Bruto viento

I released this track during 3-rd covid lockdown. I had some time to spare so I remade my old track Bassline playground. That one has only one bass sound all the way through, so I found even better one for most of the song (except the riff, which stayed unaltered). 

The structure is simple: riff, verse 1, chorus, verse 2, chorus, riff, chorus. Rhythms are 3. One playing during riff - that one is original, and freshly composed on the spot. Next two are basic techno rhythms, first one in first verse, and second for the rest of song. The only thing that changes in those rhythms is hi-hat. 

Picture is made in Canva, I just throwed in some clipart pics together, but the message is clear, I hope. And with the name of song (warning immediate noise), it kind of suggests a loud and aggressive sound from the very beginning. Song plays only drums and bass, no melody or any other sounds. There's only one drum fill-up, and even that one is at the very end, and the track generally could be labelled as minimalistic too. Happy listening.

Warning immediate noise

second track from the Eternal Project- Edge of a change in occurrence.
Metaphor for the pause between two circumstances-
inside of your mind........at a point in time

The Eternal Project -Precipice

blue raccoon teach us everything

Passers By

dZb 1008 - Guez(ARG) - 2win (Original Mix).

QU-ST146  23  Modularsystemsession 16

Superficie

Drive time (Mix 2, October 28, 2019)
Mix 2 changed pan and compression on acoustic guitar to bring it forward in the mix. 
Mix 3: April 7, 2020 reprinted to a 1/4 inch 2-Track Tape MCI JH-110
Written, performed, and mixed by Tim Griffis at Princeton Studio. Thanks to Rene, Kevin, and Andrew for comments on an early mix. Always appreciate the feedback. 

Hope you like the sound ;-)

Technical Details
Recorded at Princeton Studio
Guitars: Guild Acoustic, Fender Strat; Les Paul Standard; Fender Squire Bass

Mics: Neumann TLM 67 and AKG C414xls
Drums: arranged by TG
Software: Pro Tools
Vocals: TG

Mixer: API 16 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)

Lyrics

Verse 1
The demons inside your head, they're on fire
It's making it hard to fake your smile
you're cool on love, it's breaking you down
it's a simple life, in this heartbreak town 

Chorus
You fake a smile at me - I don't mind
Come see the world with me - it's our time
We'll find a cure for you - it's drive time

Verse 2
You're stronger than steel, you gotta heart of gold
The cells in your blood won't leave you alone
It's a rare disease, one step at a time
It's making it hard to fake your smile

Chorus
You fake a smile at me - I don't mind
Come see the world with me - it's our time
We'll find a cure for you - it's drive time

Bridge/Verse 3 
no lyrics
Enter Heavier Guitar Sound (Gibson Les Paul Standard)

Chorus
You fake a smile at me - I don't mind
Come see the world with me - it's our time
We'll find a cure for you - it's drive time

Drive time

Pacific Ocean by Clemenson. Hope you like it!

"Jamaica" is available on Spotify on February 19th!

(Spotify and other links in my profile.)

Pacific Ocean

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

Warning immediate noise

Fat beats project

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Sonny Kaye

Sonny Kaye

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