro".

youtu.be/TTtXI8E-Gqk

Directly from the Mediterranean :-)

An excerpt from my new cd.

Available at:

itunes.apple.com/es/album/encuentro/id1069966708

play.google.com/store/music/album…gcrv37bjewc5zoc3u

www.cdbaby.com/cd/maurigomez

Also my new cd its available on Spotify, so If you like it feel free to listen it as many times you want, and of course I will be pleased If you contact me in case you have anything to share.

open.spotify.com/album/188ehtWCozlbjUmaiWKLfj

La Vida Es Un Lalalala

Over the past ten years, Terrakota has forged its own pan-African and trans-Atlantic rootsworldkota sound. On its sixth studio album “Oxalá”, the band embraces its Portuguese roots while diving more deeply into their rock influences. A message of hope for humanity.

“Oxalá” is a Portuguese word, of Arabic origin, venerated in Brazil. It comes from the Arabic expression “inch'allah”, an expression often used in Portuguese (“se Deus quiser”). In Portugal, Oxalá stands for the desire for something to happen. Followers of the Afro-Brazilian religion candomblé know Oxalá or Obatalá as the first orixá (Nigerian yoruba god), creator of the world, men, animals and plants.

“Oxalá”, one word, one expression but a lot of meaning, a place where many cultures collide and intermingle. A word that comes from the Arabs, who were based in Portugal for centuries and left their marks, before it was introduced in Lusophone countries via the trans-atlantic slave trade. These darkest pages of human history somehow intrigue Terrakota, following the ancient trade routes, but turned upside-down, from the New World back to Africa, drinking from the fantastic musical diversity that has been spread around the world through slavery.

For Terrakota, Oxalá, that desire for something to happen, can be understood as a political statement, a desire for humans to go back to a lifestyle in harmony with the nature that surrounds us, for a world without borders where cultural encounters are the norm, a No Man's Land where no man can claim the land is theirs. The critical status of the human societies and the planet serve as a base for a conscious message to which the band will not renounce.

Portuguese roots
Terrakota's first albums were inspired by travels to Burkina Faso, Senegal, Mali, Guinea, while also incorporating influences from Latin America. The fourth album is clearly marked by their trip to India. This one is inspired by an internal travel, giving light to Portuguese songs built on top of their Afro-explosive melting pot: Afro-Brazilian rhythms, soukouss, reggae, afrobeat, gnawa, influences from India & beyond.
Africa remains the main source, the starting point from where the band looks for the perfect alchemy to get to their trademark modern roots sound, where all borders, distances and barriers are wiped out.

The band has again invited guests to make the music even richer, special people with whom the band has a privileged relationship: traditional Alentejo singer Vitorino, Indian singer Mahesh Vinayakram, French rapper Florian Doucet, beatmaker & producer Beat Laden, Kumpania Algazarra's horn section, and backing vocals by the Lisbon-based Selma Uamusse (Mozambique) & Anastácia Carvalho (Angola), without forgetting a brilliant text by the Angolan rapper Luaty Ikonoklasta.

After parting ways with vocalist Romi and two sabbaticals, Terrakota has added fresh blood with the young and talented singer/multi-instrumentalist Gonçalo Sarmento, the gracious performer/dancer Diana Rego, as well as new drummer Márcio Pinto and percussionist Paulo das Cavernas. These new elements and the extra years of travelling for the veterans have brought Terrakota to an even more mature sound, concising lyrics and the guts to do some songwriting in addition to their explosive Afro-world sound.
The Portuguese globetrotters have reached new highs and are ready to take Europe by storm and get back to the international festivals to make the audience dance to their positive vibes and energizing live performance!

www.terrakota.org

Oxalá

Entre o Céu e a Terra

Sit and relax...listen to the melody of love

Dune

check out our new website :http://faran-ensemble.com/
For more music : http://faran.bandcamp.com/
Stay in touch with our facebook page : https://www.facebook.com/Faran-Ensemble-196939027029288/
Faran Ensemble is a three player group, who joined each other in a
spiritual quest, expressed in music and sounds. It has been years now that
these players have deeply engaged themselves in studying the musical
instruments and the theory of music with the best teachers in the country
and abroad.

The instruments played originate from esoteric and ancient traditions of
the East.
KAMANTCHA is an ancient musical instrument whose origins are
rooted in Azerbaijan and Iran.
OUD, one of the most ancient string instruments, is found anywhere it is customary to have very strong and dark tea in a small cup.
The Percussion which have been in use since the first human heartbeat.

The ensemble members grew up and come from different places,
backgrounds and sceneries. From the very dry desert to the luscious green
through the hectic noisy city sounds. The composed works reflect all of
these as they were composed together by the four ensemble members.
Both the composition-works and the musicians are deeply influenced by
the Eastern musical system called 'Maqam' .
Maqam in translation means all at once a physical place in the musical scale,
the fingers' placing on the strings and the melody which expresses this.
But more than that, 'Maqam' refers to a meditative place. A state that the
player must be attended so the music will be played as it should be.
In ancient cultures each Maqam has its own particular hour in the day,
season and a specific ceremonial connection.

Faran, is a dry desert wadi, which fills with water and life only in rainy
winters; and in the hot season, otherwise silent. It crosses Israel on its
way from Sinai, ignoring all borders.

Music for us is a journey.
Join us..

Moon

check out our new website :http://faran-ensemble.com/
For more music : http://faran.bandcamp.com/
Stay in touch with our facebook page : https://www.facebook.com/Faran-Ensemble-196939027029288/?fref=ts

Faran Ensemble is a three player group, who joined each other in a
spiritual quest, expressed in music and sounds. It has been years now that
these players have deeply engaged themselves in studying the musical
instruments and the theory of music with the best teachers in the country
and abroad.

The instruments played originate from esoteric and ancient traditions of
the East.
KAMANTCHE is an ancient musical instrument whose origins are
rooted in Azerbaijan.
OUD, one of the most ancient string instruments, is found anywhere it is
customary to have very strong and dark tea in a small cup.
The Percussion which have been in use since the first human heartbeat.

The ensemble members grew up and come from different places,
backgrounds and sceneries. From the very dry desert to the luscious green
through the hectic noisy city sounds. The composed works reflect all of
these as they were composed together by the four ensemble members.
Both the composition-works and the musicians are deeply influenced by
the Eastern musical system called 'Maqam' .
Maqam in translation means all at once a physical place in the musical scale,
the fingers' placing on the strings and the melody which expresses this.
But more than that, 'Maqam' refers to a meditative place. A state that the
player must be attended so the music will be played as it should be.
In ancient cultures each Maqam has its own particular hour in the day,
season and a specific ceremonial connection.

Faran, is a dry desert wadi, which fills with water and life only in rainy
winters; and in the hot season, otherwise silent. It crosses Israel on its
way from Sinai, ignoring all borders.

Music for us is a journey.
Join us..

Jasmin

check out our new website :http://faran-ensemble.com/
For more music : http://faran.bandcamp.com/
Stay in touch with our facebook page : https://www.facebook.com/Faran-Ensemble-196939027029288/?fref=ts

Faran Ensemble is a three player group, who joined each other in a
spiritual quest, expressed in music and sounds. It has been years now that
these players have deeply engaged themselves in studying the musical
instruments and the theory of music with the best teachers in the country
and abroad.

The instruments played originate from esoteric and ancient traditions of
the East.
KAMANTCHE is an ancient musical instrument whose origins are
rooted in Azerbaijan.
OUD, one of the most ancient string instruments, is found anywhere it is
customary to have very strong and dark tea in a small cup.
The Percussion which have been in use since the first human heartbeat.

The ensemble members grew up and come from different places,
backgrounds and sceneries. From the very dry desert to the luscious green
through the hectic noisy city sounds. The composed works reflect all of
these as they were composed together by the four ensemble members.
Both the composition-works and the musicians are deeply influenced by
the Eastern musical system called 'Maqam' .
Maqam in translation means all at once a physical place in the musical scale,
the fingers' placing on the strings and the melody which expresses this.
But more than that, 'Maqam' refers to a meditative place. A state that the
player must be attended so the music will be played as it should be.
In ancient cultures each Maqam has its own particular hour in the day,
season and a specific ceremonial connection.

Faran, is a dry desert wadi, which fills with water and life only in rainy
winters; and in the hot season, otherwise silent. It crosses Israel on its
way from Sinai, ignoring all borders.

Music for us is a journey.
Join us..
https://www.facebook.com/Faran-Ensemble-196939027029288/?fref=ts

The Prophet Of Emotion

Tide

Rujum

Camila

Recorded Live in Satsang @ Sivananda Ashram Yoga Retreat, Bahamas.

Om Gam Ganapatayey Namaha

Bahar Aykaç'ın sesinden...
Yaşama olan aşkımızı ifade ettiğimiz bir çember gecesinden.

Tide

FARAN ENSEMBLE

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