Lyrics

Never doubt that a small group of thoughtful, committed citizens can change the world

Never doubt that a small group of thoughtful, committed citizens can change the world

Activated citizens change the world
Indeed, it’s the only thing that ever has

Radicalized citizens change the world
Indeed, it’s the only that ever has

Agitate and always agitated

One, two, three, four

Black bloc black mask
Take rights don’t ask
Confront and harass 
Those with power don’t pass

Activated citizens change the world
Indeed, it’s the only thing that ever has

Show your discontent

Track Credits:
Stricknice: Live drums, ending remix
@j-nice-6
Bitzone: Mix and Master
@bitzone
www.bitzones.net
Wou-Wou & the Wormling: Bass, Guitar, Original Demo Track, Song Art
@wouwouandthewormling
wouwouandthewormling.bandcamp.com
www.instagram.com/wouwouandthewormling
the Couch King: Lyrics, Vocals, Samples, Production
musiciselation.bandcamp.com

Lyrics

Never doubt that a small group of thoughtful, committed citizens can change the world

Never doubt that a small group of thoughtful, committed citizens can change the world

Activated citizens change the world
Indeed, it’s the only thing that ever has

Radicalized citizens change the world
Indeed, it’s the only that ever has

Agitate and always agitated

One, two, three, four

Black bloc black mask
Take rights don’t ask
Confront and harass 
Those with power don’t pass

Activated citizens change the world
Indeed, it’s the only thing that ever has

Show your discontent


Black Bloc

Stricknice, Bitzone, Wou-Wou & The Wormling, and the Couch King - Black Bloc

During my time on university (when I played around 6 hours a day on guitar), I composed many albums with different styles. One of them was my death metal album, and this is basically first half of second song on that album. 

Obviously, I composed it on guitar, and played it many, many times. So  I took the composition (tones/riffs) and found nice edgy, distorted, techno bass. And played it with that bass sound, because I wanted to make it sound more like techno.

Drums I had to make from a scratch, although I already had some ideas about rhythms and fill-ups from long time ago. I came up with a number of good rhythms that complement the atmosphere of riffs. 

I added soft synths in first half, and then at the very end (the last part), where I play them with only fast drums. Somehow I love that combination, thinking about doing more themes like that. 

Wish me luck, see you next time.

Celebrating terminator

© Liberty 2025, all rights reserved

Amor fati - "love of fate".
Venal ressentiment - A resentment rooted in a corrupt or self-serving motive, where the resentful individual may be motivated by greed or personal gain rather than a genuine sense of injustice. 

Fabulous Failure	

wage slave wage slave
To a protestant work ethic
Birthright destiny 
amore fati

The smart exec knows where the wages are low
Nothing personal now just business you know
Egalitarian principles oh what a bore
How much is enough just a little bit more

Rose coloured glasses
Kissing assess  
Believe your own hype
That’s a leadership type


Fabulous failure
Fabulous failure

Cannibal capitalism 
Pandemonium
Craving idols 
Patchouli dreaming

The smart exec knows where the wages are low
Nothing personal now just business you know
Egalitarian principles oh what a bore
How much is enough just a little bit more

Peccadilloes
Na’er-do-wells
Venal ressentiment


Fabulous failure
Fabulous failure
Fabulous failure

FabulousFailure

👀 Watch Fresh Video :   https://youtu.be/hImeqesy41s 
More than a vibe — it’s a mindset. This track blends heavy-hitting EDM with raw rap energy, designed for the ones who step out clean, talk bold, and move like they own the moment. "Fresh" is about Image and attitude.
The beat hits with futuristic synths and bass that shakes the concrete, while the verses cut through with slick talk and confidence. Ain’t nothin’ stale here — this is brand new, unapologetic, and built to turn heads. Whether you're in the whip, on the block, or deep in the crowd, "Fresh" brings that pressure.
This one’s for the stylish, the original, the bold — the ones who don’t follow waves, they create them.
 Thanks ChatGPT !!!

As Vincent Van Gogh once said :-
Thank you for lending me your ear and if you like the sunflowers don't forget to repost, like and follow.

Fresh

ARTEMIS

Where are U?

It’s been a while….. Hope you are enjoying your summer! Just a little chilled ditty for your perusal!
Thank you for all of your kind plays reposts and playlists!💐

Water Colour

Thank you for listening.
music composition / sdmk
arrangement / m-tek
Sample Sound / shiradow
Mastering / sdmk

Captivating Brilliance

Attack

A brutal, no-nonsense banger that hits straight in the chest. Chestpunch is built on crushing kicks, raw distortion and relentless drive — a track that doesn’t just play, it impacts. Every drop lands like a fist straight to the ribcage, pushing the energy higher and harder with every bar.

Chestpunch (Forthcoming on Noisj records)

Love this one! 
It´s the first piece I dare to call a "song"

Apology for Uncertainty

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

Celebrating terminator

Fat beats project