A jolly pop song using apocalyptic growling synths. Light and dark nicely blended.

Very cool Sound. I like it 🎶🎧😀👍

hey this is very cool. love the double time feel

Great synth sounds and rhythm beats are cool

This is a great riff with the syncopation in the rhythm track. The melody and countermelody keep the listener engaged.

interesting work in this seq……cool if you listened to some of my tracks.🤔

Radio Activity

This song is for anyone who is in a long distance relationship regardless of how (physically) close the other may be.  It is for those who feel something for another.  The other also feels this attachment.  But something is preventing them from turning this love into a physical relationship (marriage, children, gender…).  They see each other frequently.  Perhaps they are neighbors, co-workers, or spouses of friends.  They enjoy their time together but it is always at a distance.  Never to be consummated.  The first and third verse & choruses are in the Key of G.  The second verse & chorus is in the Key of F.

But We Can Love

Verse:
I see you every day
SO  much more in the month of May
You return my eye contact
We share this painful pact

I see that longing in your eyes
It wells up in me but I cannot cry
The hint of love for me
My body aches to get down on knees

Chorus:
We cannot touch
We cannot hug
We cannot caress
We cannot kiss
But we can loo-o-o-ove
we can loo-o-o-ove
hmmm hm hmmm

Verse 2:
The desire to take the next step 
In my mind has often crept
But I know it cannot be
No lunch nor sharing a tea

When I see you my body yearns 
My heart aches and burns
I want to be close and touch
Press you against me and such

Verse 3:
But alas I know it is not to be
There can never be a you and me
Our history has not unfolded that way
The fates have shouted neigh

The us that we desire will never be we
It will remain a separate you and me
We remain distant to each other
It is as though we are sister and brother

Outro:
The kiss is only in our minds
Safely hidden behind the blinds
Deep inside our head

But We Can Love

Wail of Breath

I don’t know
What I don’t know
Something’s I know
Something’s I don’t know

There are things 
I think I know
But, maybe they’re
Not really so

What if the things
That I know
Aren’t real
Just a mental photo

What if the things
That I know
Are just brainwashing
From the status quo

What if I’m trapped
In some strange reality show

So, what do you know
In the afterglow?
There’s no way to control
The things you don’t know

So, what do you know
In the afterglow?
Memories covered in snow
Frozen in the ice flow

So, what do you know
In the afterglow?
The seeds of tomorrow
Were planted so long ago

So, what do you know
In the afterglow?

So, what do you know
In the afterglow?

So, what do you know
In the afterglow?

So, what do you know
In the afterglow?

What Do You Know

Symphony For The Future

Produced, composed, arranged and performed by Andrea Veltroni. lead voice: Phoebe Lesch. All right reserved siae 2020. buy the new album " weird tales" here:andreaveltroni.bandcamp.com/album/weird-tales-2

the lost world

The Lost World

the unyielding yearn and the search to fulfill - an experimental drum journey through tension, release, and desire

coveted desire

Another World

Farizz - Sphinx

Bark in the Wild

虹 RAINBOW


遥かな空に清らかな虹がかかる

涙をぬぐい両手広げときめきもらおう

素直な心でいよう　
虹の天使も微笑むよ

だから苦しい事があっても　
幸福つかむ気持ち捨てないで
きっと永遠の愛と喜び訪れるから


生きていく事って辛いよね
毎日毎日泣いてるよ
でも,でも,でも,でも,あの虹が
絶対,必ず,絶対,必ずね


素直な心でいよう　
虹の天使も微笑むよ

だから苦しい事があっても　
幸福つかむ気持ち捨てないで
きっと永遠の愛と喜び訪れるから

苦しい事があっても　
幸福つかむ気持ち捨てないで
きっと永遠の愛と喜び訪れるから

Amazon

虹 RAINBOW

All Over The Flat

A struggle is always worth it.

Never give up!

My Children

Judgement day chanting

"En Bas"
Nacim / Rapping vocal & lyrics
Ashesndreams/ Chorus & Lyrics
Prod by Veule @ D'Empares 81100 France
Tchik Tchak Records 2021


Enfant j'étais gentil depuis j'ai connu des gens qui 
ont fait que j'ai déjanté puis changé aujourd'hui 
je fume pour tuer le temps en attendant que le temps me tue
 le cœur du comme du béton allez tirez donc dessus
Si ca vous chante moi
 pendant ce temps j'envoie des chants noirs qui cassent des jambes 
wouaw c'est la merde en bas
Les chefs nous mènent en bateau, plutôt même en barque
Font la fête sur un paquebot à nos frais payés
Pendant qu'on tombe à l'eau pas un d'eux pour aider
Démonmo nous apprend à ne penser qu'à l'oseille
 une fois prêt on part au charbon
 on ressort le cœur cabossé et l'âme aussi
 oui messieurs on est pas fait pour vivre ainsi
 à la merci de l'état et de de ceux transformant vie en ville
 ainsi qu'une routine atroce
et moi je suis même plus étonné de voir que des petits 
raccrochent remplir la poche ca passe avant le reste de vie qu'ici t'as tchi gratos

And before long, it's been sealed
There for you, I live right here
My bestie, I love you so
How come that you were near

Du coup les mômes sans diplômes deviennent commerciaux de la rue et on les emprisonnent des lors qu'ils génèrent de la thune
les grands frères les entrainent souvent sur la mauvaise voix dans un sombre sentier sans fin
En quête de mauvais choix qu'en parallèle les hommes de lois font tout pour les contourner 
Que notre élu croit être le roi fait tout pour nous contrôler
Quand est ce qu'on s'évade?
Ici c'est Cheum je suis hanté par des tas de pensées fades

And before long, it's been sealed
There for you, I live right here
My bestie, I love you so
How come that you were near
before long

Sur ce  bateau ou le matelot coule quand le capitaine fait des vagues
 un navire qu'on veut décalquer sur l'Amérique 
on met tout le monde dans des cases
 moi je vogue entre tout les mondes complétement comblé de manque
 et pourtant quand tu me demandes ca va je te mens comme tout le monde
Comme tout le monde j'ai fait des fautes 
mais le karma s'est bien vengé
 l'expérience m'a killé des faits
 dans ma tête tout est mélangé
dérangé l'impression d'être partout étranger 
je ne fais que me poser des questions
 dans le fond ca m'empêche d'être en paix
D'ailleurs la paix j'y connais rien plongé dans le bain des collégiens
Face à la lutte des classes
Cœur glacé comme un norvégien X2

Demo

Nacim - En Bas ft Ashesndreams

SPACEWALK (LA.BOTICH version)

This time, LA.BOTICH (https://soundcloud.com/labotich) prepared a "spacey" version of Spacewalk. Exploring lot of new sounds, result of LA.B version is really good.

ENJOY !!!!

Greetings !
Gonzalo

Show less

Spacewalk - LA.BOTICH & Gonzalo Serrano

Track 10 in "Tender Snow" (2021) by Alex M: composed, played, arranged, edited and recorded by Alex M in GarageBand iOS and Logic Pro X,  30 December 2020 and 2, 3, 25 and 27 January 2021, and mixed in Logic Pro X, 27 January 2020; posted on SoundCloud on 31 January 2021 (before the release of the album as a whole).

Duration: 5:53 minutes
Tempo: 106 bpm
Time Signature: 4/4
Key Signature: F minor

Digital instruments used, in the order of playing and recording:

1. Guitar - Acoustic
2. Piano - Grand Piano
3. Drums - Acoustic - SoCal
4. Bass - Upright
5. Strings - Cinematic - Cello
6. Synthesizer - Classics - Classic Pad
7. Quick Sampler - Keys - Almost Harpsichord
8. Synthesizer - Soundscapes - Distant Air

Snowflakes Melting on Your Cheeks

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

Judgement day chanting

Fat beats project

Recent comments

Dgé breton

David Dunham

Codex Scrolls. (Scribes of Avalon)

fu-fu

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