Resultado da fusão da diversidade sonora das batidas de gust e a caneta sensata de VECTOR COLETIVO DELTA a ©SAMOSAMOSAMO tem o prazer de apresentar o álbum "AUTORRETRATO", marcando assim o final da jornada musical do selo em 2023. O álbum define a visão introspectiva do compositor ao olhar no espelho e conta com a participação e colaboração do nosso irmão ESTUFADO COLETIVO DELTA em uma das faixas, fora a dedicação e parceria de sempre. Obrigado família vambora!
I.SETE PALMOS(INTRO) prod. ESTUFADO
II.SOLVENTE
III.AUTORRETRATO
IV.FALAVAM
V.FAROL
VI.PERDÃO(SKIT)
VII.ÉPOCA BOA
VIII.VIDA PASSAGEIRA/CORAGEM(SKIT)
IX.MÃE
X.POST SCRIPTUM
_______________________________________

Ficha técnica:

letra/vozes: VECTOR COLETIVO DELTA 
beats: gust 
captação: ESTUFADO COLETIVO DELTA 
visual: noiz memo

Todos os direito reservados à ©SAMOSAMOSAMO.

VECTOR COLETIVO DELTA///gust - AUTORRETRATO (FULL ALBUM)

sopapreta - quarta feira prod by keith

Uma das faixas do projeto CÃO EP de @SECOnuncaraso para 2025.  

Instrumental por GUST

SECOnuncaraso - FOFOCA (prod. GUST)

1 - Atire o primeiro verso pelo inverso

2 - Quanto tempo falta?

3 - Aí quem dera a vida fosse como manicreft 

4- Enredo de um subalterno 

5 - Fendas do meu travesseiro 

6 - Labirinto dos espelhos 

7 - O sonho de um homem ridículo 

8 - Conselho de bobo 

9 - Abram alas 

10 - Trago na bagagem lembranças da guerra 

Enterro dos ossos Vol ll (prod. ghowste)

Taye Jetu Alah Mah

To celebrate the album’s 10th anniversary, Far Out Recordings announces the first ever vinyl edition of Arthur Verocai’s 2007 masterpiece Encore. Remastered
from the original tapes, Encore features 11 original compositions from Arthur with guest musicians including Azymuth, Ivan Lins and a nine-piece string section. The highly anticipated follow up to Arthur’s eponymous debut album from 1972, Encore saw Arthur joining the dots over 35 years to create a modern classic of Brazilian music that, like his debut, combined Brazilian influences with his take on American soul and cinematic experimentation, and shows Arthur’s sound is as poignant now as it ever was.
In the mid-2000’s, following on from Marcos Valle, Joyce and of course Azymuth, Arthur Verocai joined the long-line of Brazilian musicians whose music was to be introduced to a whole new legion of fans by Far Out. The story of ‘Encore’ of course begins with Joe Davis, Far Out’s head honcho who stumbled upon Arthur’s debut in a dusty record store in downtown Rio in the late 80s. At the time of its release in 1972 critics panned Arthur’s debut and both the album and artist subsequently vanished into obscurity. Fast forward to winter 2004 and Joe’s at the studio of Far Out Recording artists Harmonic 313 – aka production duo Mark ‘Troubleman’ Pritchard and Dave Brinkworth – playing them some of his favourite Brazilian albums. Dave recalls the moment Joe put on Arthur’s debut, “As soon as the needle hit the record and we heard the fantastic arrangements, songs and sounds, Arthur completely blew our minds”.

Three months later and Dave was in Brazil with Arthur Verocai, and the plans for what was to become ‘Encore’ were being laid down. Produced by Dave, ‘Encore’ sees Arthur on incredible form, the 35 plus years between the recording of his debut and this the follow-up just melting away as Arthur picked up the (conductor’s) baton once again to create 11 epic tracks of stirring samba-soul and experimental cinematic movements that sees him creating a record to rival his debut.
Born in Rio de Janeiro on 17 June 1945, Arthur Verocai began his professional music career in 1969 and over the next few years he was responsible for the orchestration of albums by Ivan Lins, Jorge Benjor, Elizeth Cardoso, Gal Costa, Quarteto em Cy, MPB 4 and Marcos Valle, among others. In the 1970s he was hired by Brazil’s biggest TV station, TV Globo, as musical director and wrote the arrangements for many of the stations biggest shows. In 1972, following the success Arthur had with the production of Ivan Lins 1971 album "Agora", Arthur recorded his self-titled debut album on Continental Records. ‘Arthur Verocai’ challenged the musical conventions of the day, combining Brazilian influences with folksy soul and lo-fi electronic experimentations of American artists like Shuggie Otis or the orchestration of producer Charles Stepney.

Encore

Vinyl/CD/DL

Sucuri

Preludio

Dona Das Mininas

https://soundcloud.com/pedrokief
X
https://soundcloud.com/direto-do-alambique

#timeBNP #underground #rapalternativo 
#CantoMistico #PedroKief #MatheusDVS #DrunkMonk

O Céu Berrou Saudades

Recomeço

Recomeço Part. Pedro Kief, Matheus DVS aka Drunk Monk

senpa, bilmer - Senpa, eu não sei. (Prod. Syndrome) [unmastered]

Far Out Recordings was founded in 1994 by London DJ and record producer Joe Davis. His longstanding and insatiable passion for Brazilian music, fuelled by his initial love of the jazz, funk and soul ubiquitous on the Rare Groove scene in 1980s London, took him to Brazil first as a teenager. It was there that his enthusiasm for record-collecting led him to some of his musical heroes and the eventual formation of musical bonds and close friendships. Joe’s early discoveries led to him becoming the UK’s foremost authority on Brazilian music, much of it little-known here before his enthusiastic endorsements began to ring out across the music scene. This led to the inevitable, and the keen young music fan and DJ with an entrepreneurial flair founded Far Out Recordings.

The label’s aim from the start has been to bring the sound of Brazil to the world – to showcase the history and culture of a land bursting with creativity and energy – from the classic to the cutting edge. There have been numerous releases from both new and established Brazilian artists including legends such as Azymuth, Joyce, Marcos Valle, Arthur Verocai, The Ipanemas, Sabrina Malheiros, Clara Moreno and Binario, to name a few. 

Far Out also releases music from musicians and producers around the world who share the label’s appreciation for Brazilian music and culture. Alongside Brazilian music, the label is also well known for its longstanding association with underground dance music, having collaborated with some of the most acclaimed and accomplished electronic producers of our times. This had led to a rich plethora of pioneering and innovative dance and beats music, forging a future for the oft-neglected role of Brazil and its rhythms in the complex dance music diaspora of the UK and US, with 12" remixes and original productions from the likes of Theo Parrish, Mark Pritchard, 4hero, Dego, Andres, Marcellus Pittman, Kirk Degiorgio, Nicola Conte, A.D. Bourke, Henry Wu and Rick Willhite among many others.

Joe's crate-digging mentality has also been the driving force behind another crucial aspect of Far Out's work - unearthing forgotten masterpieces and once impossible to find records. This has led to reissues from the likes of Milton Nascimento and Roberto Quartin’s catalogue of lost gems, resulting in some of the finest Brazilian reissues you’re likely to find. While this remains a relatively small percentage of the label's output, every release is brought to you with the utmost love and care, ensuring painstaking perfection in the realms of sound, aesthetic and physicality.

Many of the artists on the Far Out roster regularly tour worldwide, playing across Europe, the USA and the Far East. Look out for them in your town, spreading the joy, the warmth and the restless creativity of Brazilian music and all that Far Out seeks to represent. “After more than twenty years of Far Out, we are only just beginning to realise our ambitions” surmises Joe. “We are still learning about production, recording and music, always.. and we are fortunate to be surrounded by the most exciting group of musicians and producers who are making consistently brilliant music. We are still intent on finding new stars, but we are immensely proud of what we have achieved so far and our formidable artist roster.”

"Brilliant British-Brazilian label" Daily Telegraph
"15 years of the excellent Far Out" Word
"The original and the best, Far Out has never faltered" Gilles Peterson
"Excellent London-based Brazilian label" The Independent
"UK's leading Brazilian label" The Observer
"UK's foremost Brazilian record label" Clash

Bis

Far Out Recordings

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